Whilst critical acclaim and literary success avoided him through his life he has always had his admirers and devotees; Stephen King described 'The Great God Pan' as "one of the best horror stories ever written. Maybe the best in the English language." And H.P. Lovecraft called him "a Titan - perhaps the greatest living author".
'The Shining Pyramid' was written in 1895 and features 'Dyson', Machen's (sort of) supernatural sleuth searching for the meaning behind strange symbols that have appeared on a friends farm near where a young girl has gone missing. The story opens in an almost Holmesian mode before the story heads off to the wilds of Wales and it's very dark denouement.
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The Shining Pyramid
1. The Arrow-head Character
"Haunted, you said?"
"Yes, haunted. Don't you remember, when I saw you three years ago, you told me about your place in the west with the ancient woods hanging all about it, and the wild, domed hills, and the ragged land? It has always remained a sort of enchanted picture in my mind as I sit at my desk and hear the traffic rattling in the Street in the midst of whirling London. But when did you come up?"
"The fact is, Dyson, I have only just got out of the train. I drove to the station early this morning and caught the 10.45."
"Well, I am very glad you looked in on me. How have you been getting on since we last met? There is no Mrs. Vaughan, I suppose?"
"No," said Vaughan, "I am still a hermit, like yourself. I have done nothing but loaf about."
Vaughn had lit his pipe and sat in the elbow chair, fidgeting and glancing about him in a somewhat dazed and restless manner. Dyson had wheeled round his chair when his visitor entered and sat with one arm fondly reclining on the desk of his bureau, and touching the litter of manuscript.
"Yes, the vain pursuit of literature, as idle as alchemy, and as entrancing. But you have come to town for some time I suppose; what shall we do to-night?"
"Well, I rather wanted you to try a few days with me down in the west. It would do you a lot of good. I'm sure."
"You are very kind, Vaughan, but London in September is hard to leave. Doré could not have designed anything more wonderful and mystic than Oxford Street as I saw it the other evening; the sunset flaming, the blue haze transmuting the plain street into a road 'far in the spiritual city.'"
"I should like you to come down though. You would enjoy roaming over our hills. Does this racket go on all day and night? It quite bewilders me; I wonder how you can work through it. I am sure you would revel in the great peace of my old home among the woods."
Vaughan lit his pipe again, and looked anxiously at Dyson to see if his inducements had had any effect, but the man of letters shook his head, smiling, and vowed in his heart a firm allegiance to the streets.
"You cannot tempt me," he said.
'Well, you may be right. Perhaps, after all, I was wrong to speak of the peace of the country. There, when a tragedy does occur, it is like a stone thrown into a pond; the circles of disturbance keep on widening, and it seems as if the water would never be still again."
"Have you ever any tragedies where you are?"
"I can hardly say that. But I was a good deal disturbed about a month ago by something that happened; it may or may not have been a tragedy in the usual sense of the word."
"What was the occurrence?"
"Well, the fact is a girl disappeared in a way which seems highly mysterious. Her parents, people of the name of Trevor, are well-to-do farmers, and their eldest daughter Annie was a sort of village beauty; she was really remarkably handsome. One afternoon she thought she would go and see her aunt, a widow who farms her own land, and as the two houses are only about five or six miles apart, she started off, telling her parents she would take the short cut over the hills. She never got to her aunt's, and she never was seen again. That's putting it in a few words."
"What an extraordinary thing! I suppose there are no disused mines, are there, on the hills? I don't think you quite run to anything so formidable as a precipice?"
"No; the path the girl must have taken had no pitfalls of any description; it is just a track over wild, bare hillside, far, even from a byroad. One may walk for miles without meeting a soul, but it is perfectly safe."
"And what do people say about it?"
"Oh, they talk nonsense—among themselves. You have no notion as to how superstitious English cottagers are in out-of-the-way parts like mine. They are as bad as the Irish, every whit, and even more secretive."
"But what do they say?"
"Oh, the poor girl is supposed to have 'gone with the fairies,' or to have been 'taken by the fairies.' Such stuff!" he went on, "one would laugh if it were not for the real tragedy of the case."
Dyson looked somewhat interested.
"Yes," he said, "'fairies' certainly strike a little curiously on the ear in these days. But what do the police say? I presume they do not accept the fairy-tale hypothesis?"
"No; but they seem quite at fault. What I am afraid of is that Annie Trevor must have fallen in with some scoundrels on her way. Castletown is a large seaport, you know, and some of the worst of the foreign sailors occasionally desert their ships and go on the tramp up and down the country. Not many years ago a Spanish sailor named Garcia murdered a whole family for the sake of plunder that was not worth sixpence. They are hardly human, some of these fellows, and I am dreadfully afraid the poor girl must have come to an awful end."
