Thursday 31 December 2015
Travers was a notoriously difficult and cantankerous character with an unusual private life and an outspoken nature who was rightfully protective of her creation and such makes for a fascinating subject for a documentary.
Victoria Coren Mitchell presents this look at the life and times of this singular lady made to coincide with the release of 'Saving Mr Banks' the movie made about the relationship between Travers and Walt Disney.
Saturday 26 December 2015
The tale telling is triggered when new homeowner Ben (Lee Ingleby) unearths a door knocker that he takes to museum curator Gatiss who believes it to be a remnant of the locally infamous, but now demolished, Geap Manor.
The curator tells two tales of the Manor, one from the 18th century and another from the early 20th before the third episode transpires in 'real time' so to speak.
There's a nice period feel to the whole thing and it does come across as a labour of love but it also comes across as a bit, well, cheap looking. The stories though are suitably creepy, particularly the third, and there's a perfectly predicable but also perfectly correct ending to the whole thing.
Buy it here - Crooked House [DVD] - or watch it below.
Tuesday 8 December 2015
|E. F. Benson|
Hugh Grainger, on the evening after our return to town, had dined with me, and after dinner our conversation, as was natural, soon came back to these entrancing topics.
"But why you go ghost-seeking I cannot imagine," he said, "because your teeth were chattering and your eyes starting out of your head all the rime you were there, from sheer fright."
"Or do you like being frightened?"
Hugh, though generally intelligent, is dense in certain ways; this is one of them.
"Why, of course, I like being frightened," I said. "I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid."
"Well, the fact that neither of us saw anything," he said, "confirms what I have always believed."
"And what have you always believed?"
"That these phenomena are purely objective, not subjective, and that one's state of mind has nothing to do with the perception that perceives them, nor have circumstances or surroundings anything to do with them either. Look at Osburton. It has had the reputation of being a haunted house for years, and it certainly has all the accessories of one. Look at yourself, too, with all your nerves on edge, afraid to look round or light a candle for fear of seeing something! Surely there was the right man in the right place then, if ghosts are subjective."
He got up and lit a cigarette, and looking at him--Hugh is about six feet high, and as broad as he is long--I felt a retort on my lips, for I could not help my mind going back to a certain period in his life, when, from some cause which, as far as I knew, he had never told anybody, he had become a mere quivering mass of disordered nerves. Oddly enough, at the same moment and for the first time, he began to speak of it himself.
"You may reply that it was not worth my while to go either," he said, "because I was so clearly the wrong man in the wrong place. But I wasn't. You for all your apprehensions and expectancy have never seen a ghost. But I have, though I am the last person in the world you would have thought likely to do so, and, though my nerves are steady enough again now, it knocked me all to bits."
"No doubt you remember my going to bits," he said, "and since I believe that I am sound again now, I should rather like to tell you about it. But before I couldn't; I couldn't speak of it at all to anybody. Yet there ought to have been nothing frightening about it; what I saw was certainly a most useful and friendly ghost. But it came from the shaded side of things; it looked suddenly out of the night and the mystery with which life is surrounded.
"I want first to tell you quite shortly my theory about ghost-seeing," he continued, "and I can explain it best by a simile, an image. Imagine then that you and I and everybody in the world are like people whose eye is directly opposite a little tiny hole in a sheet of cardboard which is continually shifting and revolving and moving about. Back to back with that sheet of cardboard is another, which also, by laws of its own, is in perpetual but independent motion. In it too there is another hole, and when, fortuitously it would seem, these two holes, the one through which we are always looking, and the other in the spiritual plane, come opposite one another, we see through, and then only do the sights and sounds of the spiritual world become visible or audible to us. With most people these holes never come opposite each other during their life. But at the hour of death they do, and then they remain stationary. That, I fancy, is how we 'pass over.'
"Now, in some natures, these holes are comparatively large, and are constantly coming into opposition. Clairvoyants, mediums are like that. But, as far as I knew, I had no clairvoyant or mediumistic powers at all. I therefore am the sort of person who long ago made up his mind that he never would see a ghost. It was, so to speak, an incalculable chance that my minute spy-hole should come into opposition with the other. But it did: and it knocked me out of time."
I had heard some such theory before, and though Hugh put it rather picturesquely, there was nothing in the least convincing or practical about it. It might be so, or again it might not.
"I hope your ghost was more original than your theory," said I, in order to bring him to the point.
"Yes, I think it was. You shall judge."
I put on more coal and poked up the fire. Hugh has got, so I have always considered, a great talent for telling stories, and that sense of drama which is so necessary for the narrator. Indeed, before now, I have suggested to him that he should take this up as a profession, sit by the fountain in Piccadilly Circus, when times are, as usual, bad, and tell stories to the passers-by in the street, Arabian fashion, for reward. The most part of mankind, I am aware, do not like long stories, but to the few, among whom I number myself, who really like to listen to lengthy accounts of experiences, Hugh is an ideal narrator. I do not care for his theories, or for his similes, but when it comes to facts, to things that happened, I like him to be lengthy.
"Go on, please, and slowly," I said. "Brevity may be the soul of wit, but it is the ruin of story-telling. I want to hear when and where and how it all was, and what you had for lunch and where you had dined and what--Hugh began:
"It was the 24th of June, just eighteen months ago," he said. "I had let my flat, you may remember, and came up from the country to stay with you for a week. We had dined alone here--"
I could not help interrupting.
"Did you see the ghost here?" I asked. "In this square little box of a house in a modern street?"
"I was in the house when I saw it." I hugged myself in silence.
"We had dined alone here in Graeme Street," he said, "and after dinner I went out to some party, and you stopped at home. At dinner your man did not wait, and when I asked where he was, you told me he was ill, and, I thought, changed the subject rather abruptly.
"You gave me your latch-key when I went out, and on coming back, I found you had gone to bed. There were, however, several letters for me, which required answers. I wrote them there and then, and posted them at the pillar-box opposite. So I suppose it was rather late when I went upstairs.
"You had put me in the front room, on the third floor, overlooking the street, a room which I thought you generally occupied yourself. It was a very hot night, and though there had been a moon when I started to my party, on my return the whole sky was cloud-covered, and it both looked and felt as if we might have a thunderstorm before morning. I was feeling very sleepy and heavy, and it was not till after I had got into bed that I noticed by the shadows of the window-frames on the blind that only one of the windows was open. But it did not seem worth while to get out of bed in order to open it, though I felt rather airless and uncomfortable, and I went to sleep.
