Thursday 30 June 2016

R.I.P. Gordon Murray

I'm posting ths today in memory of Trumpton, Chigley and Camberwick Green creator and puppeteer Gordon Murray who died today.

Previous to creating the Trumptonshire Trilogy in the mid to late 1960s he had worked for the BBC as a puppeteer and then producer on The Woodentops and Captain Pugwash.

After leaving the BBC in 1964 he formed his own company and over the course of 1966, 1967 & 1969 he and his team produced 39 episodes (13 each) of Camberwick Green, Trumpton and Chigley using stop motion animation by Bob Bura, John Hardwick and Pasquale Ferrari, music by Freddie Phillips and narration by Brian Cant.  Murray later burned all (but one) of the original puppets used for the series.

These sublime pieces of slice of life whimsy were and still are beloved of generations and have made regular appearances ever since in pastiches in Spitting Image, Life on Mars, the video for 'Burn The Witch' by Radiohead and not to mention featuring in two songs by Half Man Half Biscuit, 'Time Flies By (When You're the Driver of a Train)' and 'The Trumpton Riots'.

Here's a lovely short interview with him uploaded in 2011.

If you happen to pass a fire station, windmill, steam train or bandstand today spare him a thought.

There are lots of Trumptonshire videos available on line so I'm only going to add a couple here. 
First here's episode 2 of Camberwick Green which is the one I remember most strongly from my childhood.

and second here's an upload of one of the several Trumptonshire albums.

Monday 27 June 2016

Dark Entries

Robert Aickman
Faber & Faber

Aickman's 'strange stories' (his preferred term) are constructed immaculately, the neuroses of his characters painted in subtle shades. He builds dread by the steady accrual of realistic detail, until the reader realises that the protagonist is heading towards their doom as if in a dream.
Dark Entries was first published in 1964 and contains six curious and macabre stories of love, death and the supernatural, including the classic story 'Ringing the Changes'.

So, after reading a few short stories and him as the editor of a Fontana anthology I finally get to experience Aickman on his own terms.  'Dark Entries' is one of four newly reprinted collections by Faber & Faber and is the earliest of the works and so the perfect place to start.

The first Aickman story I read is featured here but first we have a biographical foreword before the book properly begins with 'The School Friend'.  The story tells of the unlikely friendship between two women who find themselves thrown back together after many years only for one of them to find that people are stranger by far than the face they present to the world.

The second story is, in the words of the jacket blurb, 'the classic story 'Ringing in the Changes' which is the only story presented here that I'm already familiar with.  It's a brutal and harrowing story that pits a newly married couple against the risen dead in a small coastal town.

Truthfully I have no idea what to make of 'Choice of Weapons'.  For much of it it seems like a straight forward love story until the ending spins everything on it's head and left me a tad confused.

This oddity is followed by probably the most straightforward story in the book in the shape of a haunted railway station in 'The Waiting Room' before the book once more earns its 'strange stories' label with 'The View'.  Here whilst taking refuge on an island a man finds solace in the arms and house of a beautiful woman but in a place where change is constant he finds it hard to do so.

With the exception of a short remembrance of Aickman by Ramsey Campbell the book ends with the folk horror of 'Bind Your Hair' that places a newly engaged career woman amidst her fiances country family and the very odd and unpleasant goings-on up on the hill; a story I felt could have benefited greatly from being given far more space in the telling.

I really didn't know what to expect of these books.  Having read about him and having read two of his stories I was pretty certain I was going to get an old fashioned kind of strangeness and I wasn't disappointed on that score as it was strange to the nth degree.  'Dark Entries' proved to be a most diverting read and I'm very much looking forward to the others.

Buy it here -  Dark Entries

Saturday 25 June 2016

The Truth is a Cave in the Black Mountains

Neil Gaiman (author)
Eddie Campbell (artist)
William Morrow

The text of The Truth is a Cave in the Black Mountains was first published in the collection anthology Stories: All New Tales edited by Neil Gaiman and Al Sarrantonio. This gorgeous full-color illustrated book version was born of a unique collaboration between writer Neil Gaiman and artist Eddie Campbell, who brought to vivid life the characters and landscape of Gaiman's story. In August 2010, The Truth is a Cave in the Black Mountains was performed in the concert hall of the Sydney Opera House to a sold-out crowd—Gaiman read his tale live as Campbell's magnificent artwork was presented, scene-by-scene, on large screens. Narrative and art were accompanied by live music composed and performed especially for the story by the FourPlay String Quartet.

The arrival of this book completely snuck past me and so coming across it on the shelf at the local corporate bookstore was a really nice surprise.  I've been a fan of Gaiman since he arrived on the scene.  I was working in a comic shop in Cardiff at the time and from the first thing of his I read I knew he was going to be a writer I'd follow for a long time to come.  With Eddie Campbell it's even more so.  I really like his art but as a writer he's right up there with my absolute favourites (if you've not read anything I heartily recommend his 'Fate of the Artist' - Buy it here).  Here the words are all Gaiman with Campbell providing painted illustrations.

The Black Mountains of the title are on the Isle of Skye and there amidst their peaks is a cave full of gold.  Walking to this cave are two men.  One is a dwarf with two secrets and the other is his guide.  The latter has visited the cave in his youth and paid the toll that it's contents ask whilst the former is looking for something and will willingly pay any price.

The book is very much a Gaiman story centred in a slightly folkloric version of our own world, in this case the Jacobean era.  For the most part the book feels like it's going to be a fairly typical adventure story until without warning actions, events and characters take a sharp turn down the left hand path.  What really stands out though is how unrepentantly dark the story is.

The art is presented as central to the book.  Rather than restricting it to typical comic book boxes - which does happen on occasion - it is allowed free rein on the page sitting next to, behind and around the words with the text presented sometimes in Campbell's characteristic lettering but mostly in type which I think is a shame as the former is far more to my tastes.

As I'm sure you can imagine from what I said earlier I was excited by this and I wasn't disappointed.  It isn't the best thing either of them has done but it's very enjoyable nonetheless and will satisfy fans of both.

Buy it here -  The Truth Is a Cave in the Black Mountains by Gaiman, Neil (2014) Hardcover

Thursday 23 June 2016

Snow (1963)

A while back I shared with you a video called 'Locomotion' made in 1975 by a film-maker by the name of George Jones.  It's a lovely little short film with a fantastic electronic soundtrack played, uncredited, by members of folk-rock group Steeleye Span.

Today I'd like to share with you one of his earlier films, 'Snow'.

Filmed during the 'Big Freeze of 1963', that saw snow drifts as high as 15 feet (4.5 metres) in some areas, the eight minute film is a selection of beautifully filmed sequences detailing the efforts of the rail workers to ensure the continued operation of the trains.

Apart from the fact that it is a fabulous little film what makes this of particular interest to followers of Wyrd Britain is the inclusion on the soundtrack of various sound treatments by BBC Radiophonic Workshop pioneer Daphne Oram.  The song that runs through the film is a version of 'Teen Beat' recorded especially by Johnny Hawksworth who is much better known as the composer of the theme tune for 'Roobarb', which I imagine many of you are singing right about now.

I hope you enjoy.