"But no foreign sailor was seen by anyone about the country?"
"No; there is certainly that; and of course country people are quick to notice anyone whose appearance and dress are a little out of the common. Still it seems as if my theory were the only possible explanation."
"There are no data to go upon," said Dyson, thoughtfully. "There was no question of a love affair, or anything of the kind, I suppose?"
"Oh, no, not a hint of such a thing. I am sure if Annie were alive she would have contrived to let her mother know of her safety."
"No doubt, no doubt. Still it is barely possible that she is alive and yet unable to communicate with her friends. But all this must have disturbed you a good deal."
"Yes, it did; I hate a mystery, and especially a mystery which is probably the veil of horror. But frankly, Dyson, I want to make a clean breast of it; I did not come here to tell you all this."
"Of course not," said Dyson, a little surprised at Vaughan's uneasy manner. "You came to have a chat on more cheerful topics."
"No, I did not. What I have been telling you about happened a month ago, but something which seems likely to affect me more personally has taken place within the last few days, and to be quite plain, I came up to town with the idea that you might be able to help me. You recollect that curious case you spoke to me about on our last meeting; something about a spectacle-maker."
"Oh, yes, I remember that. I know I was quite proud of my acumen at the time; even to this day the police have no idea why those peculiar yellow spectacles were wanted. But, Vaughan, you really look quite put out; I hope there is nothing serious?"
"No, I think I have been exaggerating, and I want you to reassure me. But what has happened is very odd."
"And what has happened?"
"You see," he went on, "there were, I should think, twelve little stones neatly arranged in lines, and spaced at equal distances, as I have shown it on the paper. They were pointed stones, and the points were very carefully directed one way."
"Yes," said Dyson, without much interest, "no doubt the children you have mentioned had been playing there on their way from school. Children, as you know, are very fond of making such devices with oyster shells or flints or flowers, or with whatever comes in their way."
"So I thought; I just noticed these flints were arranged in a sort of pattern and then went on. But the next morning I was taking the same round, which, as a matter of fact, is habitual with me, and again I saw at the same spot a device in flints. This time it was really a curious pattern; something like the spokes of a wheel, all meeting at a common centre, and this centre formed by a device which looked like a bowl; all, you understand done in flints."
"You are right," said Dyson, "that seems odd enough. Still it is reasonable that your half-a-dozen school children are responsible for these fantasies in stone."
"Well, I thought I would set the matter at rest. The children pass the gate every evening at half-past five, and I walked by at six, and found the device just as I had left it in the morning. The next day I was up and about at a quarter to seven, and I found the whole thing had been changed. There was a pyramid outlined in flints upon the grass. The children I saw going by an hour and a half later, and they ran past the spot without glancing to right or left. In the evening I watched them going home, and this morning when I got to the gate at six o'clock there was a thing like a half moon waiting for me."
"So then the series runs thus: firstly ordered lines, then, the device of the spokes and the bowl, then the pyramid, and finally, this morning, the half moon. That is the order, isn't it?"
"Yes; that is right. But do you know it has made me feel very uneasy? I suppose it seems absurd, but I can't help thinking that some kind of signalling is going on under my nose, and that sort of thing is disquieting."
"But what have you to dread? You have no enemies?"
"No; but I have some very valuable old plate."
"You are thinking of burglars then?" said Dyson, with an accent of considerable interest, "but you must know your neighbours. Are there any suspicious characters about?"
"Not that I am aware of. But you remember what I told you of the sailors."
"Can you trust your servants?"
"Oh, perfectly. The plate is preserved in a strong room; the butler, an old family servant, alone knows where the key is kept. There is nothing wrong there. Still, everybody is aware that I have a lot of old silver, and all country folks are given to gossip. In that way information may have got abroad in very undesirable quarters."
"Yes, but I confess there seems something a little unsatisfactory in the burglar theory. Who is signalling to whom? I cannot see my way to accepting such an explanation. What put the plate into your head in connection with these flints signs, or whatever one may call them?"
"It was the figure of the Bowl," said Vaughan. "I happen to possess a very large and very valuable Charles II punch-bowl. The chasing is really exquisite, and the thing is worth a lot of money. The sign I described to you was exactly the same shape as my punch-bowl."
"A queer coincidence certainly. But the other figures or devices: you have nothing shaped like a pyramid?"
"Ah, you will think that queerer. As it happens, this punch-bowl of mine, together with a set of rare old ladles, is kept in a mahogany chest of a pyramidal shape. The four sides slope upwards, the narrow towards the top."