"What time it was when I awoke I do not know, but it was certainly not yet dawn, and I never remember being conscious of such an extraordinary stillness as prevailed. There was no sound either of foot-passengers or wheeled traffic; the music of life appeared to be absolutely mute. But now, instead of being sleepy and heavy, I felt, though I must have slept an hour or two at most, since it was not yet dawn, perfectly fresh and wide-awake, and the effort which had seemed not worth making before, that of getting out of bed and opening the other window, was quite easy now and I pulled up the blind, threw it wide open, and leaned out, for somehow I parched and pined for air. Even outside the oppression was very noticeable, and though, as you know, I am not easily given to feel the mental effects of climate, I was aware of an awful creepiness coming over me. I tried to analyse it away, but without success; the past day had been pleasant, I looked forward to another pleasant day to-morrow, and yet I was full of some nameless apprehension. I felt, too, dreadfully lonely in this stillness before the dawn.
"Then I heard suddenly and not very far away the sound of some approaching vehicle; I could distinguish the tread of two horses walking at a slow foot's pace. They were, though not yet visible, coming up the street, and yet this indication of life did not abate that dreadful sense of loneliness which I have spoken of. Also in some dim unformulated way that which was coming seemed to me to have something to do with the cause of my oppression.
"Then the vehicle came into sight. At first I could not distinguish what it was. Then I saw that the horses were black and had long tails, and that what they dragged was made of glass, but had a black frame. It was a hearse. Empty.
"It was moving up this side of the street. It stopped at your door.
"Then the obvious solution struck me. You had said at dinner that your man was ill, and you were, I thought, unwilling to speak more about his illness. No doubt, so I imagined now, he was dead, and for some reason, perhaps because you did not want me to know anything about it, you were having the body removed at night. This, I must tell you, passed through my mind quite instantaneously, and it did not occur to me how unlikely it really was, before the next thing happened.
"I was still leaning out of the window, and I remember also wondering, yet only momentarily, how odd it was that I saw things--or rather the one thing I was looking at--so very distinctly. Of course, there was a moon behind the clouds, but it was curious how every detail of the hearse and the horses was visible. There was only one man, the driver, with it, and the street was otherwise absolutely empty. It was at him I was looking now. I could see every detail of his clothes, but from where I was, so high above him, I could not see his face. He had on grey trousers, brown boots, a black coat buttoned all the way up, and a straw hat. Over his shoulder there was a strap, which seemed to support some sort of little bag. He looked exactly like--well, from my description what did he look exactly like?"
"Why--a bus-conductor," I said instantly.
"So I thought, and even while I was thinking this, he looked up at me. He had a rather long thin face, and on his left cheek there was a mole with a growth of dark hair on it. All this was as distinct as if it had been noonday, and as if I was within a yard of him. But--so instantaneous was all that takes so long in the telling--I had not time to think it strange that the driver of a hearse should be so unfunereally dressed.
"Then he touched his hat to me, and jerked his thumb over his shoulder.
"'Just room for one inside, sir,' he said.
"There was something so odious, so coarse, so unfeeling about this that I instantly drew my head in, pulled the blind down again, and then, for what reason I do not know, turned on the electric light in order to see what time it was. The hands of my watch pointed to half-past eleven.
"It was then for the first time, I think, that a doubt crossed my mind as to the nature of what I had just seen.
But I put out the light again, got into bed, and began to think. We had dined; I had gone to a party, I had come back and written letters, had gone to bed and had slept. So how could it be half-past eleven?...Or--what half-past eleven was it?
"Then another easy solution struck me; my watch must have stopped. But it had not; I could hear it ticking.
"There was stillness and silence again. I expected every moment to hear muffled footsteps on the stairs, footsteps moving slowly and smally under the weight of a heavy burden, but from inside the house there was no sound whatever. Outside, too, there was the same dead silence, while the hearse waited at the door. And the minutes ticked on and ticked on, and at length I began to see a difference in the light in the room, and knew that the dawn was beginning to break outside. But how had it happened, then, that if the corpse was to be removed at night it had not gone, and that the hearse still waited, when morning was already coming?
"Presently I got out of bed again, and with the sense of strong physical shrinking I went to the window and pulled back the blind. The dawn was coming fast; the whole street was lit by that silver hueless light of morning. But there was no hearse there.
"Once again I looked at my watch. It was just a quarter-past four. But I would swear that not half an hour had passed since it had told me that it was half-past eleven.
"Then a curious double sense, as if I was living in the present and at the same moment had been living in some other time, came over me. It was dawn on June 25th, and the street, as natural, was empty. But a little while ago the driver of a hearse had spoken to me, and it was half-past eleven. What was that driver, to what plane did he belong? And again what half-past eleven was it that I had seen recorded on the dial of my watch?
"And then I told myself that the whole thing had been a dream. But if you ask me whether I believed what I told myself, I must confess that I did not.
"Your man did not appear at breakfast next morning, nor did I see him again before I left that afternoon. I think if I had, I should have told you about all this, but it was still possible, you see, that what I had seen was a real hearse, driven by a real driver, for all the ghastly gaiety of the face that had looked up to mine, and the levity of his pointing hand. I might possibly have fallen asleep soon after seeing him, and slumbered through the removal of the body and the departure of the hearse. So I did not speak of it to you.
There was something wonderfully straight-forward and prosaic in all this; here were no Jacobean houses oak-panelled and surrounded by weeping pine-trees, and somehow the very absence of suitable surroundings made the story more impressive. But for a moment a doubt assailed me.
"Don't tell me it was all a dream," I said.
"I don't know whether it was or not. I can only say that I believe myself to have been wide awake. In any case the rest of the story is--odd.
"I went out of town again that afternoon," he continued, "and I may say that I don't think that even for a moment did I get the haunting sense of what I had seen or dreamed that night out of my mind. It was present to me always as some vision unfulfilled. It was as if some clock had struck the four quarters, and I was still waiting to hear what the hour would be.
"Exactly a month afterwards I was in London again, but only for the day. I arrived at Victoria about eleven, and took the underground to Sloane Square in order to see if you were in town and would give me lunch. It was a baking hot morning, and I intended to take a bus from the King's Road as far as Graeme Street. There was one standing at the corner just as I came out of the station, but I saw that the top was full, and the inside appeared to be full also. Just as I came up to it the conductor, who, I suppose, had been inside, collecting fares or what not, came out on to the step within a few feet of me. He wore grey trousers, brown boots, a black coat buttoned, a straw hat, and over his shoulder was a strap on which hung his little machine for punching tickets. I saw his face, too; it was the face of the driver of the hearse, with a mole on the left cheek. Then he spoke to me, jerking his thumb over his shoulder.