If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going -

Wednesday 22 June 2016

Tales of the Mysterious and Macabre

Algernon Blackwood
Spring Books

I've been slowly working my way through this sizeable hardback for a few months now reading a couple of stories and then shelving it for a week or two. I've mentioned here before about my long held dislike for reading anthologies of short stories which is a prejudice I've had to overcome over the last few years since starting to read more and more of these period strange stories.  Out of these anthologies the name Algernon Blackwood was one that held a particular appeal.  He has a name that seems expressly designed to be that of an author of weird fiction and his photos make him look like a magician.  He's a regular in anthologies so stories by him weren't hard to track down and the more I read the more I wanted to read and finding a copy of the 'Ancient Sorceries and Other Stories' Penguin paperback in a charity shop only helped stimulate this interest.  So, stumbling across this 400 page anthology was a happy day indeed.

Published in 1967 by Spring Books it contains 23 tales of the odd, the uncanny and the unnatural.  The stories in this volume are decidedly less spooky than the ones I've read previously although there is a strong undercurrent of the strange and the inexplicable but these are far more of the weird fiction genre than the ghostly.

Within its pages lie various pieces of treasure; a delightfully odd encounter for Blackwood's occult detective Dr. John Silence with a man who is 'A Victim of Higher Space', the strangely enchanting tale of a brother and sisters experience of a house filled with 'The Damned', a sacrificial tale involving the old gods of the sea in 'The Sea Fit', a tale about the transcendent powers of nature in 'The Golden Fly' and a rather lovely tale of cross generational help in 'The Other Wing'.

The collection is crammed full of enticing oddities all written with Blackwood's characteristic charm and readability.  Personally I have a marked fondness for the more ghostly side of his work but on the whole this collection turned out to be one of beauty and intriguing profundity.

Sunday 19 June 2016

An English Ghost Story

Kim Newman
Titan Books

A dysfunctional British nuclear family seek a new life away from the big city in the sleepy Somerset countryside. At first their new home, The Hollow, seems to embrace them, creating a rare peace and harmony within the family. But when the house turns on them, it seems to know just how to hurt them the most—threatening to destroy them from the inside out.

I'm not entirely sure why but even as a fan of  both Kim Newman and of ghost stories I found this book very hard to start reading,  it just didn't appeal somehow.  But, at the third time of asking I got a some traction with it and made it through to the end over the course of a couple of evenings.

The Naremore's are a particularly dysfunctional family who move from London to 'The Hollow' a massively haunted house in Somerset.  

The Hollow had previously been the home of a popular Enid Blyton-esque children's author and much of the story is a reveal of how much of the house and it's supernatural inhabitants had made their way into her stories.

At first the house welcomes the family but soon things begin to change as the family discover that good vibes can only paper over the problems at the heart of their relationships with each other and with themselves.  As everything becomes increasingly sour and the ghosts of The Hollow change from the frolicsome sprites to more malevolent entities and the book gets increasingly dark but never manages to really get me to  immerse  myself fully into the story.  The whole thing feels just too disjointed and in the end a little preachy.

I'm going to chalk this one up as a bit - note I said 'bit' - of a miss and look forward to dipping into one of the other two Newman books on my bookshelf.

Buy it here - An English Ghost Story

Saturday 18 June 2016

Doctor Who: Heroes & Monsters Collection

Various authors
BBC Books

A new story collection featuring 26 adventures across time and space! The Heroes and Monsters Collection brings together our favourite short stories from the last ten years of Doctor Who. In these tales the Doctor and his companions face the Daleks, the Cybermen and many more terrifying foes. Also includes three brand-new stories for 2015, featuring the War Doctor, Clara and the Twelfth Doctor. With all the humour and thrilling action of the iconic television programme, the Heroes and Monsters Collection is a wonderful read for any Doctor Who fan. 

This one snuck by me when it came out and I found out about it by accident when looking up the new War Doctor audios from Big Finish.

What we have are a whole host of teeny shorts taken from 'The Doctor Who Files' and from the annuals along with 3 new tales, one of which features the War Doctor and opens the book with aplomb.

There's not been nearly enough made of this mostly unknown incarnation with the one novel being a little disappointing.  This one though is a lovely piece of myth building that fits particularly well with the way the Gallifreyan soldiers reacted to the Doctor in the final episode of the current series, 'Hell Bent'.

The rest of the book is, for the most part, a series of fun little shorts featuring various characters both heroic and less so.  We get to see Dalek's victorious, K9 depowered, Capt Jack in the Victorian era, Amy in a bun fight, the TARDIS up for auction and lots, lots more.

In total there's some 26 stories here written by regular Doctor Who scribes such as Gary Russell, Stephen Cole, Justin Richards and others.  With each story being no more than a couple of pages long the whole thing absolutely rattles along and is just page after page of good geeky fun.

Tuesday 14 June 2016

Aylmer Vance: Ghost Seer

Alice & Claude Askew
Wordsworth Editions

A collection of classic supernatural tales from the Edwardian period. Originally published in 1914 between 4 July and 22 August in The Weekly Tale-Teller, the stories were belatedly collected into the current volume in the late 1990s by Jack Adrian.
This is a collection of eight ghost stories, written by the remarkably prolific husband and wife team of Claude and Alice Askew, centering on Aylmer Vance, an investigator of the supernatural. Dexter, the narrator, meets Vance during a fishing holiday and Vance tells him three ghost stories on successive nights, each story involving Vance more closely in the action. The fourth story brings Dexter himself into the action, and reveals him to have unsuspected clairvoyant powers. The remaining stories feature Vance and Dexter as a sort of Holmes-and-Watson team investigating incidents not all of which prove to have supernatural causes.

Another in the fabulous Wordsworth Editions series of 'Tales of Mystery and the Supernatural', Aylmer Vance: Ghost Seer is a short collection of Edwardian ghost stories featuring the titular psychical investigator and his 'Watson' the clairvoyant barrister Dexter.

Over the 8 tales that make up the book Vance initially tells Dexter of a number of his encounters with the supernatural; a possession from the ancient past in 'The Invader', an encounter with an old god in 'The Stranger', a love story featuring a beautiful ghost exeriencing one last soiree in 'Lady Green-Sleeves' and a tale of heartbreak, love, poetry and fire that transcends death in 'The Fire Unquenchable'.  It's following this fouth story that Dexter becomes Vance's apprentice and takes a more active role in the proceedings.  Like the aforementioned Watson he is very much the junior partner and serves mostly as narrator but also as pupil as result of his psychic abuilities.

The second four stories explore hauntings and possession in the 'The Vampire', haunted houses in 'The Boy of Blackstock' and 'The Fear', and the enduring influence of past lives in 'The Indissoluble Band'.

It's a great shame that the eight stories here are all that the husband and wife authors completed as both Vance and Dexter are enjoyable company and the stories are entertainingly creepy.

Saturday 11 June 2016

Pagan Triptych

Ron Weighell, John Howard & Mark Valentine
Sarob Press

In a recent email conversation with Mark Valentine I mentioned that when I broke my tibia last year I did so with an Algernon Blackwood paperback in my back pocket.  This led him to tell of a Blackwood inspired short story he was writing for a new anthology to be published soon by Sarob Press and that he would arrange for a review copy to be sent my way for Wyrd Britain.  Yes dear readers he is a lovely fella and I am a lucky sod.

Well, if it appeases your jealousy in any way my copy arrived the day after I got home from hospital after breaking my hip this time;  same leg, almost exactly 11 months on from the last time so maybe not so lucky after all.

'Pagan Triptych' is a set of 3 stories using some of Blackwood's characteristic themes - the occult detective, ritual magic, nature worship & reincarnation - each followed by an afterword from each author regarding their connection with the man and his work.

