She Was Afraid of Upstairs

To mark what would have been her 99th birthday I thought I'd share with you a Joan Aiken story but unfortunately there are almost no professionally read stories that I can find with this one being the sole exception and to be entirely honest with you it's not one of her best but it does allow me the opportunity to jump on the Miriam Margolyes bandwagon.

It's a tiny little tale about young girl who was, well, I'm sure you can work that out for yourself and who finds herself ill and on the move to an unexpected destination.

It's written in Aiken's typically light and chatty  manner with an ending that brings things to a crashing halt that's made all the more baffling when you realise that this was recorded in 1982 for 'Haunting Tales' a short series for children.

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A Creepy Company

Joan Aiken
Puffin Books

Here are ten ghastly, ghostly, weird and witty tales from a master of suspense, Joan Aiken. Each macabre story takes readers from the everyday world to the fantastic, creating a collection full of delightful shivers that will hold readers spellbound.

I've a real love for Joan Aiken's stories and have enjoyed several anthologies of her ghostly tales. This one is not going to trouble the best of them but it can sit proudly amongst the rest.

A Creepy Company consists of 11 stories of the supernatural mostly with a young adult audience in mind, as befits the publisher. There are a few stand out stories like the murderous, ghostly children of 'Toomie' and 'Little Nym', the vengeful spirit that condemns a man to a life of tedium and loveless drudgery in 'Die From Day To Day', the gossipy folk horror of 'My Disability' and the obsessive and miserly creature feature of 'They Have Found Out'. There's nothing about the other six to dislike and on a different day I'd probably have listed one or two others as the standouts.

It's always a pleasure to be allowed to take a stroll in the lady's imagination; a place of the most vivid and often unsettling beauty.

Ghost Stories

Various
Cathay Books

Twenty-two exciting stories from the twilight world of haunted houses and hair-raising spectres are contained in this spine-chilling anthology.
Each tale is illustrated with specially commissioned drawings.

The more of these anthologies I read the quicker I get through them.  They're generally a fairly fast read anyway being short stories but in many cases the same stories appear again and again and again.  In the case of this 1984 collection from Cathay Books I already knew 12 of the 22.  Some, like M.R. James' 'A School Story' and Captain Frederick Marryat's 'The Phantom Ship' I skip past on a fairly regular basis but as these things are meant to entice (as opposed to being a warning to) the curious into the charms of the genre that's something that one has to accept.  With that being the case the above are fine inclusions as are other regulars such as Hugh Walpole's poignant 'A Little Ghost', Lovecraft's non mythos short 'The Music of Erich Zann', the unsettling presence of the cupboard in Algernon Blackwood's 'The Occupant of the Room' or Fritz Leiber's sooty city spirit in 'The Smoke Ghost'.

R. Chetwynd Hayes

Elsewhere in the book the unidentified editor has made some fine, if maybe a tad unadventurous, choices.  Charles Dickens is represented by his macabre tale of avarice and murder, 'The Ghost in the Bride's Chamber' wherein a murderer is forced to feel the intensity of his punishment increasing with each passing hour of the night which is far more than the guilty party at the heart (if you'll excuse the pun) of Edgar Allan Poe's 'The Tell-Tale Heart' would have ever managed to endure.

The conclusion of Poe's tale signals the start of a run of rather inconsequential stories,  the black magic cat of R. Chetwynd-Hayes' 'The Cat Room', Catherine Crowe's somnambulist clergyman in 'The Monk's Story' and Saki's weakly witty 'Laura' before we hit a rich vein of the standards that I mentioned earlier.

Rosemary Timperley

The book makes another move towards the lesser known with Rosemary Timperley's tale of infatuation and fire, 'The Mistress in Black' and Guy de Maupassant's creepy little oddity, 'An Apparition'.

Undoubtedly the oddest inclusion here is an utterly pointless extract from Penelope Lively's 'The Ghost of Thomas Kempe' but it's easily skipped for the aforementioned Blackwood story and Jerome K. Jerome's practical joking ghost of 'The Haunted Mill'.

Guy de Maupassant

One of the biggest draws here was the opportunity to read something by another of the Le Fanu's.  The venerable Sheridan is here with 'The White Cat of Drumgunniol' but also his daughter Elizabeth who tells of a case of ghostly possession in 'The Harpsichord' which is a fairly told but lacks the invention of her father's work.