"At that a sort of panic-terror took possession of me, and I knew I gesticulated wildly with my arms, and cried, 'No, no!' But at that moment I was living not in the hour that was then passing, but in that hour which had passed a month ago, when I leaned from the window of your bedroom here just before the dawn broke. At this moment too I knew that my spy-hole had been opposite the spy-hole into the spiritual world. What I had seen there had some significance, now being fulfilled, beyond the significance of the trivial happenings of to-day and to-morrow. The Powers of which we know so little were visibly working before me. And I stood there on the pavement shaking and trembling.
"I was opposite the post-office at the corner, and just as the bus started my eye fell on the clock in the window there. I need not tell you what the time was.
"Perhaps I need not tell you the rest, for you probably conjecture it, since you will not have forgotten what happened at the corner of Sloane Square at the end of July, the summer before last. The bus pulled out from the pavement into the street in order to get round a van that was standing in front of it. At the moment there came down the King's Road a big motor going at a hideously dangerous pace. It crashed full into the bus, burrowing into it as a gimlet burrows into a board."
"And that's my story," he said.
If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much appreciate a donation towards keeping the blog going - paypal.me/wyrdbritain
Wednesday 2 December 2015
Following in the footsteps of M.P. Shiel's exotic savant Prince Zaleski and Arthur Machen's Mr Dyson, Mark Valentine and John Howard's The Connoisseur - aesthetical detective extraordinaire - unravels a cornucopia of arcane mysteries in these twenty-three tantalising tales. Collecting together all the adventures in previous Tartarus volumes In Violet Veils and Masques and Citadels, along with four further tales published elsewhere, this volume provides the lover of esoteric mystery and adventure fiction with the complete Connoisseur casebook.
Venturing from his fire-lit study in an English cathedral city, The Connoisseur encounters, among other phenomena, strange masquerades in country houses; a Scottish island whose Prince may not be named; a poignant relic from the Black Sea region, sought after by a ruthless order; a secret account of the first crossing of an Arctic land and an Art Deco cinema which may retain resonances of its mysterious former occupants. From your own fireside, follow The Connoisseur into the delicate shading between this world and other realms of wonder, tragedy and trepidation.
I've been intending to tackle this book for a while now and the enforced immobility of this summer seemed like the perfect opportunity.
The Connoisseur is an investigator into the arcane, or as the book blurb has it, 'aesthetical detective extraordinaire', who, from his home in an English cathedral city, relates his accounts of his investigations to his chronicler, Valentine; a format that immediately ties this modern work in with classics of the genre such as Hope-Hodgson's 'Carnacki' stories, Algernon Blackwood's 'Dr John Silence' and even the Sherlock Holmes tales.
Where The Connoisseur differs from these others is in the things he investigates and experiences. The supernatural is often nearby but the weird and the inscrutable is aways closer to hand. Folktales, psychometry, summonings and magic of all hues are explored by this most enigmatic of antiquarian sleuths via the mediums of art, literature, music, performance, architecture and more. He relates tales of an other worldly Prince and the family beholden to him, of shattering aeromantic divinations, of art, of memory, of obsession and of love.
These aren't tales of adventure; for the most part they do not seek to excite. Instead they intrigue, they entice and they beguile; they are, simply, magical.
If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Sunday 22 November 2015
In Nation's case he did this via the BBC and a plague known rather wonderfully as 'The Death'. The show was called 'Survivors' and followed a group of people trying to make their way in a world changed beyond all recognition and the trials they face as they go about relearning the skills needed in order to, well, survive.
Lucy Fleming's Jenny Richards remaining as a lead for all three series.
Survivors first series concentrates on the aforementioned Jenny, Abby Grant (Carolyn Seymour) a middle class mum in search of her son and engineer Greg Preston (Ian McCulloch) as the three slowly find each other and more in a world suddenly bereft of people. Of the three only the overbearing Greg seems to have the slightest idea about how to survive with Abby entirely fixated on her search for her son and the as wet as water Jenny left entirely at odds with the world.
By the time we arrive at series two our group has, by necessity, joined forces with one we had met briefly in the earlier series. Abby has left to continue her search for her elusive son and has been replaced by Denis Lill as Charles Vaughan. Cowed by the deaths of many of the group he led in series one Charles is a more sympathetic character than the single minded and driven Abby. Joining them in this new community is Charles' saintly partner Pet (Lorna Lewis) and the lazy, smelly, miserable and deeply unpleasant farm hand Hubert Goss (John Abineri).
To my mind the third series which sees Jenny, Charles and Hubert hit the road in search of Greg is the least successful of the three. After the relative inaction of the second it's good to see the cast back on the road but the reason behind it is weak - Jenny's constant, whining, neediness for the husband that has deserted her and their baby son to go adventuring with a young Norwegian girl essentially also pretty much abandons her baby in order to try and track Greg down - but it does result in some excellent episodes as we and they are exposed to the wider post-Death world.
Since I was a little kid I've had a love for this very British sort of post-apocalypse TV and literature; I just find it irresistible. It's one of those genres where it's easy to point out flaws, inconsistencies and errors and here it's no exception - the obvious 'Where are all the bodies?' question is easily avoided given the TV restrictions of the time - but Survivors real strength is that for the most part they try to treat the apocalypse in as realistic a way as possible. The actual survivors are woefully ill equipped to deal with the situation they find themselves in and make some spectacularly bad decisions. They are temperamental, selfish, gossipy, insecure, angry, unpleasant, helpful, loving and entirely human.
Buy it here - Survivors - Series 1-3 Box Set [DVD]  - or watch it below
Tuesday 17 November 2015
Heinemann New Windmill
When Neil survives a deadly plague and plunges into solitude, he must question everything in this gripping adventure from critically acclaimed Tripods author John Christopher.
Neil’s world is shattered when he and his family are involved in a horrible car accident that leaves him an orphan. He is sent to live in a small village with his grandparents, whom he loves but doesn’t really know.
Soon, a devastating illness, the Calcutta Plague, begins making the headlines. After killing thousands of people in India in just a few months, the disease begins to spread much farther, quickly sweeping across the world and eventually settling in the same village where Neil resides. The sickness is a strange one, affecting only the adults and none of the children, and soon Neil finds himself an orphan once more.
Alone, Neil travels to London in search of other survivors of the plague. There he finds a strange world of fear and suspicion, where friends can be enemies and people will do anything to survive. In this time of strife, amid the excitement and loneliness of his solitude, can Neil find a way to focus on what matters most?
Published in 1977 'Empty World' is a young adult novel that takes teenager Neil Miller from the automobile accident deaths of his family through the deaths of the rest of the world caused by the virulent Calcutta Plague and Neil's solitary quest for other survivors and up to the point where he begins a new life.
It's a lovely little book with a protagonist who is emotionally distant and so able to carry us through the horrors of the narrative including madness, suicide, mrderous jealousy and the lingering deaths of two small children.