The book begins with an author I am otherwise unfamiliar with, Ron Weighell, whose story of magical sleuthing featuring his very intriguing occult detective, academic and magician, Doctor Andrew Northwoode, 'The Letter Killeth' is a fiery and intriguing sort of read.  With it's academic setting within the campus, libraries and lodgings of Belden College, Oxford it has a flavour of M.R. James' 'The Tractate Middoth' but is very much it's own thing as Northwoode, with the aide of a number of other magicians from diverse magical traditions, investigates and combats the magical affliction that has overcome his librarian friend.

The story is fast paced and wonderfully inventive with Weighell throwing around magical traditions and rites with seeming abandon as his crew of investigators hunt for their cure.  I'm an absolute sucker for a good occult investigator especially of the professorial type and I took Northwoode to my heart immediately.  Apparently he has featured in several other stories but a cursory eBay search reveals Weighell's other books to be price in eye-watering amounts amounts but he is going on my list of writers to watch out for.

Holding the middle ground in the anthology is John Howard who I'd previously encountered via his and Mark Valentine's collaboration on 'The Collected Connossieur'.  It would take better eyes than mine to separate the two in the previous volume so it was a nice opportunity to get to experience his solo work.

'In the Clearing' is a delicately subtle tale of a man cast adrift from his life and finding not just himself but also finding another person and another place.

It's a story of a man being expelled from the life he has created, of his meeting another who is entirely in his and of his desire to join him in his serenity and to find his own acceptance amongst the tangled pathways of the woods.

It's a lovely little piece that feels both supernatural and utterly real at the same time.  Daniel's relationship with the woods is so intrinsic that he wears it (or it him) yet for Nick it's a fearsome entity, the antithesis of all he knows and something that he, in his fear and in his loss, tries to claim.

It's a rather lovely piece that has sat with me for the week between reading it and writing this and I think perhaps for a lot longer yet.

Closing the book is Mark Valentine's tale of alternative worlds, reincarnation, destiny and fig trees.  The story follows a young man from ritualised childhood games in a figgery (such a lovely word) to the comradeship of like-minded people who have, like him, experienced unusual connections with certain places , a feeling of otherness and an echo of elsewhere.  It's a rumination on other lives, other places, other times, other existences and is every bit as intriguing as it is beguiling.

Along with three short ruminations on Blackwood by the authors this book proved to be the most wonderful fun.  The three have produced stories that whilst distinct and individual feel very much at home together which I think speaks volumes for both their skills and the rampant creativity of Mr. Blackwood himself.

Thursday 9 June 2016

Wyrd Britain Mix 10: Alan Gubby guest mix - Buried Treasures Albion

I'm very pleased to be able to bring to you the next in our series of guest mixes with this frankly stunning set of the Wyrdest of British musical delights compiled by Alan Gubby.

For those of you who are unfamiliar with Alan he is a musician, with the band Revbjelde, and head honcho of the really very wonderful Buried Treasure label which over the last few years has released a string of fabulous records both new and old.  Indeed, if memory serves, last years Wyrd Britain's 'Best of 2015' list featured 3 of their releases and the 'Best of 2016' one already has one of theirs on it, the phenomenal 'A Thousand Strands' album by The Dandelion Set.

Alan is also a Radiophonic Workshop fanatic and so far has been responsible for the three compilations of Workshopper John Baker's music - the two volumes of the 'John Baker Tapes' on Trunk Records and 'The Vendetta Tapes' on Buried Treasure - all of which are utterly essential purchases for any fan of the BBCRW.

To give you some idea of just how diverse Alan's label is the most recent release is of a warehouse find of original copies of Konstantin Raudive's 7" of his experiments with communicating with the dead via 'electronic voice phenomena' - 'Breakthrough' - which older readers may remember was also issued as a flexidisc with copies of 'The Unexplained' and a sample of which can be heard in the mix.

So without further waffling on my part I invite you to sit back with a glass of something tasty and enjoy this wonderful and eclectic mix.

Saturday 4 June 2016

Short Story - 'The Old Nurse's Story' by Mrs Gaskell

Elizabeth Gaskell was a Victorian novelist and social reformer born in Chelsea in 1810.

A friend and contemporary of Charles Dickens she produced several novels concerning life in Victorian Britain but more crucially for us here at Wyrd Britain a significant body of ghostly gothic fiction.

The story presented below, originally published in 1852 is perhaps the most well known of these.

You know, my dears, that your mother was an orphan, and an only child; and I dare say you have heard that your grandfather was a clergyman up in Westmoreland, where I come from. I was just a girl in the village school, when, one day, your grandmother came in to ask the mistress if there was any scholar there who would do for a nurse-maid; and mighty proud I was, I can tell ye, when the mistress called me up, and spoke to my being a good girl at my needle, and a steady, honest girl, and one whose parents were very respectable, though they might be poor. I thought I should like nothing better than to serve the pretty young lady, who was blushing as deep as I was, as she spoke of the coming baby, and what I should have to do with it. However, I see you don't care so much for this part of my story, as for what you think is to come, so I'll tell you at once. I was engaged and settled at the parsonage before Miss Rosamond (that was the baby, who is now your mother) was born. To be sure, I had little enough to do with her when she came, for she was never out of her mother's arms, and slept by her all night long; and proud enough was I sometimes when missis trusted her to me. There never was such a baby before or since, though you've all of you been fine enough in your turns; but for sweet, winning ways, you've none of you come up to your mother. She took after her mother, who was a real lady born; a Miss Furnivall, a grand-daughter of Lord Furnivall's, in Northumberland. I believe she had neither brother nor sister, and had been brought up in my lord's family till she had married your grandfather, who was just a curate, son to a shopkeeper in Carlisle--but a clever, fine gentleman as ever was--and one who was a right-down hard worker in his parish, which was very wide, and scattered all abroad over the Westmoreland Fells. When your mother, little Miss Rosamond, was about four or five years old, both her parents died in a fortnight--one after the other. Ah! that was a sad time. My pretty young mistress and me was looking for another baby, when my master came home from one of his long rides, wet and tired, and took the fever he died of; and then she never held up her head again, but just lived to see her dead baby, and have it laid on her breast, before she sighed away her life. My mistress had asked me, on her death-bed, never to leave Miss Rosamond; but if she had never spoken a word, I would have gone with the little child to the end of the world.

The next thing, and before we had well stilled our sobs, the executors and guardians came to settle the affairs. They were my poor young mistress's own cousin, Lord Furnivall, and Mr. Esthwaite, my master's brother, a shopkeeper in Manchester; not so well-to-do then as he was afterwards, and with a large family rising about him. Well! I don't know if it were their settling, or because of a letter my mistress wrote on her death-bed to her cousin, my lord; but somehow it was settled that Miss Rosamond and me were to go to Furnivall Manor House, in Northumberland; and my lord spoke as if it had been her mother's wish that she should live with his family, and as if he had no objections, for that one or two more or less could make no difference in so grand a household. So, though that was not the way in which I should have wished the coming of my bright and pretty pet to have been looked at--who was like a sunbeam in any family, be it never so grand--I was well pleased that all the folks in the Dale should stare and admire, when they heard I was going to be young lady's maid at my Lord Furnivall's at Furnivall Manor.