"I confess all this interests me a good deal," said Dyson. "let us go on then. What about the other figures; how about the Army, as we may call the first sign, and the Crescent or Half moon?"
"Ah, there is no reference that I can make out of these two. Still, you see I have some excuse for curiosity at all events. I should be very vexed to lose any of the old plate; nearly all the pieces have been in the family for generations. And I cannot get it out of my head that some scoundrels mean to rob me, and are communicating with one another every night."
"Frankly," said Dyson, "I can make nothing of it; I am as much in the dark as yourself. Your theory seems certainly the only possible explanation, and yet the difficulties are immense."
He leaned back in his chair, and the two men faced each other, frowning, and perplexed by so bizarre a problem.
"By the way," said Dyson, after a long pause, "what is your geological formation down there?"
Mr. Vaughan looked up, a good deal surprised by the question.
"Old red sandstone and limestone, I believe," he said. "We are just beyond the coal measures, you know."
"But surely there are no flints either in the sandstone or the limestone?"
"No, I never see any flints in the fields. I confess that did strike me as a little curious."
"I should think so! It is very important. By the way, what size were the flints used in making these devices?"
"I happen to have brought one with me; I took it this morning."
"From the Half moon?"
"Exactly. Here it is."
He handed over a small flint, tapering to a point, and about three inches in length.
Dyson's face blazed up with excitement as he took the thing from Vaughan.
"Certainly," he said, after a moment's pause, "you have some curious neighbours in your country. I hardly think they can harbour any designs on your punch-bowl. Do you know this is a flint arrowhead of vast antiquity, and not only that, but an arrow-head of a unique kind? I have seen specimens from all parts of the world, but there are features about this thing that are quite peculiar." He laid down his pipe, and took out a book from a drawer.
"We shall just have time to catch the 5.45 to Castletown," he said.
Mr. Dyson drew in a long breath of the air of the hills and felt all the enchantment of the scene about him. It was very early morning, and he stood on the terrace in the front of the house.
Vaughan's ancestor had built on the lower slope of a great hill, in the shelter of a deep and ancient wood that gathered on three sides about the house, and on the fourth side, the southwest, the land fell gently away and sank to the valley, where a brook wound in and out in mystic esses, and the dark and gleaming alders tracked the stream's course to the eye. On the terrace in the sheltered place no wind blew, and far beyond, the trees were still. Only one sound broke in upon the silence, and Dyson heard the noise of the brook singing far below, the song of clear and shining water rippling over the stones, whispering and murmuring as it sank to dark deep pools.
Across the stream, just below the house, rose a grey stone bridge, vaulted and buttressed, a fragment of the Middle Ages, and then beyond the bridge the hills rose again, vast and rounded like bastions, covered here and there with dark woods and thickets of undergrowth, but the heights were all bare of trees, showing only grey turf and patches of bracken, touched here and there with the gold of fading fronds; Dyson looked to the north and south, and still he saw the wall of the hills, and the ancient woods, and the stream drawn in and out between them; all grey and dim with morning mist beneath a grey sky in a hushed and haunted air.
Mr. Vaughan's voice broke in upon the silence.
"I thought you would be too tired to be about so early," he said. "I see you are admiring the view. It is very pretty, isn't it, though I suppose old Meyrick Vaughan didn't think much about the scenery when he built the house. A queer grey, old place, isn't it?"
"Yes, and how it fits into the surroundings; it seems of a piece with the grey hills and the grey bridge below."
I am afraid I have brought you down on false pretences, Dyson," said Vaughan, as they began to walk up and down the terrace. "I have been to the place, and there is not a sign of anything this morning."
"Ah, indeed. Well, suppose we go round together."
They walked across the lawn and went by a path through the ilex shrubbery to the back of the house. There Vaughan pointed out the track leading down to the valley and up to the heights above the wood, and presently they stood beneath the garden wall, by the door.
"Here, you see, it was," said Vaughan, pointing to a spot on the turf. "I was standing just where you are now that morning I first saw the flints."
"Yes, quite so. That morning it was the Army, as I call it; then the Bowl, then the Pyramid, and, yesterday, the Half moon. What a queer old stone that is," he went on, pointing to a block of limestone rising out of the turf just beneath the wall. 'It looks like a sort of dwarf pillar, but I suppose it is natural."
"Oh, yes, I think so. I imagine it was brought here, though, as we stand on the red sandstone. No doubt it was used as a foundation stone for some older building."
"Very likely," Dyson was peering about him attentively, looking from the ground to the wall, and from the wall to the deep wood that hung almost over the garden and made the place dark even in the morning.
"Look here," said Dyson at length, "it is certainly a case of children this time. Look at that." He was bending down and staring at the dull red surface of the mellowed bricks of the wall.