It is far too short and would certainly have benefitted from being allowed to expand it's exploration of this new world but I am quibbling as this was a most enjoyable way to spend an afternoon.
Buy it here - Empty World
Saturday 14 November 2015
Mog was the star of a series of books written by Judith Kerr who was married to Quatermass creator Nigel Kneale.
Now how about a Xmas ad based on one of his characters.
Maybe the Victor Caroon alien rampaging through Tesco, or a giant Martian devil appearing out of the Hob(bs Lane)nobs in Morrisons or maybe an Asda full of Planet People being harvested.
Friday 13 November 2015
One dark winter night - it had struck nine some time before the landlord joined us - there was a sick man in the George, a great neighbouring proprietor suddenly struck down with apoplexy on his way to Parliament; and the great man's still greater London doctor had been telegraphed to his bedside. It was the first time that such a thing had happened in Debenham, for the railway was but newly open, and we were all proportionately moved by the occurrence.
'He's come,' said the landlord, after he had filled and lighted his pipe.
'He?' said I. 'Who? - not the doctor?'
'Himself,' replied our host.
'What is his name?'
'Dr Macfarlane,' said the landlord.
Fettes was far through his third tumbler, stupidly fuddled, now nodding over, now staring mazily around him; but at the last word he seemed to awaken, and repeated the name 'Macfarlane' twice, quietly enough the first time, but with sudden emotion at the second.
'Yes,' said the landlord, 'that's his name, Doctor Wolfe Macfarlane.'
Fettes became instantly sober: his eyes awoke, his voice became clear, loud, and steady, his language forcible and earnest. We were all startled by the transformation, as if a man had risen from the dead.
'I beg your pardon,' he said, 'I am afraid I have not been paying much attention to your talk. Who is this Wolfe Macfarlane?' And then, when he had heard the landlord out, 'It cannot be, it cannot be,' he added; 'and yet I would like well to see him face to face.'
'Do you know him, Doctor?' asked the undertaker, with a gasp.
'God forbid!' was the reply. 'And yet the name is a strange one; it were too much to fancy two. Tell me, landlord, is he old?'
'Well,' said the host, 'he's not a young man, to be sure, and his hair is white; but he looks younger than you.'
'He is older, though; years older. But,' with a slap upon the table, 'it's the rum you see in my face - rum and sin. This man, perhaps, may have an easy conscience and a good digestion. Conscience! Hear me speak. You would think I was some good, old, decent Christian, would you not? But no, not I; I never canted. Voltaire might have canted if he'd stood in my shoes; but the brains' - with a rattling fillip on his bald head - 'the brains were clear and active, and I saw and made no deductions'.
'If you know this doctor,' I ventured to remark, after a somewhat awful pause, 'I should gather that you do not share the landlord's good opinion.'
Fettes paid no regard to me.
'Yes,' he said, with sudden decision, 'I must see him face to face.'
There was another pause, and then a door was closed rather sharply on the first floor, and a step was heard upon the stair.
'That's the doctor,' cried the landlord. 'Look sharp, and you can catch him.'
It was but two steps from the small parlour to the door of the old George inn; the wide oak staircase landed almost in the street; there was room for a Turkey rug and nothing more between the threshold and the last round of the descent; but this little space was every evening brilliantly lit up, not only by the light upon the stair and the great signal-lamp below the sign, but by the warm radiance of the bar-room window. The George thus brightly advertised itself to passers-by in the cold street. Fettes walked steadily to the spot, and we, who were hanging behind, beheld the two men meet, as one of them had phrased it, face to face. Dr Macfarlane was alert and vigorous. His white hair set off his pale and placid, although energetic, countenance. He was richly dressed in the finest of broadcloth and the whitest of linen, with a great gold watchchain, and studs and spectacles of the same precious material. He wore a broad-folded tie, white and speckled with lilac, and he carried on his arm a comfortable driving-coat of fur. There was no doubt but he became his years, breathing as he did, of wealth and consideration; and it was a surprising contrast to see our parlour sot - bald, dirty, pimpled, and robed in his old camlet cloak - confront him at the bottom of the stairs.
'Macfarlane!' he said somewhat loudly, more like a herald than a friend.
The great doctor pulled up short on the fourth step, as though the familiarity of the address surprised and somewhat shocked his dignity.
'Toddy Macfarlane!' repeated Fettes.
The London man almost staggered. He stared for the swiftest of seconds at the man before him, glanced behind him with a sort of scare, and then in a startled whisper, 'Fettes!' he said, 'you!'
'Ay,' said the other, 'me! Did you think I was dead too? We are not so easy shut of our acquaintance.'
'Hush, hush!' exclaimed the doctor. 'Hush, hush! this meeting is so unexpected - I can see you are unmanned. I hardly knew you, I confess, at first; but I am overjoyed - overjoyed to have this opportunity. For the present it must be how-d'ye-do and goodbye in one, for my fly is waiting, and I must not fail the train; but you shall - let me see - yes - you shall give me your address, and you can count on early news of me. We must do something for you, Fettes. I fear you are out at elbows; but we must see to that for auld lang syne, as once we sang at suppers.'
'Money!' cried Fettes; 'money from you! The money that I had from you is lying where I cast it in the rain.'
Dr Macfarlane had talked himself into some measure of superiority and confidence, but the uncommon energy of this refusal cast him back into his first confusion.
A horrible, ugly look came and went across his almost venerable countenance. 'My dear fellow,' he said, 'be it as you please; my last thought is to offend you. I would intrude on none. I will leave you my address, however----'
'I do not wish it - I do not wish to know the roof that shelters you,' interrupted the other. 'I heard your name; I feared it might be you; I wished to know if after all, there were a God; I know now that there is none. Begone!'
He still stood in the middle of the rug, between the stair and the doorway; and the great London physician, in order to escape, would be forced to step to one side. It was plain that he hesitated before the thought of this humiliation. White as he was, there was a dangerous glitter in his spectacles; but while he still paused uncertain, he became aware that the driver of his fly was peering in from the street at this unusual scene and caught a glimpse at the same time of our little body from the parlour, huddled by the corner of the bar. The presence of so many witnesses decided him at once to flee. He crouched together, brushing on the wainscot, and made a dart like a serpent, striking for the door. But his tribulation was not yet entirely at an end, for even as he was passing Fettes clutched him by the arm and these words came in a whisper, and yet painfully distinct, 'Have you seen it again?'
The great rich London doctor cried out aloud with a sharp, throttling cry; he dashed his questioner across the open space, and, with his hands over his head, fled out of the door like a detected thief. Before it had occurred to one of us to make a movement, the fly was already rattling toward the station. The scene was over like a dream, but the dream had left proofs and traces of its passage. Next day the servant found the find gold spectacles broken on the threshold, and that very night we were all standing breathless by the bar-room window, and Fettes at our side, sober, pale, and resolute in look.