But I made a mistake in thinking we were to go and live where my lord did. It turned out that the family had left Furnivall Manor House fifty years or more. I could not hear that my poor young mistress had ever been there, though she had been brought up in the family; and I was sorry for that, for I should have liked Miss Rosamond's youth to have passed where her mother's had been.

My lord's gentleman, from whom I asked as many questions as I durst, said that the Manor House was at the foot of the Cumberland Fells, and a very grand place; that an old Miss Furnivall, a great-aunt of my lord's, lived there, with only a few servants; but that it was a very healthy place, and my lord had thought that it would suit Miss Rosamond very well for a few years, and that her being there might perhaps amuse his old aunt.

I was bidden by my lord to have Miss Rosamond's things ready by a certain day. He was a stern, proud man, as they say all the Lords Furnivall were; and he never spoke a word more than was necessary. Folk did say he had loved my young mistress; but that, because she knew that his father would object, she would never listen to him, and married Mr. Esthwaite; but I don't know. He never married, at any rate. But he never took much notice of Miss Rosamond; which I thought he might have done if he had cared for her dead mother. He sent his gentleman with us to the Manor House, telling him to join him at Newcastle that same evening; so there was no great length of time for him to make us known to all the strangers before he, too, shook us off; and we were left, two lonely young things (I was not eighteen) in the great old Manor House. It seems like yesterday that we drove there. We had left our own dear parsonage very early, and we had both cried as if our hearts would break, though we were travelling in my lord's carriage, which I thought so much of once. And now it was long past noon on a September day, and we stopped to change horses for the last time at a little smoky town, all full of colliers and miners. Miss Rosamond had fallen asleep, but Mr. Henry told me to waken her, that she might see the park and the Manor House as we drove up. I thought it rather a pity; but I did what he bade me, for fear he should complain of me to my lord. We had left all signs of a town, or even a village, and were then inside the gates of a large wild park--not like the parks here in the south, but with rocks, and the noise of running water, and gnarled thorn-trees, and old oaks, all white and peeled with age.

The road went up about two miles, and then we saw a great and stately house, with many trees close around it, so close that in some places their branches dragged against the walls when the wind blew, and some hung broken down; for no one seemed to take much charge of the place;--to lop the wood, or to keep the moss-covered carriage-way in order. Only in front of the house all was clear. The great oval drive was without a weed; and neither tree nor creeper was allowed to grow over the long, many-windowed front; at both sides of which a wing projected, which were each the ends of other side fronts; for the house, although it was so desolate, was even grander than I expected. Behind it rose the Fells, which seemed unenclosed and bare enough; and on the left hand of the house, as you stood facing it, was a little, old-fashioned flower-garden, as I found out afterwards. A door opened out upon it from the west front; it had been scooped out of the thick, dark wood for some old Lady Furnivall; but the branches of the great forest-trees had grown and overshadowed it again, and there were very few flowers that would live there at that time.

When we drove up to the great front entrance, and went into the hall, I thought we should be lost--it was so large, and vast, and grand. There was a chandelier all of bronze, hung down from the middle of the ceiling; and I had never seen one before, and looked at it all in amaze. Then, at one end of the hall, was a great fireplace, as large as the sides of the houses in my country, with massy andirons and dogs to hold the wood; and by it were heavy, old-fashioned sofas. At the opposite end of the hall, to the left as you went in--on the western side--was an organ built into the wall, and so large that it filled up the best part of that end. Beyond it, on the same side, was a door; and opposite, on each side of the fireplace, were also doors leading to the east front; but those I never went through as long as I stayed in the house, so I can't tell you what lay beyond.

The afternoon was closing in, and the hall, which had no fire lighted in it, looked dark and gloomy; but we did not stay there a moment. The old servant, who had opened the door for us, bowed to Mr. Henry, and took us in through the door at the further side of the great organ, and led us through several smaller halls and passages into the west drawing-room, where he said that Miss Furnivall was sitting. Poor little Miss Rosamond held very tight to me, as if she were scared and lost in that great place; and as for myself, I was not much better. The west drawing-room was very cheerful-looking, with a warm fire in it, and plenty of good, comfortable furniture about. Miss Furnivall was an old lady not far from eighty, I should think, but I do not know. She was thin and tall, and had a face as full of fine wrinkles as if they had been drawn all over it with a needle's point. Her eyes were very watchful, to make up, I suppose, for her being so deaf as to be obliged to use a trumpet. Sitting with her, working at the same great piece of tapestry, was Mrs. Stark, her maid and companion, and almost as old as she was. She had lived with Miss Furnivall ever since they both were young, and now she seemed more like a friend than a servant; she looked so cold, and grey, and stony, as if she had never loved or cared for any one; and I don't suppose she did care for any one, except her mistress; and, owing to the great deafness of the latter, Mrs. Stark treated her very much as if she were a child. Mr. Henry gave some message from my lord, and then he bowed good-bye to us all--taking no notice of my sweet little Miss Rosamond's outstretched hand--and left us standing there, being looked at by the two old ladies through their spectacles.

I was right glad when they rung for the old footman who had shown us in at first, and told him to take us to our rooms. So we went out of that great drawing-room, and into another sitting-room, and out of that, and then up a great flight of stairs, and along a broad gallery--which was something like a library, having books all down one side, and windows and writing-tables all down the other--till we came to our rooms, which I was not sorry to hear were just over the kitchens; for I began to think I should be lost in that wilderness of a house. There was an old nursery, that had been used for all the little lords and ladies long ago, with a pleasant fire burning in the grate, and the kettle boiling on the hob, and tea-things spread out on the table; and out of that room was the night-nursery, with a little crib for Miss Rosamond close to my bed. And old James called up Dorothy, his wife, to bid us welcome; and both he and she were so hospitable and kind, that by-and-by Miss Rosamond and me felt quite at home; and by the time tea was over, she was sitting on Dorothy's knee, and chattering away as fast as her little tongue could go. I soon found out that Dorothy was from Westmoreland, and that bound her and me together, as it were; and I would never wish to meet with kinder people than were old James and his wife. James had lived pretty nearly all his life in my lord's family, and thought there was no one so grand as they. He even looked down a little on his wife; because, till he had married her, she had never lived in any but a farmer's household. But he was very fond of her, as well he might be. They had one servant under them, to do all the rough work. Agnes they called her; and she and me, and James and Dorothy, with Miss Furnivall and Mrs. Stark, made up the family; always remembering my sweet little Miss Rosamond! I used to wonder what they had done before she came, they thought so much of her now. Kitchen and drawing-room, it was all the same. The hard, sad Miss Furnivall, and the cold Mrs. Stark, looked pleased when she came fluttering in like a bird, playing and pranking hither and thither, with a continual murmur, and pretty prattle of gladness. I am sure, they were sorry many a time when she flitted away into the kitchen, though they were too proud to ask her to stay with them, and were a little surprised at her taste; though to be sure, as Mrs. Stark said, it was not to be wondered at, remembering what stock her father had come of. The great, old rambling house was a famous place for little Miss Rosamond. She made expeditions all over it, with me at her heels: all, except the east wing, which was never opened, and whither we never thought of going. But in the western and northern part was many a pleasant room; full of things that were curiosities to us, though they might not have been to people who had seen more. The windows were darkened by the sweeping boughs of the trees, and the ivy which had overgrown them; but, in the green gloom, we could manage to see old china jars and carved ivory boxes, and great heavy books, and, above all, the old pictures!