Vaughan came up and looked hard where Dyson's finger was pointing, and could scarcely distinguish a faint mark in deeper red.
"What is it?" he said. "I can make nothing of it."
"Look a little more closely. Don't you see it is an attempt to draw the human eye?"
"Ah, now I see what you mean. My sight is not very sharp. Yes, so it is, it is meant for an eye, no doubt, as you say. I thought the children learnt drawing at school."
"Well, it is an odd eye enough. Do you notice the peculiar almond shape; almost like the eye of a Chinaman?"
Dyson looked meditatively at the work of the undeveloped artist, and scanned the wall again, going down on his knees in the minuteness of his inquisition.
"I should like very much," he said at length, "to know how a child in this out of the way place could have any idea of the shape of the Mongolian eye. You see the average child has a very distinct impression of the subject; he draws a circle, or something like a circle, and put a dot in the centre. I don't think any child imagines that the eye is really made like that; it's just a convention of infantile art. But this almond-shaped thing puzzles me extremely. Perhaps it may be derived from a gilt Chinaman on a tea-canister in the grocer's shop. Still that's hardly likely."
"But why are you so sure it was done by a child?"
"Why! Look at the height. These old-fashioned bricks are little more than two inches thick; there are twenty courses from the ground to the sketch if we call it so; that gives a height of three and a half feet. Now, just imagine you are going to draw something on this wall. Exactly; your pencil, if you had one, would touch the wall somewhere on the level with your eyes, that is, more than five feet from the ground. It seems, therefore, a very simple deduction to conclude that this eye on the wall was drawn by a child about ten years old."
"Yes, I had not thought of that. Of course one of the children must have done it."
"I suppose so; and yet as I said, there is something singularly unchildlike about those two lines, and the eyeball itself, you see, is almost an oval. To my mind, the thing has an odd, ancient air; and a touch that is not altogether pleasant. I cannot help fancying that if we could see a whole face from the same hand it would not be altogether agreeable. However, that is nonsense, after all, and we are not getting farther in our investigations. It is odd that the flint series has come to such an abrupt end."
The two men walked away towards the house, and as they went in at the porch there was a break in the grey sky, and a gleam of sunshine on the grey hill before them.
"It is odd," said Vaughan, "but the gipsies never trouble us here. Now and then the farmers find traces of fires in the wildest part of the hills, but nobody seems to know who the fire-lighters are."
"Surely that looks like gipsies?"
"No, not in such places as those. Tinkers and gipsies and wanderers of all sorts stick to the roads and don't go very far from the farmhouses."
"Well, I can make nothing of it. I saw the children going by this afternoon, and, as you say, they ran straight on. So we shall have no more eyes on the wall at all events."
"No, I must waylay them one of these days and find out who is the artist."
The next morning when Vaughan strolled in his usual course from the lawn to the back of the house he found Dyson already awaiting him by the garden door, and evidently in a state of high excitement, for he beckoned furiously with his hand, and gesticulated violently.
"What is it?" asked Vaughan. "The flints again?"
"No; but look here, look at the wall. There; don't you see it?"
"There's another of those eyes!"
"Exactly. Drawn, you see, at a little distance from the first, almost on the same level, but slightly lower."
"What on earth is one to make of it? It couldn't have been done by the children; it wasn't there last night, and they won't pass for another hour. What can it mean?"
"I think the very devil is at the bottom of all this," said Dyson. "Of course, one cannot resist the conclusion that these infernal almond eyes are to be set down to the same agency as the devices in the arrow-heads; and where that conclusion is to lead us is more than I can tell. For my part, I have to put a strong check on my imagination, or it would run wild."
"Vaughan," he said, as they turned away from the wall, "has it struck you that there is one point—a very curious point—in common between the figures done in flints and the eyes drawn on the wall?"
"What is that?" asked Vaughan, on whose face there had fallen a certain shadow of indefinite dread.
"It is this. We know that the signs of the Army, the Bowl, the Pyramid, and the Half moon must have been done at night. Presumably they were meant to be seen at night. Well, precisely the same reasoning applies to those eyes on the wall."
"I do not quite see your point."
"Oh, surely. The nights are dark just now, and have been very cloudy, I know, since I came down. Moreover, those overhanging trees would throw that wall into deep shadow even on a clear night."
"Well?"
"What struck me was this. What very peculiarly sharp eyesight, they, whoever 'they' are, must have to be able to arrange arrow-heads in intricate order in the blackest shadow of the wood, and then draw the eyes on the wall without a trace of bungling, or a false line."
"I have read of persons confined in dungeons for many years who have been able to see quite well in the dark," said Vaughan.