'God protect us, Mr Fettes!' said the landlord, coming first into possession of his customary senses. 'What in the universe is all this? These are strange things you have been saying.'
Fettes turned toward us; he looked us each in succession in the face. 'See if you can hold your tongues,' said he. 'That man Macfarlane is not safe to cross; those that have done so already have repented it too late.'
And then, without so much as finishing his third glass, far less waiting for the other two, he bade us goodbye and went forth, under the lamp of the hotel, into the black night.
We three turned to our places in the parlour, with the big red fire and four clear candles; and as we recapitulated what had passed the first chill of our surprise soon changed into a glow of curiosity. We sat late; it was the latest session I have known in the old George. Each man, before we parted, had his theory that he was bound to prove; and none of us had any nearer business in this world than to track out the past of our condemned companion, and surprise the secret that he shared with the great London doctor. It is no great boast, but I believe I was a better hand at worming out a story than either of my fellows at the George; and perhaps there is now no other man alive who could narrate to you the following foul and unnatural events.
In this capacity, the charge of the theatre and lecture-room devolved in particular upon his shoulders. He had to answer for the cleanliness of the premises and the conduct of the other students, and it was a part of his duty to supply, receive, and divide the various subjects. It was with a view to this last - at that time very delicate - affair that he was lodged by Mr K---- in the same wynd, and at last in the same building, with the dissecting-rooms. Here, after a night of turbulent pleasures, his hand still tottering, his sight still misty and confused, he would be called out of bed in the black hours before the winter dawn by the unclean and desperate interlopers who supplied the table. He would open the door to these men, since infamous throughout the land. He would help them with their tragic burthen, pay them their sordid price, and remain alone, when they were gone, with the unfriendly relics of humanity. From such a scene he would return to snatch another hour or two of slumber, to repair the abuses of the night, and refresh himself for the labours of the day.
Few lads could have been more insensible to the impressions of a life thus passed among the ensigns of mortality. His mind was closed against all general considerations. He was incapable of interest in the fate and fortunes of another, the slave of his own desires and low ambitions. Cold, light, and selfish in the last resort, he had that modicum of prudence, miscalled morality, which keeps a man from inconvenient drunkenness or punishable theft. He coveted, besides, a measure of consideration from his masters and his fellow-pupils, and he had no desire to fail conspicuously in the external parts of life. Thus he made it his pleasure to gain some distinction in his studies, and day after day rendered unimpeachable eye-service to his employer, Mr K----. For his day of work he indemnified himself by nights of roaring, blackguardly enjoyment; and when that balance had been struck, the organ that he called his conscience declared itself content.
One November morning this policy of silence was put sharply to the test. He had been awake all night with a racking toothache - pacing his room like a caged beast or throwing himself in fury on his bed - and had fallen at last into that profound, uneasy slumber that so often follows on a night of pain, when he was awakened by the third or fourth angry repetition of the concerted signal. There was a thin, bright moonshine: it was bitter cold, windy, and frosty; the town had not yet awakened, but an indefinable stir already preluded the noise and business of the day. The ghouls had come later than usual, and they seemed more than usually eager to be gone. Fettes, sick with sleep, lighted them upstairs. He heard their grumbling Irish voices through a dream; and as they stripped the sack from their sad merchandise he leaned dozing, with his shoulder propped against the wall; he had to shake himself to find the men their money. As he did so his eyes lighted on the dead face. He started; he took two steps nearer, with the candle raised.
'God Almighty!' he cried. 'That is Jane Galbraith!'
The men answered nothing, but they shuffled nearer the door.
'I know her, I tell you,' he continued. 'She was alive and hearty yesterday. It's impossible she can be dead; it's impossible you should have got this body fairly.'
'Sure, sir, you're mistaken entirely,' said one of the men.
But the other looked Fettes darkly in the eyes, and demanded the money on the spot.
It was impossible to misconceive the threat or to exaggerate the danger. The lad's heart failed him. He stammered some excuses, counted out the sum, and saw his hateful visitors depart. No sooner were they gone than he hastened to confirm his doubts. By a dozen unquestionable marks he identified the girl he had jested with the day before. He saw, with horror, marks upon her body that might well betoken violence. A panic seized him, and he took refuge in his room. There he reflected at length over the discovery that he had made; considered soberly the bearing of Mr K----'s instructions and the danger to himself of interference in so serious a business, and at last, in sore perplexity, determined to wait for the advice of his immediate superior, the class assistant.
This was a young doctor, Wolfe Macfarlane, a high favourite among all the reckless students, clever, dissipated, and unscrupulous to the last degree. He had travelled and studied abroad. His manners were agreeable and a little forward. He was an authority on the stage, skilful on the ice or the links with skate or golf-club; he dressed with nice audacity, and, to put the finishing touch upon his glory, he kept a gig and a strong trotting-horse. With Fettes he was on terms of intimacy; indeed their relative positions called for some community of life; and when subjects were scarce the pair would drive far into the country in Macfarlane's gig, visit and desecrate some lonely graveyard, and return before dawn with their booty to the door of the dissecting-room.
On that particular morning Macfarlane arrived somewhat earlier than his wont. Fettes heard him, and met him on the stairs, told him his story, and showed him the cause of his alarm. Macfarlane examined the marks on her body.
'Yes', he said with a nod, 'it looks fishy.'
'Well, what should I do?' asked Fettes.
'Do?' repeated the other. 'Do you want to do anything? Least said soonest mended, I should say.''
'Someone else might recognize her,' objected Fettes. 'She was as well known as the Castle Rock.'
'We'll hope not,' said Macfarlane, 'and if anybody does - well, you didn't, don't you see, and there's an end. The fact is, this has been going on too long. Stir up the mud, and you'll get K---- into the most unholy trouble; you'll be in a shocking box yourself. So will I, if you come to that. I should like to know how any one of us would look, or what the devil we should have to say for ourselves, in any Christian witness-box. For me, you know there's one thing certain - that, practically speaking, all our subjects have been murdered.'
'Macfarlane!' cried Fettes.
'Come now!' sneered the other. 'As if you hadn't suspected it yourself!'
'Suspecting is one thing----'
'And proof another. Yes, I know; and I'm as sorry as you are this should have come here,' tapping the body with his cane. 'The next best thing for me is not to recognize it; and,' he added coolly, 'I don't. You may, if you please. I don't dictate, but I think a man of the world would do as I do; and I may add, I fancy that is what K---- would look for at our hands. The question is, Why did he choose us two for his assistants? And I answer, because he didn't want old wives.'