Once, I remember, my darling would have Dorothy go with us to tell us who they all were; for they were all portraits of some of my lord's family, though Dorothy could not tell us the names of every one. We had gone through most of the rooms, when we came to the old state drawing-room over the hall, and there was a picture of Miss Furnivall; or, as she was called in those days, Miss Grace, for she was the younger sister. Such a beauty she must have been! but with such a set, proud look, and such scorn looking out of her handsome eyes, with her eyebrows just a little raised, as if she wondered how any one could have the impertinence to look at her, and her lip curled at us, as we stood there gazing. She had a dress on, the like of which I had never seen before, but it was all the fashion when she was young: a hat of some soft white stuff like beaver, pulled a little over her brows, and a beautiful plume of feathers sweeping round it on one side; and her gown of blue satin was open in front to a quilted white stomacher.

"Well, to be sure!" said I, when I had gazed my fill. "Flesh is grass, they do say; but who would have thought that Miss Furnivall had been such an out-and-out beauty, to see her now?"

"Yes," said Dorothy. "Folks change sadly. But if what my master's father used to say was true, Miss Furnivall, the elder sister, was handsomer than Miss Grace. Her picture is here somewhere; but, if I show it you, you must never let on, even to James, that you have seen it Can the little lady hold her tongue, think you?" asked she.

I was not so sure, for she was such a little sweet, bold, open-spoken child, so I set her to hide herself; and then I helped Dorothy to turn a great picture, that leaned with its face towards the wall, and was not hung up as the others were. To be sure, it beat Miss Grace for beauty; and I think, for scornful pride, too, though in that matter it might be hard to choose. I could have looked at it an hour but Dorothy seemed half frightened at having shown it to me, and hurried it back again, and bade me run and find Miss Rosamond, for that there were some ugly places about the house, where she should like ill for the child to go. I was a brave, high-spirited girl, and thought little of what the old woman said, for I liked hide-and-seek as well as any child in the parish; so off I ran to find my little one.

As winter drew on, and the days grew shorter, I was sometimes almost certain that I heard a noise as if some one was playing on the great organ in the hall. I did not hear it every evening; but, certainly, I did very often, usually when I was sitting with Miss Rosamond, after I had put her to bed, and keeping quite still and silent in the bedroom. Then I used to hear it booming and swelling away in the distance. The first night, when I went down to my supper, I asked Dorothy who had been playing music, and James said very shortly that I was a gowk to take the wind soughing among the trees for music; but I saw Dorothy look at him very fearfully, and Bessy, the kitchen-maid, said something beneath her breath, and went quite white. I saw they did not like my question, so I held my peace till I was with Dorothy alone, when I knew I could get a good deal out of her. So, the next day, I watched my time, and I coaxed and asked her who it was that played the organ; for I knew that it was the organ and not the wind well enough, for all I had kept silence before James. But Dorothy had had her lesson, I'll warrant, and never a word could I get from her. So then I tried Bessy, though I had always held my head rather above her, as I was evened to James and Dorothy, and she was little better than their servant So she said I must never, never tell; and if ever told, I was never to say she had told me; but it was a very strange noise, and she had heard it many a time, but most of all on winter nights, and before storms; and folks did say it was the old lord playing on the great organ in the hall, just as he used to do when he was alive; but who the old lord was, or why he played, and why he played on stormy winter evenings in particular, she either could not or would not tell me. Well! I told you I had a brave heart; and I thought it was rather pleasant to have that grand music rolling about the house, let who would be the player; for now it rose above the great gusts of wind, and wailed and triumphed just like a living creature, and then it fell to a softness most complete, only it was always music, and tunes, so it was nonsense to call it the wind. I thought at first, that it might be Miss Furnivall who played, unknown to Bessy; but one day, when I was in the hall by myself, I opened the organ and peeped all about it and around it, as I had done to the organ in Crosthwaite Church once before, and I saw it was all broken and destroyed inside, though it looked so brave and fine; and then, though it was noon-day, my flesh began to creep a little, and I shut it up, and run away pretty quickly to my own bright nursery; and I did not like hearing the music for some time after that, any more than James and Dorothy did. All this time Miss Rosamond was making herself more and more beloved. The old ladies liked her to dine with them at their early dinner James stood behind Miss Furnivall's chair, and I behind Miss Rosamond's all in state; and, after dinner, she would play about in a corner of the great drawing-room as still as any mouse, while Miss Furnivall slept, and I had my dinner in the kitchen. But she was glad enough to come to me in the nursery afterwards; for, as she said Miss Furnivall was so sad, and Mrs. Stark so dull; but she and were merry enough; and, by-and-by, I got not to care for that weird rolling music, which did one no harm, if we did not know where it came from.

That winter was very cold. In the middle of October the frosts began, and lasted many, many weeks. I remember one day, at dinner, Miss Furnivall lifted up her sad, heavy eyes, and said to Mrs. Stark, "I am afraid we shall have a terrible winter," in a strange kind of meaning way But Mrs. Stark pretended not to hear, and talked very loud of something else. My little lady and I did not care for the frost; not we! As long as it was dry, we climbed up the steep brows behind the house, and went up on the Fells which were bleak and bare enough, and there we ran races in the fresh, sharp air; and once we came down by a new path, that took us past the two old gnarled holly-trees, which grew about half-way down by the east side of the house. But the days grew shorter and shorter, and the old lord, if it was he, played away, more and more stormily and sadly, on the great organ. One Sunday afternoon--it must have been towards the end of November--I asked Dorothy to take charge of little missy when she came out of the drawing-room, after Miss Furnivall had had her nap; for it was too cold to take her with me to church, and yet I wanted to go, And Dorothy was glad enough to promise and was so fond of the child, that all seemed well; and Bessy and I set off very briskly, though the sky hung heavy and black over the white earth, as if the night had never fully gone away, and the air, though still, was very biting.

"We shall have a fall of snow," said Bessy to me. And sure enough, even while we were in church, it came down thick, in great large flakes--so thick, it almost darkened the windows. It had stopped snowing before we came out, but it lay soft, thick, and deep beneath our feet, as we tramped home. Before we got to the hall, the moon rose, and I think it was lighter then--what with the moon, and what with the white dazzling snow--than it had been when we went to church, between two and three o'clock. I have not told you that Miss Furnivall and Mrs. Stark never went to church; they used to read the prayers together, in their quiet, gloomy way; they seemed to feel the Sunday very long without their tapestry-work to be busy at. So when I went to Dorothy in the kitchen, to fetch Miss Rosamond and take her upstairs with me, I did not much wonder when the old woman told me that the ladies had kept the child with them, and that she had never come to the kitchen, as I had bidden her, when she was tired of behaving pretty in the drawing-room. So I took off my things and went to find her, and bring her to her supper in the nursery. But when I went into the best drawing-room, there sat the two old ladies, very still and quiet, dropping out a word now and then, but looking as if nothing so bright and merry as Miss Rosamond had ever been near them. Still I thought she might be hiding from me; it was one of her pretty ways,--and that she had persuaded them to look as if they knew nothing about her; so I went softly peeping under this sofa and behind that chair, making believe I was sadly frightened at not finding her.

"What's the matter, Hester?" said Mrs. Stark sharply. I don't know if Miss Furnivall had seen me for, as I told you, she was very deaf, and she sat quite still, idly staring into the fire, with her hopeless face. "I'm only looking for my little Rosy Posy," replied I, still thinking that the child was there, and near me, though I could not see her.