"Yes," said Dyson, "there was the abbé in Monte Cristo. But it is a singular point.
3. The Search for the Bowl
"Who was that old man that touched his hat to you just now?" said Dyson, as they came to the bend of the lane near the house.
"Oh, that was old Trevor. He looks very broken, poor old fellow."
"Who is Trevor?"
"Don't you remember? I told you the story that afternoon I came to your rooms—about a girl named Annie Trevor, who disappeared in the most inexplicable manner about five weeks ago. That was her father."
"Yes, yes, I recollect now. To tell the truth I had forgotten all about it. And nothing has been heard of the girl?"
"Nothing whatever. The police are quite at fault."
"I am afraid I did not pay very much attention to the details you gave me. Which way did the girl go?"
"Her path would take her right across those wild hills above the house: the nearest point in the track must be about two miles from here."
"Is it near that little hamlet I saw yesterday?"
"You mean Croesyceiliog, where the children came from? No; it goes more to the north."
"Ah, I have never been that way."
"I want a good rest," he said. "I have got some work to do to-morrow."
"Some writing, you mean?"
"No. I am going to look for the Bowl."
"The Bowl! If you mean my punch-bowl, that is safe in the chest."
"I don't mean the punch-bowl. You may take my word for it that your plate has never been threatened. No; I will not bother you with any suppositions. We shall in all probability have something much stronger than suppositions before long. Good-night, Vaughan."
The next morning Dyson set off after breakfast. He took the path by the garden wall, and noted that there were now eight of the weird almond eyes dimly outlined on the brick.
"Six days more," he said to himself, but as he thought over the theory he had formed, he shrank, in spite of strong conviction, from such a wildly incredible fancy. He struck up through the dense shadows of the wood, and at length came out on the bare hillside, and climbed higher and higher over the slippery turf, keeping well to the north, and following the indications given him by Vaughan. As he went on, he seemed to mount ever higher above the world of human life and customary things; to his right he looked at a fringe of orchard and saw a faint blue smoke rising like a pillar; there was the hamlet from which the children came to school, and there the only sign of life, for the woods embowered and concealed Vaughan's old grey house. As he reached what seemed the summit of the hill, he realized for the first time the desolate loneliness and strangeness of the land; there was nothing but grey sky and grey hill, a high, vast plain that seemed to stretch on for ever and ever, and a faint glimpse of a blue-peaked mountain far away and to the north. At length he came to the path, a slight track scarcely noticeable, and from its position and by what Vaughan had told him he knew that it was the way the lost girl, Annie Trevor, must have taken. He followed the path on the bare hill-top, noticing the great limestone rocks that cropped out of the turf, grim and hideous, and of an aspect as forbidding as an idol of the South Seas; and suddenly he halted, astonished, although he had found what he searched for.
Almost without warning the ground shelved suddenly away on all sides, and Dyson looked down into a circular depression, which might well have been a Roman amphitheatre, and the ugly crags of limestone rimmed it round as if with a broken wall. Dyson walked round the hollow, and noted the position of the stones, and then turned on his way home.
"This," he thought to himself, "is more than curious. The Bowl is discovered, but where is the Pyramid?"
"My dear Vaughan," he said, when he got back, "I may tell you that I have found the Bowl, and that is all I shall tell you for the present. We have six days of absolute inaction before us; there is really nothing to be done."
4. The Secret of the Pyramid
"I have just been round the garden," said Vaughan one morning. "I have been counting those infernal eyes, and I find there are fourteen of them. For heaven's sake, Dyson, tell me what the meaning of it all is."
"I should be very sorry to attempt to do so. I may have guessed this or that, but I always make it a principle to keep my guesses to myself. Besides, it is really not worth while anticipating events; you will remember my telling you that we had six days of inaction before us? Well, this is the sixth day, and the last of idleness. To-night, I propose we take a stroll."
"A stroll! Is that all the action you mean to take?"
"Well, it may show you some very curious things. To be plain, I want you to start with me at nine o'clock this evening for the hills. We may have to be out all night, so you had better wrap up well, and bring some of that brandy."
"Is it a joke?" asked Vaughan, who was bewildered with strange events and strange surmises.
"No, I don't think there is much joke in it. Unless I am much mistaken we shall find a very serious explanation of the puzzle. You will come with me, I am sure?"
"Very good. Which way do you want to go?"
"By the path you told me of; the path Annie Trevor is supposed to have taken."
Vaughan looked white at the mention of the girl's name.
"I did not think you were on that track," he said. "I thought it was the affair of those devices in flint and of the eyes on the wall that you were engaged on. It's no good saying any more, but I will go with you."