This was the tone of all others to affect the mind of a lad like Fettes. He agreed to imitate Macfarlane. The body of the unfortunate girl was duly dissected, and no one remarked or appeared to recognize her.
'I'm a pretty bad fellow myself,' the stranger remarked, 'but Macfarlane is the boy - Toddy Macfarlane I call him. Toddy, order your friend another glass.' Or it might be, 'Toddy, you jump up and shut the door.' 'Toddy hates me,' he said again. 'Oh, yes, Toddy, you do!'
'Don't you call me that confounded name,' growled Macfarlane.
'Hear him! Did you ever see the lads play knife? He would like to do that all over my body,' remarked the stranger.
'We medicals have a better way than that,' said Fettes. 'When we dislike a dead friend of ours, we dissect him.'
Macfarlane looked up sharply, as though this jest was scarcely to his mind.
The afternoon passed. Gray, for that was the stranger's name, invited Fettes to join them at dinner, ordered a feast so sumptuous that the tavern was thrown in commotion, and when all was done commanded Macfarlane to settle the bill. It was late before they separated; the man Gray was incapably drunk. Macfarlane, sobered by his fury, chewed the cud of the money he had been forced to squander and the slights he had been obliged to swallow. Fettes, with various liquors singing in his head, returned home with devious footsteps and a mind entirely in abeyance. Next day Macfarlane was absent from the class, and Fettes smiled to himself as he imagined him still squiring the intolerable Gray from tavern to tavern. As soon as the hour of liberty had struck he posted from place to place in quest of his last night's companions. He could find them, however, nowhere; so returned early to his rooms, went early to bed, and slept the sleep of the just.
At four in the morning he was awakened by the well-known signal. Descending to the door, he was filled with astonishment to find Macfarlane with his gig, and in the gig one of those long and ghastly packages with which he was so well acquainted.
'What?' he cried. 'Have you been out alone? How did you manage?'
But Macfarlane silenced him roughly, bidding him turn to business. When they had got the body upstairs and laid it on the table, Macfarlane made at first as if he were going away. Then he paused and seemed to hesitate; and then, 'You had better look at the face,' said he, in tones of some constraint. 'You had better,' he repeated, as Fettes only stared at him in wonder.
'But where, and how, and when did you come by it?' cried the other.
'Look at the face,' was the only answer.
Fettes was staggered; strange doubts assailed him. He looked from the young doctor to the body, and then back again. At last, with a start, he did as he was bidden. He had almost expected the sight that met his eyes, and yet the shock was cruel. To see, fixed in the rigidity of death and naked on that coarse layer of sack-cloth, the man whom he had left well-clad and full of meat and sin upon the threshold of a tavern, awoke, even in the thoughtless Fettes, some of the terrors of the conscience. It was a cras tibi which re-echoed in his soul, that two whom he had known should have come to lie upon these icy tables. Yet these were only secondary thoughts. His first concern regarded Wolfe. Unprepared for a challenge so momentous, he knew not how to look his comrade in the face. He durst not meet his eye, and he had neither words nor voice at his command.
It was Macfarlane himself who made the first advance. He came up quietly behind and laid his hand gently but firmly on the other's shoulder.
'Richardson,' said he, 'may have the head.'
Now Richardson was a student who had long been anxious for that portion of the human subject to dissect. There was no answer, and the murderer resumed: 'Talking of business, you must pay me; your accounts, you see, must tally.'
Fettes found a voice, the ghost of his own: 'Pay you!' he cried, 'Pay you for that?'
'Why, yes, of course you must. By all means and on every possible account, you must,' returned the other. 'I dare not give it for nothing, you dare not take it for nothing; it would compromise us both. This is another case like Jane Galbraith's. The more things are wrong the more we must act as if all were right. Where does old K---- keep his money?'
'There,' answered Fettes hoarsely, pointing to a cupboard in the corner.
'Give me the key, then,' said the other, calmly, holding out his hand.
'Now, look here,' he said, 'there is the payment made - first proof of your good faith: first step to your security. You have now to clinch it by a second. Enter the payment in your book, and then you for your part may defy the devil.'
The next few seconds were for Fettes an agony of thought; but in balancing his terrors it was the most immediate that triumphed. Any future difficulty seemed almost welcome if he could avoid a present quarrel with Macfarlane. He set down the candle which he had been carrying all the time, and with a steady hand entered the date, the nature, and the amount of the transaction.
'And now,' said Macfarlane, 'it's only fair that you should pocket the lucre. I've had my share already. By-the-by, when a man of the world falls into a bit of luck, has a few shillings extra in his pocket - I'm ashamed to speak of it, but there's a rule of conduct in the case. No treating, no purchase of expensive class-books, no squaring of old debts; borrow, don't lend.'
'Macfarlane,' began Fettes, still somewhat hoarsely, 'I have put my neck in a halter to oblige you.'
'To oblige me?' cried Wolfe. 'Oh, come! You did, as near as I can see the matter, what you downright had to do in self-defence. Suppose I got into trouble, where would you be? This second little matter flows clearly from the first. Mr Gray is the continuation of Miss Galbraith. You can't begin and then stop. If you begin, you must keep on beginning; that's the truth. No rest for the wicked.'
A horrible sense of blackness and the treachery of fate seized hold upon the soul of the unhappy student.
'My God!' he cried, 'but what have I done? and when did I begin? To be made a class assistant - in the name of reason, where's the harm in that? Service wanted the position; Service might have got it. Would he have been where I am now?'
'My dear fellow,' said Macfarlane, 'what a boy you are! What harm has come to you? What harm can come to you if you hold your tongue? Why, man, do you know what this life is? There are two squads of us - the lions and the lambs. If you're a lamb, you'll come to lie upon these tables like Gray or Jane Galbraith; if you're a lion, you'll live and drive a horse like me, like K----, like all the world with any wit or courage. You're staggered at the first. But look at K----! My dear fellow, you're clever, you have pluck. I like you, and K---- likes you. You were born to lead the hunt; and I tell you, on my honour and my experience of life, three days from now you'll laugh at all these scarecrows like a high-school boy at a farce.'
And with that Macfarlane took his departure and drove off up the wynd in his gig to get under cover before daylight. Fettes was thus left alone with his regrets. He saw the miserable peril in which he stood involved. He saw, with inexpressible dismay, that there was no limit to his weakness, and that, from concession to concession, he had fallen from the arbiter of Macfarlane's destiny to his paid and helpless accomplice. He would have given the world to have been a little braver at the time, but it did not occur to him that he might still be brave. The secret of Jane Galbraith and the cursed entry in the day-book closed his mouth.
Hours passed; the class began to arrive; the members of the unhappy Gray were dealt out to one and to another, and received without remark. Richardson was made happy with the head; and before the hour of freedom rang Fettes trembled with exultation to perceive how far they had already gone toward safety.