"Miss Rosamond is not here," said Mrs. Stark. "She went away, more than an hour ago, to find Dorothy." And she, too, turned and went on looking into the fire.

My heart sank at this, and I began to wish I had never left my darling. I went back to Dorothy and told her. James was gone out for the day, but she, and me, and Bessy took lights, and went up into the nursery first; and then we roamed over the great, large house, calling and entreating Miss Rosamond to come out of her hiding-place, and not frighten us to death in that way. But there was no answer; no sound.

"Oh!" said I, at last, "can she have got into the east wing and hidden there?"

But Dorothy said it was not possible, for that she herself had never been in there; that the doors were always locked, and my lord's steward had the keys, she believed; at any rate, neither she nor James had ever seen them: so I said I would go back, and see if, after all, she was not hidden in the drawing-room, unknown to the old ladies; and if I found her there, I said, I would whip her well for the fright she had given me; but I never meant to do it. Well, I went back to the west drawing-room, and I told Mrs. Stark we could not find her anywhere, and asked for leave to look all about the furniture there, for I thought now that she might have fallen asleep in some warm, hidden corner; but no! we looked--Miss Furnivall got up and looked, trembling all over--and she was nowhere there; then we set off again, every one in the house, and looked in all the places we had searched before, but we could not find her. Miss Furnivall shivered and shook so much, that Mrs. Stark took her back into the warm drawing-room; but not before they had made me promise to bring her to them when she was found. Well-a-day! I began to think she never would be found, when I bethought me to look into the great front court, all covered with snow. I was upstairs when I looked out; but, it was such clear moonlight, I could see, quite plain, two little footprints, which might be traced from the hall-door and round the corner of the east wing. I don't know how I got down, but I tugged open the great stiff hall-door, and, throwing the skirt of my gown over my head for a cloak, I ran out. I turned the east corner, and there a black shadow fell on the snow but when I came again into the moonlight, there were the little footmarks going up--up to the Fells. It was bitter cold; so cold, that the air almost took the skin off my face as I ran; but I ran on, crying to think how my poor little darling must be perished and frightened. I was within sight of the holly-trees, when I saw a shepherd coming down the hill, bearing something in his arms wrapped in his maud. He shouted to me, and asked me if I had lost a bairn; and, when I could not speak for crying, he bore towards me, and I saw my wee bairnie, lying still, and white, and stiff in his arms, as if she had been dead. He told me he had been up the Fells to gather in his sheep, before the deep cold of night came on, and that under the holly-trees (black marks on the hill-side, where no other bush was for miles around) he had found my little lady--my lamb--my queen--my darling--stiff and cold in the terrible sleep which is frost-begotten. Oh! the joy and the tears of having her in my arms once again I for I would not let him carry her; but took her, maud and all, into my own arms, and held her near my own warm neck and heart, and felt the life stealing slowly back again into her little gentle limbs. But she was still insensible when we reached the hall, and I had no breath for speech. We went in by the kitchen-door.

"Bring the warming-pan," said I; and I carried her upstairs, and began undressing her by the nursery fire, which Bessy had kept up. I called my little lammie all the sweet and playful names I could think of,--even while my eyes were blinded by my tears; and at last, oh! at length she opened her large blue eyes. Then I put her into her warm bed, and sent Dorothy down to tell Miss Furnivall that all was well; and I made up my mind to sit by my darling's bedside the live-long night. She fell away into a soft sleep as soon as her pretty head had touched the pillow, and I watched by her till morning light; when she wakened up bright and clear--or so I thought at first--and, my dears, so I think now.

She said, that she had fancied that she should like to go to Dorothy, for that both the old ladies were asleep, and it was very dull in the drawing-room; and that, as she was going through the west lobby, she saw the snow through the high window falling--falling--soft and steady; but she wanted to see it lying pretty and white on the ground; so she made her way into the great hall: and then, going to the window, she saw it bright and soft upon the drive; but while she stood there, she saw a little girl, not so old as she was, "but so pretty," said my darling; "and this little girl beckoned to me to come out; and oh, she was so pretty and so sweet, I could not choose but go." And then this other little girl had taken her by the hand, and side by side the two had gone round the east corner.

"Now you are a naughty little girl, and telling stories," said I. "What would your good mamma, that is in heaven, and never told a story in her life, say to her little Rosamond, if she heard her--and I dare say she does--telling stories!"

"Indeed, Hester," sobbed out my child, "I'm telling you true. Indeed I am."

"Don't tell me!" said I, very stern. "I tracked you by your foot-marks through the snow; there were only yours to be seen: and if you had had a little girl to go hand-in-hand with you up the hill, don't you think the footprints would have gone along with yours?"

"I can't help it, dear, dear Hester," said she, crying, "if they did not; I never looked at her feet, but she held my hand fast and tight in her little one, and it was very, very cold. She took me up the Fell-path, up to the holly-trees; and there I saw a lady weeping and crying; but when she saw me, she hushed her weeping, and smiled very proud and grand, and took me on her knee, and began to lull me to sleep, and that's all, Hester--but that is true; and my dear mamma knows it is," said she, crying. So I thought the child was in a fever, and pretended to believe her, as she went over her story--over and over again, and always the same.

At last Dorothy knocked at the door with Miss Rosamond's breakfast; and she told me the old ladies were down in the eating parlour, and that they wanted to speak to me. They had both been into the night-nursery the evening before, but it was after Miss Rosamond was asleep; so they had only looked at her--not asked me any questions.

"I shall catch it," thought I to myself, as I went along the north gallery. "And yet," I thought, taking courage, "it was in their charge I left her; and it's they that's to blame for letting her steal away unknown and unwatched."

So I went in boldly, and told my story. I told it all to Miss Furnivall, shouting it close to her ear; but when I came to the mention of the other little girl out in the snow, coaxing and tempting her out, and wiling her up to the grand and beautiful lady by the holly-tree, she threw her arms up--her old and withered arms--and cried aloud, "Oh! Heaven forgive! Have mercy!"

Mrs. Stark took hold of her; roughly enough, I thought; but she was past Mrs. Stark's management, and spoke to me, in a kind of wild warning and authority.

"Hester! keep her from that child! It will lure her to her death! That evil child! Tell her it is a wicked, naughty child." Then, Mrs. Stark hurried me out of the room; where, indeed, I was glad enough to go; but Miss Furnivall kept shrieking out, "Oh, have mercy! Wilt Thou never forgive! It is many a long year ago"--

I was very uneasy in my mind after that. I durst never leave Miss Rosamond, night or day, for fear lest she might slip off again, after some fancy or other; and all the more, because I thought I could make out that Miss Furnivall was crazy, from their odd ways about her; and I was afraid lest something of the same kind (which might be in the family, you know) hung over my darling. And the great frost never ceased all this time; and, whenever it was a more stormy night than usual, between the gusts, and through the wind we heard the old lord playing on the great organ. But, old lord, or not, wherever Miss Rosamond went, there I followed; for my love for her, pretty, helpless orphan, was stronger than my fear for the grand and terrible sound. Besides, it rested with me to keep her cheerful and merry, as beseemed her age. So we played together, and wandered together, here and there, and everywhere; for I never dared to lose sight of her again in that large and rambling house. And so it happened, that one afternoon, not long before Christmas-day, we were playing together on the billiard-table in the great hall (not that we knew the right way of playing, but she liked to roll the smooth ivory balls with her pretty hands, and I liked to do whatever she did); and, by-and-by, without our noticing it, it grew dusk indoors, though it was still light in the open air, and I was thinking of taking her back into the nursery, when, all of a sudden, she cried out--

"Look, Hester! look! there is my poor little girl out in the snow!"