"Here," he said, "we will lie down. I do not think there is anything yet."
"I know the place," said Vaughan, after a moment. "I have often been by in the daytime. The country people are afraid to come here, I believe; it is supposed to be a fairies' castle, or something of the kind. But why on earth have we come here?"
"Speak a little lower," said Dyson. "It might not do us any good if we are overheard."
"Overheard here! There is not a soul within three miles of us."
"Possibly not; indeed, I should say certainly not. But there might be a body somewhat nearer."
"I don't understand you in the least," said Vaughan, whispering to humour Dyson, "but why have we come here?"
"Well, you see this hollow before us is the Bowl. I think we had better not talk even in whispers."
They lay full length upon the turf; the rock between their faces and the Bowl, and now and again, Dyson, slouching his dark, soft hat over his forehead, put out the glint of an eye, and in a moment drew back, not daring to take a prolonged view. Again he laid an ear to the ground and listened, and the hours went by, and the darkness seemed to blacken, and the faint sigh of the wind was the only sound.
Vaughan grew impatient with this heaviness of silence, this watching for indefinite terror; for to him there was no shape or form of apprehension, and he began to think the whole vigil a dreary farce.
"How much longer is this to last?" he whispered to Dyson, and Dyson who had been holding his breath in the agony of attention put his mouth to Vaughan's ear and said:
"Will you listen?" with pauses between each syllable, and in the voice with which the priest pronounces the awful words.
Vaughan caught the ground with his hands, and stretched forward, wondering what he was to hear. At first there was nothing, and then a low and gentle noise came very softly from the Bowl, a faint sound, almost indescribable, but as if one held the tongue against the roof of the mouth and expelled the breath. He listened eagerly and presently the noise grew louder, and became a strident and horrible hissing as if the pit beneath boiled with fervent heat, and Vaughan, unable to remain in suspense any longer, drew his cap half over his face in imitation of Dyson, and looked down to the hollow below.
It did, in truth, stir and seethe like an infernal caldron. The whole of the sides and bottom tossed and writhed with vague and restless forms that passed to and fro without the sound of feet, and gathered thick here and there and seemed to speak to one another in those tones of horrible sibilance, like the hissing of snakes, that he had heard. It was as if the sweet turf and the cleanly earth had suddenly become quickened with some foul writhing growth. Vaughan could not draw back his face, though he felt Dyson's finger touch him, but he peered into the quaking mass and saw faintly that there were things like faces and human limbs, and yet he felt his inmost soul chill with the sure belief that no fellow soul or human thing stirred in all that tossing and hissing host. He looked aghast, choking back sobs of horror, and at length the loathsome forms gathered thickest about some vague object in the middle of the hollow, and the hissing of their speech grew more venomous, and he saw in the uncertain light the abominable limbs, vague and yet too plainly seen, writhe and intertwine, and he thought he heard, very faint, a low human moan striking through the noise of speech that was not of man. At his heart something seemed to whisper ever "the worm of corruption, the worm that dieth not," and grotesquely the image was pictured to his imagination of a piece of putrid offal stirring through and through with bloated and horrible creeping things. The writhing of the dusky limbs continued, they seemed clustered round the dark form in the middle of the hollow, and the sweat dripped and poured off Vaughan's forehead, and fell cold on his hand beneath his face.
Then, it seemed done in an instant, the loathsome mass melted and fell away to the sides of the Bowl, and for a moment Vaughan saw in the middle of the hollow the tossing of human arms.
But a spark gleamed beneath, a fire kindled, and as the voice of a woman cried out loud in a shrill scream of utter anguish and terror, a great pyramid of flame spired up like a bursting of a pent fountain, and threw a blaze of light upon the whole mountain. In that instant Vaughan saw the myriads beneath; the things made in the form of men but stunted like children hideously deformed, the faces with the almond eyes burning with evil and unspeakable lusts; the ghastly yellow of the mass of naked flesh and then as if by magic the place was empty, while the fire roared and crackled, and the flames shone abroad.
"You have seen the Pyramid," said Dyson in his ear, "the Pyramid of fire."
5. The Little People
"Then you recognize the thing?"
"Certainly. It is a brooch that Annie Trevor used to wear on Sundays; I remember the pattern. But where did you find it? You don't mean to say that you have discovered the girl?"
"My dear Vaughan, I wonder you have not guessed where I found the brooch. You have not forgotten last night already?"