For two days he continued to watch, with increasing joy, the dreadful process of disguise.
On the third day Macfarlane made his appearance. He had been ill, he said; but he made up for lost time by the energy with which he directed the students. To Richardson in particular he extended the most valuable assistance and advice, and that student, encouraged by the praise of the demonstrator, burned high with ambitious hopes, and saw the medal already in his grasp.
Before the week was out Macfarlane's prophecy had been fulfilled. Fettes had outlived his terrors and had forgotten his baseness. He began to plume himself upon his courage, and had so arranged the story in his mind that he could look back on these events with an unhealthy pride. Of his accomplice he saw but little. They met, of course, in the business of the class; they received their orders together from Mr K----. At times they had a word or two in private, and Macfarlane was from first to last particularly kind and jovial. But it was plain that he avoided any reference to their common secret; and even when Fettes whispered to him that he had cast in his lot with the lions and forsworn the lambs, he only signed to him smilingly to hold his peace.
Somewhat as two vultures may swoop upon a dying lamb, Fettes and Macfarlane were to be let loose upon a grave in that green and quiet resting-place. The wife of a farmer, a woman who had lived for sixty years, and been known for nothing but good butter and a godly conversation, was to be rooted from her grave at midnight and carried, dead and naked, to that far-away city that she had always honoured with her Sunday best; the place beside her family was to be empty till the crack of doom; her innocent and almost venerable members to be exposed to that last curiosity of the anatomist.
Late one afternoon the pair set forth, well wrapped in cloaks and furnished with a formidable bottle. It rained without remission - a cold, dense, lashing rain. Now and again there blew a puff of wind, but these sheets of falling water kept it down. Bottle and all, it was a sad and silent drive as far as Penicuik, where they were to spend the evening. They stopped once, to hide their implements in a thick bush not far from the churchyard, and once again at the Fisher's Tryst, to have a toast before the kitchen fire and vary their nips of whisky with a glass of ale. When they reached their journey's end the gig was housed, the horse was fed and comforted, and the two young doctors in a private room sat down to the best dinner and the best wine the house afforded. The lights, the fire, the beating rain upon the window, the cold, incongruous work that lay before them, added zest to their enjoyment of the meal. With every glass their cordiality increased. Soon Macfarlane handed a little pile of gold to his companion.
'A compliment,' he said. 'Between friends these little d----d accommodations ought to fly like pipe-lights.'
Fettes pocketed the money, and applauded the sentiment to the echo. 'You are a philosopher,' he cried. 'I was an ass till I knew you. You and K---- between you, by the Lord Harry! but you'll make a man of me.'
'Of course we shall,' applauded Macfarlane. 'A man? I tell you, it required a man to back me up the other morning. There are some big, brawling, forty-year-old cowards who would have turned sick at the look of the d----d thing; but not you - you kept your head. I watched you.'
'Well, and why not?' Fettes thus vaunted himself. 'It was no affair of mine. There was nothing to gain on the one side but disturbance, and on the other I could count on your gratitude, don't you see?' And he slapped his pocket till the gold pieces rang.
Macfarlane somehow felt a certain touch of alarm at these unpleasant words. He may have regretted that he had taught his young companion so successfully, but he had no time to interfere, for the other noisily continued in this boastful strain:
'The great thing is not to be afraid. Now, between you and me, I don't want to hang - that's practical; but for all cant, Macfarlane, I was born with a contempt. Hell, God, Devil, right, wrong, sin, crime, and all the old gallery of curiosities - they may frighten boys, but men of the world, like you and me, despise them. Here's to the memory of Gray!'
It was by this time growing somewhat late. The gig, according to order, was brought round to the door with both lamps brightly shining, and the young men had to pay their bill and take the road. They announced that they were bound for Peebles, and drove in that direction till they were clear of the last houses of the town; then, extinguishing the lamps, returned upon their course, and followed a by-road toward Glencorse. There was no sound but that of their own passage, and the incessant, strident pouring of the rain. It was pitch dark; here and there a white gate or a white stone in the wall guided them for a short space across the night; but for the most part it was at a foot pace, and almost groping, that they picked their way through that resonant blackness to their solemn and isolated destination. In the sunken woods that traverse the neighbourhood of the burying-ground the last glimmer failed them, and it became necessary to kindle a match and reillumine one of the lanterns of the gig. Thus, under the dripping trees, and environed by huge and moving shadows, they reached the scene of their unhallowed labours.
They were so nearly at an end of their abhorred task that they judged it wisest to complete it in the dark. The coffin was exhumed and broken open; the body inserted in the dripping sack and carried between them to the gig; one mounted to keep it in its place, and the other, taking the horse by the mouth, groped along by wall and bush until they reached the wider road by the Fisher's Tryst. Here was a faint, diffused radiancy, which they hailed like daylight; by that they pushed the horse to a good pace and began to rattle along merrily in the direction of the town.
They had both been wetted to the skin during their operations, and now, as the gig jumped among the deep ruts, the thing that stood propped between them fell now upon one and now upon the other. At every repetition of the horrid contact each instinctively repelled it with greater haste; and the process, natural although it was, began to tell upon the nerves of the companions. Macfarlane made some ill-favoured jest about the farmer's wife, but it came hollowly from his lips, and was allowed to drop in silence. Still their unnatural burthen bumped from side to side; and now the head would be laid, as if in confidence, upon their shoulders, and now the drenching sackcloth would flap icily about their faces. A creeping chill began to possess the soul of Fettes. He peered at the bundle, and it seemed somehow larger than at first. All over the countryside, and from every degree of distance, the farm dogs accompanied their passage with tragic ululations; and it grew and grew upon his mind that some unnatural miracle had been accomplished, that some nameless change had befallen the dead body, and that it was in fear of their unholy burden that the dogs were howling.
'For God's sake,' said he, making a great effort to arrive at speech, 'for God's sake, let's have a light!'
Seemingly Macfarlane was affected in the same direction; for though he made no reply, he stopped the horse, passed the reins to his companion, got down, and proceeded to kindle the remaining lamp. They had by that time got no further than the cross-road down to Auchendinny. The rain still poured as though the deluge were returning, and it was no easy matter to make a light in such a world of wet and darkness. When at last the flickering blue flame had been transferred to the wick and began to expand and clarify, and shed a wide circle of misty brightness round the gig, it became possible for the two young men to see each other and the thing they had along with them. The rain had moulded the rough sacking to the outlines of the body underneath; the head was distinct from the trunk, the shoulders plainly modelled; something at once spectral and human riveted their eyes upon the ghastly comrade of their drive.