I turned towards the long narrow windows, and there, sure enough, I saw a little girl, less than my Miss Rosamond--dressed all unfit to be out-of-doors such a bitter night--crying, and beating against the window panes, as if she wanted to be let in. She seemed to sob and wail, till Miss Rosamond could bear it no longer, and was flying to the door to open it, when, all of a sudden, and close upon us, the great organ pealed out so loud and thundering, it fairly made me tremble; and all the more, when I remembered me that, even in the stillness of that dead-cold weather, I had heard no sound of little battering hands upon the window-glass, although the phantom child had seemed to put forth all its force; and, although I had seen it wail and cry, no faintest touch of sound had fallen upon my ears. Whether I remembered all this at the very moment, I do not know; the great organ sound had so stunned me into terror; but this I know, I caught up Miss Rosamond before she got the hall-door opened, and clutched her, and carried her away, kicking and screaming, into the large, bright kitchen, where Dorothy and Agnes were busy with their mince-pies.

"What is the matter with my sweet one?" cried Dorothy, as I bore in Miss Rosamond, who was sobbing as if her heart would break.

"She won't let me open the door for my little girl to come in; and she'll die if she is out on the Fells all night.

Cruel, naughty Hester," she said, slapping me; but she might have struck harder, for I had seen a look of ghastly terror on Dorothy's face, which made my very blood run cold.

"Shut the back-kitchen door fast, and bolt it well," said she to Agues. She said no more; she gave me raisins and almonds to quiet Miss Rosamond; but she sobbed about the little girl in the snow, and would not touch any of the good things. I was thankful when she cried herself to sleep in bed. Then I stole down to the kitchen, and told Dorothy I had made up my mind. I would carry my darling back to my father's house in Applethwaite; where, if we lived humbly, we lived at peace. I said I had been frightened enough with the old lord's organ-playing; but now that I had seen for myself this little moaning child, all decked out as no child in the neighbourhood could be, beating and battering to get in, yet always without any sound or noise--with the dark wound on its right shoulder; and that Miss Rosamond had known it again for the phantom that had nearly lured her to death (which Dorothy knew was true); I would stand it no longer.

I saw Dorothy change colour once or twice. When I had done, she told me she did not think I could take Miss Rosamond with me, for that she was my lord's ward, and I had no right over her; and she asked me would I leave the child that I was so fond of just for sounds and sights that could do me no harm; and that they had all had to get used to in their turns? I was all in a hot, trembling passion; and I said it was very well for her to talk, that knew what these sights and noises betokened, and that had, perhaps, had something to do with the spectre child while it was alive. And I taunted her so, that she told me all she knew at last; and then I wished I had never been told, for it only made me more afraid than ever.

She said she had heard the tale from old neighbours that were alive when she was first married; when folks used to come to the hall sometimes, before it had got such a bad name on the country side: it might not be true, or it might, what she had been told.

The old lord was Miss Furnivall's father--Miss Grace, as Dorothy called her, for Miss Maude was the elder, and Miss Furnivall by lights. The old lord was eaten up with pride. Such a proud man was never seen or heard of; and his daughters were like him. No one was good enough to wed them, although they had choice enough; for they were the great beauties of their day, as I had seen by their portraits, where they hung in the state drawing-room. But, as the old saying is, "Pride will have a fall;" and these two haughty beauties fell in love with the same man, and he no better than a foreign musician, whom their father had down from London to play music with him at the Manor House. For, above all things, next to his pride, the old lord loved music. He could play`on nearly every instrument that ever was heard of; and it was a strange thing it did not soften him; but he was a fierce, dour old man, and had broken his poor wife's heart with his cruelty, they said. He was mad after music, and would pay any money for it. So he got this foreigner to come; who made such beautiful music, that they said the very birds on the trees stopped their singing to listen. And, by degrees, this foreign gentleman got such a hold over the old lord, that nothing would serve him but that he must come every year; and it was he that had the great organ brought from Holland, and built up in the hall, where it stood now. He taught the old lord to play on it; but many and many a time, when Lord Furnivall was thinking of nothing but his fine organ, and his finer music, the dark foreigner was walking abroad in the woods, with one of the young ladies: now Miss Maude, and then Miss Grace.

Miss Maude won the day and carried off the prize, such as it was; and he and she were married, all unknown to any one; and, before he made his next yearly visit, she had been confined of a little girl at a farm-house on the Moors, while her father and Miss Grace thought she was away at Doncaster Races. But though she was a wife and a mother, she was not a bit softened, but as haughty and as passionate as ever; and perhaps more so, for she was jealous of Miss Grace, to whom her foreign husband paid a deal of court--by way of blinding her--as he told his wife. But Miss Grace triumphed over Miss Maude, and Miss Maude grew fiercer and fiercer, both with her husband and with her sister; and the former--who could easily shake off what was disagreeable, and hide himself in foreign countries--went away a month before his usual time that summer, and half-threatened that he would never come back again. Meanwhile, the little girl was left at the farm-house, and her mother used to have her horse saddled and gallop wildly over the hills to see her once every week, at the very least; for where she loved she loved, and where she hated she hated. And the old lord went on playing--playing on his organ; and the servants thought the sweet music he made had soothed down his awful temper, of which (Dorothy said) some terrible tales could be told. He grew infirm too, and had to walk with a crutch; and his son--that was the present Lord Furnivall's father--was with the army in America, and the other son at sea; so Miss Maude had it pretty much her own way, and she and Miss Grace grew colder and bitterer to each other every day; till at last they hardly ever spoke, except when the old lord was by. The foreign musician came again the next summer, but it was for the last time; for they led him such a life with their jealousy and their passions, that he grew weary, and went away, and never was heard of again. And Miss Maude, who had always meant to have her marriage acknowledged when her father should be dead, was left now a deserted wife, whom nobody knew to have been married, with a child that she dared not own, although she loved it to distraction; living with a father whom she feared, and a sister whom she hated. When the next summer passed over, and the dark foreigner never came, both Miss Maude and Miss Grace grew gloomy and sad; they had a haggard look about them, though they looked handsome as ever. But, by-and-by, Miss Maude brightened; for her father grew more and more infirm, and more than ever carried away by his music, and she and Miss Grace lived almost entirely apart, having separate rooms, the one on the west side, Miss Maude on the east--those very rooms which were now shut up. So she thought she might have her little girl with her, and no one need ever know except those who dared not speak about it, and were bound to believe that it was, as she said, a cottager's child she had taken a fancy to. All this, Dorothy said, was pretty well known; but what came afterwards no one knew, except Miss Grace and Mrs. Stark, who was even then her maid, and much more of a friend to her than ever her sister had been. But the servants supposed, from words that were dropped, that Miss Maude had triumphed over Miss Grace, and told her that all the time the dark foreigner had been mocking her with pretended love--he was her own husband. The colour left Miss Grace's cheek and lips that very day for ever, and she was heard to say many a time that sooner or later she would have her revenge; and Mrs. Stark was for ever spying about the east rooms.