"Dyson," said the other, speaking very seriously, "I have been turning it over in my mind this morning while you have been out. I have thought about what I saw, or perhaps I should say about what I thought I saw, and the only conclusion I can come to is this, that the thing won't bear recollection. As men live, I have lived soberly and honestly, in the fear of God, all my days, and all I can do is believe that I suffered from some monstrous delusion, from some phantasmagoria of the bewildered senses. You know we went home together in silence, not a word passed between us as to what I fancied I saw; had we not better agree to keep silence on the subject? When I took my walk in the peaceful morning sunshine, I thought all the earth seemed full of praise, and passing by that wall I noticed there were no more signs recorded, and I blotted out those that remained. The mystery is over, and we can live quietly again. I think some poison has been working for the last few weeks; I have trod on the verge of madness, but I am sane now."
Mr. Vaughan had spoken earnestly, and bent forward in his chair and glanced at Dyson with something of entreaty.
"My dear Vaughan," said the other, after a pause, "what's the use of this? It is much too late to take that tone; we have gone too deep. Besides you know as well as I that there is no delusion in the case; I wish there were with all my heart. No, in justice to myself I must tell you the whole story, so far as I know it."
"Very good," said Vaughan with a sigh, "if you must, you must."
"Then," said Dyson, "we will begin with the end if you please. I found this brooch you have just identified in the place we have called the Bowl. There was a heap of grey ashes, as if a fire had been burning, indeed, the embers were still hot, and this brooch was lying on the ground, just outside the range of the flame. It must have dropped accidentally from the dress of the person who was wearing it. No, don't interrupt me; we can pass now to the beginning, as we have had the end. Let us go back to that day you came to see me in my rooms in London. So far as I can remember, soon after you came in you mentioned, in a somewhat casual manner, that an unfortunate and mysterious incident had occurred in your part of the country; a girl named Annie Trevor had gone to see a relative, and had disappeared. I confess freely that what you said did not greatly interest me; there are so many reasons which may make it extremely convenient for a man and more especially a woman to vanish from the circle of their relations and friends. I suppose, if we were to consult the police, one would find that in London somebody disappears mysteriously every other week, and the officers would, no doubt, shrug their shoulders, and tell you that by the law of averages it could not be otherwise. So I was very culpably careless to your story, and besides, here is another reason for my lack of interest; your tale was inexplicable. You could only suggest a blackguard sailor on the tramp, but I discarded the explanation immediately.
"For many reasons, but chiefly because the occasional criminal, the amateur in brutal crime, is always found out, especially if he selects the country as the scene of his operations. You will remember the case of that Garcia you mentioned; he strolled into a railway station the day after the murder, his trousers covered with blood, and the works of the Dutch clock, his loot, tied in a neat parcel. So rejecting this, your only suggestion, the whole tale became, as I say, inexplicable, and, therefore, profoundly uninteresting. Yes, therefore, it is a perfectly valid conclusion. Do you ever trouble your head about problems which you know to be insoluble? Did you ever bestow much thought on the old puzzle of Achilles and the tortoise? Of course not, because you knew it was a hopeless quest, and so when you told me the story of a country girl who had disappeared I simply placed the whole thing down in the category of the insoluble, and thought no more about the matter. I was mistaken, so it has turned out; but if you remember, you immediately passed on to an affair which interested you more intensely, because personally, I need not go over the very singular narrative of the flint signs, at first I thought it all trivial, probably some children's game, and if not that a hoax of some sort; but your showing me the arrow-head awoke my acute interest. Here, I saw, there was something widely removed from the commonplace, and matter of real curiosity; and as soon as I came here I set to work to find the solution, repeating to myself again and again the signs you had described. First came the sign we have agreed to call the Army; a number of serried lines of flints, all pointing in the same way. Then the lines, like the spokes of a wheel, all converging towards the figure of a Bowl, then the triangle or Pyramid, and last of all the Half moon. I confess that I exhausted conjecture in my efforts to unveil this mystery, and as you will understand it was a duplex or rather triplex problem. For I had not merely to ask myself: what do these figures mean? but also, who can possibly be responsible for the designing of them? And again, who can possibly possess such valuable things, and knowing their value thus throw them down by the wayside? This line of thought led me to suppose that the person or persons in question did not know the value of unique flint arrow-heads, and yet this did not lead me far, for a well-educated man might easily be ignorant on such a subject. Then came the complication of the eye on the wall, and you remember that we could not avoid the conclusion that in the two cases the same agency was at work. The peculiar position of these eyes on the wall made me inquire if there was such a thing as a dwarf anywhere in the neighbourhood, but I found that there was not, and I knew that the children who pass by every day had nothing to do with the matter. Yet I felt convinced that whoever drew the eyes