For some time Macfarlane stood motionless, holding up the lamp. A nameless dread was swathed, like a wet sheet, about the body, and tightened the white skin upon the face of Fettes; a fear that was meaningless, a horror of what could not be, kept mounting to his brain. Another beat of the watch, and he had spoken. But his comrade forestalled him.
'That is not a woman,' said Macfarlane, in a hushed voice.
'It was a woman when we put her in,' whispered Fettes.
'Hold that lamp,' said the other. 'I must see her face.'
And as Fettes took the lamp his companion untied the fastenings of the sack and drew down the cover from the head. The light fell very clear upon the dark, well-moulded features and smooth-shaven cheeks of a too familiar countenance, often beheld in dreams of both of these young men. A wild yell rang up into the night; each leaped from his own side into the roadway; the lamp fell, broke, and was extinguished; and the horse, terrified by this unusual commotion, bounded and went off toward Edinburgh at a gallop, bearing along with it, sole occupant of the gig, the body of the dead and long-dissected Gray.
Thursday 5 November 2015
I jumped on this book when I saw it in a cluttered second hand bookshop in Cheltenham because of the Nigel Kneale story that I hadn't read before; I'd have bought it anyway but that was the clincher. There were a few other firsts in there too so let's take it one story at a time.
Starting things off is 'The Squaw' by Bram Stoker and it's tale of feline revenge as a rather stupid American tourist is given a medieval comeuppance by a particularly angry she-cat. I've only ever read one Stoker tale before - 'The Judge's House' - which I really enjoyed and this one was fun also. I really must get around to reading that copy of Dracula that's sitting on my bookshelf.
Next is only me second experience of Robert Aickman. I'd managed to entirely miss him and now I've read him in two books in a row - 'Ringing the Changes' in '65 Great Tales of the Supernatural'. 'No Stronger Than a Flower' is a quietly odd little tale of newly weds that sees the wife relenting to her new husbands comments regarding her appearance in a most odd and unpleasant way.
The fourth story gives me my first chance to read an Agatha Christie story, 'The Gypsy' is a light but gratifying tale of premonition, fate and love wrapped up in a breakneck read that still manages to feel complete and satisfying.
Another anthology regular, Algernon Blackwood's 'A Case of Eavesdropping', takes a young man to a boarding house where bumps (and blood) in the night are commonplace.
And so we arrive at the Nigel Kneale tale. Kneale only ever published one non Quatermass book, a short story collection called 'Tomato Cain and Other Stories', and it's from that his haunted house story 'Minuke' is the most anthologised so to get a chance to read another was a real treat. 'The Pond' is a short but sweet tale of revenge on a strange old taxidermist.
L.P. Hartley's 'The Two Vaynes' is by far the poorest story here with large plot holes in a fairly pointless plot of revenge for a pretty slight leading to revenge for a larger crime.
The Hartley story is followed by longest piece as Ray Bradbury's 'The Next in Line' tells of a young woman's descent into madness in a small Mexican town. It's beautifully written but I found it to be quite unsatisfying with a very poor finale. My preference in a ghostly or weird story is for a British setting - or at the furthest European - so the Bradbury was a step outside my happy place but still an enjoyable excursion as what Bradbury I've read in the past was always very readable as it, mostly, was here.
The same can be said of 'The Interlopers' by Saki as two feuding Carpathian lords are trapped together in a deep forest giving them time to sort out their quarrel.
Of the final three stories one proved itself to be stylish but ultimately empty, the second to be slightly pointless and the final one to be an old favourite whose title I didn't recognise.
The book ends with Joan Aiken's lovely little twisted tale, 'Marmalade Wine' that finds a walker chancing across the country home of a retired surgeon only for things to go horribly awry.
As I've mentioned in previous reviews I do have a love for these old (this one is 1966) anthologies and this proved to be a most enjoyable one. The selection is admirably light on ghostly goings on and heavy on supernatural revenge and retribution and is very much worth hunting down for anyone with a love of the weird.
Monday 2 November 2015
(Scroll to bottom for music player)
Opening the mix is some glorious hauntological folk-tronica by Revbjelde, with guest vocals from Emma Churchley, taken from their fabulous 'The Weeping Tree' EP which has been one of a few things clamouring for space on my player of late.
Next up is some very late era BBC Radiophonic Workshop with a track from Mark Ayres’ terrific soundtrack to the Sylvester McCoy Doctor Who serial ‘The Curse of Fenric’. Mark is also the curator of the workshop and one of the current touring line-up.
Depeche Mode’s Martin Gore released his second solo album this year made using his enviable collection of modular synths. The album, ‘MG’, is a sumptuous and rolling set of electronic burbles and bloops that manages to create a real period vibe whilst remaining utterly contemporary.
Someone else who manages this temporal juggling act, and does so perhaps better than anyone else, is Boards of Canada and their ‘Kid For Today’ is evidence of this with its textured washes , clattering rhythms and xylophone-esque melodies swirling through the fog of childhood half-memories.
Neil Fellows’ ‘Encounter’ is a tune I discovered on a very good Close Encounters of the Third Kind tribute album, 'Electronic Encounters'. Its hauntological reminiscence of both the film and the iconic melody made it for me the stand out track on what is a very fine collection.
John Keating’s ‘Space Experience’ is one I originally found in a box of LPs in a remote antique centre in mid Wales. The title and the words ‘featuring E.M.S. Synth VCS3’ were always going to be enough to get me to part with my money. The album is an odd mix of original tunes (like the one featured), show tunes (‘Jesus Christ Superstar’), cheesy pop classics (‘I Feel the Earth Move’) and theme tunes (‘Star Trek’).
Jon Baker is a name I’m sure is familiar to many of you. One of the classic triumvirate of Radiophonic Workshoppers Baker’s re-purposed and re-configured twangs, clangs, toots and boops are here melded with his keen Jazz sensibilities to soundtrack a 1960s crime show. Taken from the album ‘John Baker – The Vendetta Tapes’, out now on Buried Treasure.
And so we arrive at an all time classic Syd Dale’s ‘Marching There and Back’ or more commonly known to entire generations of Brits as the theme tune from ‘Screen Test’. A more triumphant and exuberant piece of music you’d be hard pressed to find; just try and listen without singing along.
Keith Seatman is someone whose music I first heard in the context of my old experimental music zine, ‘WonderfulWooden Reasons’ and who’s album left me craving more. His latest, ‘A Rest Before the Walk’, is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last.
Closing the mix is Howlround and abandoned playground’s collaborative track ‘OH’ made using micro-cassette field recordings, chimes and distant trains. This version is taken from the Xpylon charity comp but a different extended mix opens the fabulous new Howlround album, ‘Tales from the Black Tangle’.
Hope you enjoy.