One fearful night, just after the New Year had come in, when the snow was lying thick and deep; and the flakes were still falling--fast enough to blind any one who might be out and abroad--there was a great and violent noise heard, and the old lord's voice above all, cursing and swearing awfully, and the cries of a little child, and the proud defiance of a fierce woman, and the sound of a blow, and a dead stillness, and moans and wailings, dying away on the hill-side! Then the old lord summoned all his servants, and told them, with terrible oaths, and words more terrible, that his daughter had disgraced herself, and that he had turned her out of doors--her, and her child--and that if ever they gave her help, or food, or shelter, he prayed that they might never enter heaven. And, all the while, Miss Grace stood by him, white and still as any stone; and, when he had ended, she heaved a great sigh, as much as to say her work was done, and her end was accomplished. But the old lord never touched his organ again, and died within the year; and no wonder I for, on the morrow of that wild and fearful night, the shepherds, coming down the Fell side, found Miss Maude sitting, all crazy and smiling, under the holly-trees, nursing a dead child, with a terrible mark on its right shoulder. "But that was not what killed it," said Dorothy: "it was the frost and the cold. Every wild creature was in its hole, and every beast in its fold, while the child and its mother were turned out to wander on the Fells! And now you know all! and I wonder if you are less frightened now?"

I was more frightened than ever; but I said I was not. I wished Miss Rosamond and myself well out of that dreadful house for ever; but I would not leave her, and I dared not take her away. But oh, how I watched her, and guarded her! We bolted the doors, and shut the window-shutters fast, an hour or more before dark, rather than leave them open five minutes too late. But my little lady still heard the weird child crying and mourning; and not all we could do or say could keep her from wanting to go to her, and let her in from the cruel wind and snow. All this time I kept away from Miss Furnivall and Mrs. Stark, as much as ever I could; for I feared them--I knew no good could be about them, with their grey, hard faces, and their dreamy eyes, looking back into the ghastly years that were gone. But, even in my fear, I had a kind of pity for Miss Furnivall, at least. Those gone down to the pit can hardly have a more hopeless look than that which was ever on her face. At last I even got so sorry for her--who never said a word but what was quite forced from her--that I prayed for her; and I taught Miss Rosamond to pray for one who had done a deadly sin; but often, when she came to those words, she would listen, and start up from her knees, and say, "I hear my little girl plaining and crying, very sad,--oh, let her in, or she will die!"

One night--just after New Year's Day had come at last, and the long winter had taken a turn, as I hoped--I heard the west drawing-room bell ring three times, which was the signal for me. I would not leave Miss Rosamond alone, for all she was asleep--for the old lord had been playing wilder than ever--and I feared lest my darling should waken to hear the spectre child; see her I knew she could not. I had fastened the windows too well for that. So I took her out of her bed, and wrapped her up in such outer clothes as were most handy, and carried her down to the drawing-room, where the old ladies sat at their tapestry-work as usual. They looked up when I came in, and Mrs. Stark asked, quite astounded, "Why did I bring Miss Rosamond there, out of her warm bed?" I had begun to whisper, "Because I was afraid of her being tempted out while I was away, by the wild child in the snow," when she stopped me short (with a glance at Miss Furnivall), and said Miss Furnivall wanted me to undo some work she had done wrong, and which neither of them could see to unpick. So I laid my pretty dear on the sofa, and sat down on a stool by them, and hardened my heart against them, as I heard the wind rising and howling.

Miss Rosamond slept on sound, for all the wind blew so; and Miss Furnivall said never a word, nor looked round when the gusts shook the windows. All at once she started up to her full height, and put up one hand, as if to bid us listen.

"I hear voices!" said she. "I hear terrible screams--I hear my father's voice!"

Just at that moment my darling wakened with a sudden start: "My little girl is crying, oh, how she is crying!" and she tried to get up and go to her, but she got her feet entangled in the blanket, and I caught her up; for my flesh had begun to creep at these noises, which they heard while we could catch no sound. In a minute or two the noises came, and gathered fast, and filled our ears; we, too, heard voices and screams, and no longer heard the winter's wind that raged abroad. Mrs. Stark looked at me, and I at her, but we dared not speak. Suddenly Miss Furnivall, went towards the door, out into the ante-room, through the west lobby, and opened the door into the great hall. Mrs. Stark followed, and I durst not be left, though my heart almost stopped beating for fear. I wrapped my darling tight in my arms, and went out with them. In the hall the screams were louder than ever; they seemed to come from the east wing--nearer and nearer--close on the other side of the locked-up doors--close behind them. Then I noticed that the great bronze chandelier seemed all alight, though the hall was dim, and that a fire was blazing in the vast hearth-place, though it gave no heat; and I shuddered up with terror, and folded my darling closer to me. But as I did so the east door shook, and she, suddenly struggling to get free from me, cried, "Hester! I must go. My little girl is there I hear her; she is coming! Hester, I must go!"

I held her tight with all my strength; with a set will, I held her. If I had died, my hands would have grasped her still, I was so resolved in my mind. Miss Furnivall stood listening, and paid no regard to my darling, who had got down to the ground, and whom I, upon my knees now, was holding with both my arms clasped round her neck; she still striving and crying to get free.

All at once, the east door gave way with a thundering crash, as if torn open in a violent passion, and there came into that broad and mysterious light, the figure of a tall old man, with grey hair and gleaming eyes. He drove before him, with many a relentless gesture of abhorrence, a stern and beautiful woman, with a little child clinging to her dress.

"O Hester! Hester!" cried Miss Rosamond; "it's the lady! the lady below the holly-trees; and my little girl is with her. Hester! Hester! let me go to her; they are drawing me to them. I feel them--I feel them. I must go!"

Again she was almost convulsed by her efforts to get away; but I held her tighter and tighter, till I feared I should do her a hurt; but rather that than let her go towards those terrible phantoms. They passed along towards the great hall-door, where the winds howled and ravened for their prey; but before they reached that, the lady turned; and I could see that she defied the old man with a fierce and proud defiance; but then she quailed--and then she threw up her arms wildly and piteously to save her child--her little child--from a blow from his uplifted crutch.

And Miss Rosamond was torn as by a power stronger than mine, and writhed in my arms, and sobbed (for by this time the poor darling was growing faint).

"They want me to go with them on to the Fells--they are drawing me to them. Oh, my little girl! I would come, but cruel, wicked Hester holds me very tight." But when she saw the uplifted crutch, she swooned away, and I thanked God for it. Just at this moment--when the tall old man, his hair streaming as in the blast of a furnace, was going to strike the little shrinking child--Miss Furnivall, the old woman by my side, cried out, "O father! father! spare the little innocent child!" But just then I saw--we all saw--another phantom shape itself, and grow clear out of the blue and misty light that filled the hall; we had not seen her till now, for it was another lady who stood by the old man, with a look of relentless hate and triumphant scorn. That figure was very beautiful to look upon, with a soft, white hat drawn down over the proud brows, and a red and curling lip. It was dressed in an open robe of blue satin. I had seen that figure before. It was the likeness of Miss Furnivall in her youth; and the terrible phantoms moved on, regardless of old Miss Furnivall's wild entreaty,--and the uplifted crutch fell on the right shoulder of the little child, and the younger sister looked on, stony, and deadly serene. But at that moment, the dim lights, and the fire that gave no heat, went out of themselves, and Miss Furnivall lay at our feet stricken down by the palsy--death-stricken.

Yes! she was carried to her bed that night never to rise again. She lay with her face to the wall, muttering low, but muttering always: "Alas! alas! what is done in youth can never be undone in age! What is done in youth can never be undone in age!"