must be from three and a half to four feet high, since, as I pointed out at the time, anyone who draws on a perpendicular surface chooses by instinct a spot about level with his face. Then again, there was the question of the peculiar shape of the eyes; that marked Mongolian character of which the English countryman could have no conception, and for a final cause of confusion the obvious fact that the designer or designers must be able practically to see in the dark. As you remarked, a man who has been confined for many years in an extremely dark cell or dungeon might acquire that power; but since the days of Edmond Dantès, where would such a prison be found in Europe? A sailor, who had been immured for a considerable period in some horrible Chinese oubliette, seemed the individual I was in search of, and though it looked improbable, it was not absolutely impossible that a sailor or, let us say, a man employed on shipboard, should be a dwarf. But how to account for my imaginary sailor being in possesion of prehistoric arrow-heads? And the possession granted, what was the meaning and object of these mysterious signs of flint, and the almond-shaped eyes? Your theory of a contemplated burglary I saw, nearly from the first, to be quite untenable, and I confess I was utterly at a loss for a working hypothesis. It was a mere accident which put me on the track; we passed poor old Trevor, and your mention of his name and of the disappearance of his daughter, recalled the story which I had forgotten, or which remained unheeded. Here, then, I said to myself, is another problem, uninteresting, it is true, by itself; but what if it prove to be in relation with all these enigmas which torture me? I shut myself in my room, and endeavoured to dismiss all prejudice from my mind, and I went over everything de novo, assuming for theory's sake that the disappearance of Annie Trevor had some connection with the flint signs and the eyes on the wall. This assumption did not lead me very far, and I was on the point of giving the whole problem up in despair, when a possible significance of the Bowl struck me. As you know there is a 'Devil's Punch-bowl' in Surrey, and I saw that the symbol might refer to some feature in the country. Putting the two extremes together, I determined to look for the Bowl near the path which the lost girl had taken, and you know how I found it. I interpreted the sign by what I knew, and read the first, the Army, thus:
"'there is to be a gathering or assembly at the Bowl in a fortnight (that is the Half moon) to see the Pyramid, or to build the Pyramid.'
"The eyes, drawn one by one, day by day, evidently checked off the days, and I knew that there would be fourteen and no more. Thus far the way seemed pretty plain; I would not trouble myself to inquire as to the nature of the assembly, or as to who was to assemble in the loneliest and most dreaded place among these lonely hills. In Ireland or China or the West of America the question would have been easily answered; a muster of the disaffected, the meeting of a secret society; vigilantes summoned to report: the thing would be simplicity itself; but in this quiet corner of England, inhabited by quiet folk, no such suppositions were possible for a moment. But I knew that I should have an opportunity of seeing and watching the assembly, and I did not care to perplex myself with hopeless research; and in place of reasoning a wild fancy entered into judgment: I remembered what people had said about Annie Trevor's disappearance, that she had been 'taken by the fairies.' I tell you, Vaughan, I am a sane man as you are, my brain is not, I trust, mere vacant space to let to any wild improbability, and I tried my best to thrust the fantasy away. And the hint came of the old name of fairies, 'the little people,' and the very probable belief that they represent a tradition of the prehistoric Turanian inhabitants of the country, who were cave dwellers: and then I realized with a shock that I was looking for a being under four feet in height, accustomed to live in darkness, possessing stone instruments, and familiar with the Mongolian cast of features! I say this, Vaughan, that I should be ashamed to hint at such visionary stuff to you, if it were not for that which you saw with your very eyes last night, and I say that I might doubt the evidence of my senses, if they were not confirmed by yours. But you and I cannot look each other in the face and pretend delusion; as you lay on the turf beside me I felt your flesh shrink and quiver, and I saw your eyes in the light of the flame. And so I tell you without any shame what was in my mind last night as we went through the wood and climbed the hill, and lay hidden beneath the rock.
"There was one thing that should have been most evident that puzzled me to the very last. I told you how I read the sign of the Pyramid; the assembly was to see a pyramid, and the true meaning of the symbol escaped me to the last moment. The old derivation from 'up, fire,' though false, should have set me on the track, but it never occurred to me.
"I think I need say very little more. You know we were quite helpless, even if we had foreseen what was to come. Ah, the particular place where these signs were displayed? Yes, that is a curious question. But this house is, so far as I can judge, in a pretty central situation amongst the hills; and possibly, who can say yes or no, that queer, old limestone pillar by your garden wall was a place of meeting before the Celt set foot in Britain. But there is one thing I must add: I don't regret our inability to rescue the wretched girl. You saw the appearance of those things that gathered thick and writhed in the Bowl; you may be sure that what lay bound in the midst of them was no longer fit for earth."
"So?" said Vaughan.
"So she passed in the Pyramid of Fire," said Dyson, "and they passed again to the underworld, to the places beneath the hills."
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