Closing the book are two authors who are anthology stalwarts, W.W. Jacobs, who is represented by a story I hadn't read before,'The Three Sisters' which reminded me entirely of 'The Tell-Tale Heart' and finally Joan Aiken's 'Sonata for Harp and Bicycle' allows the book to end on a romantic high even if it's a long way from being one of her best.

Some interesting stories make this a good but not essential anthology unless of course you're a newcomer to the delights of the genre then it's probably one to keep an eye out for.

A Foot in the Grave

Joan Aiken (author)
Jan Pienkowski (artist)
Puffin Books

There are a few of these collaborations between Aiken and Pienkowski with this one being the second I've managed to track down.  The first was a collection of Eastern European folk and fairy tales with the art interlaced through and framing the words (my review is here).  This time it's a much more straight forward writer / illustrator relationship with Pienkowski providing a series of paintings and Aiken writing stories to accompany them.

It's an engaging collection with a mix of stories seemingly written for adults alongside ones undoubtedly produced with younger people in mind.  It gives rise to occasionally jarring tonal shifts such as from the creepiness of the 'Movable Eyes' of Zia Tisna's dolls to the comedy of the outraged ghosts and their officious saviour in the books title piece.

These jars are few though and Aiken's storytelling flair and peerless imagination sends us into various places both mundane and unusual that are populated by the charming, the pathetic, the doomed and the damnable such as the screaming ghost infant in 'Beelzebub's Baby', an imaginary land populated by two brothers and an Italian graveyard amongst others.

It's a quick and thoroughly enjoyable read with a light hearted touch that belies the sinister aspect of both the stories and the stark expressionist artwork.

Buy it here -  A Foot in the Grave: and other ghost stories

Ghosts That Haunt You

Aidan Chambers (ed)
Puffin Books

Chambers has amassed an impressive array of talent for this volume with only two names out of the ten being unfamiliar to me.  As it's themed to children you'll be unsurprised that 'Lost Hearts' makes an appearance but the rest of the contents are pleasingly fresh although of varying degrees of success.

The book gets off to a poor start with August Derleth's 'The Lonesome Place'.  A nice idea told well at first that loses it's way terribly and ends with a thud.  It's followed by 'The Empty Schoolroom' by Pamela Hansford Johnson whose tale of bullying and loneliness at a French boarding school is readable but ultimately too hackneyed to be entirely satisfying.

August Derleth

R. Chetwynd-Hayes' 'Brownie' is the story of an encounter between two precocious boys and a rather dim ghostly monk.   Again, enjoyable enough as a story of childish mischief and the triumph of common sense and compassion but with no real substance it's a little forgettable.

Jumping over the aforementioned M.R. James classic we arrive for 'Tea at Ravensburgh'.  Now, I'm a huge fan of Joan Aiken's 'Armitage Family' stories but the light hearted whimsy feels out of place here particularly as it follows in the footsteps of 'Lost Hearts'.

Pamela Hansford Johnson

The gloriously named Manly Wade Wellman gives us access to the 'School for the Unspeakable' in a tale of devil worship and revenge before Ray Bradbury's 'The Emissary' is sent out into the world again.  It's a story that crops up in these things fairly often and whilst not being one of his best it's very much at home here.

'The Lamp' by Agatha Christie treads similar ground to Algernon Blackwood's 'The Attic' (which I reviewed here) and is kind of lovely which is more than can be said for the unrelenting grimness of Brian Morse's 'We'll Always Have Tommy'.  It confronts us with two grieving parents and what could be madness, ghost or child in an interesting but slightly too jumbled tale to fully satisfy.

Ray Bradbury

The book ends with a piece by the editor called 'Dead Trouble' which isn't anywhere near as funny as it thinks it is as it tells of a ghosts attempts to let his family know where his body is.

I've read more than a few of these kid themed ghost anthologies over the last few years and this one is on a par with most of them giving an interesting if not entirely wonderful selection.

Deadly Nightshade

Peter Haining (editor)
Beaver Books

I'm making a concerted effort at the moment to work my way through as many of these little old anthologies as I can as they're getting buried on the bookshelf.  This latest one to make it's way off the shelf is one of a phenomenal number of these things put together by anthologist extraordinaire Peter Haining.

The main focus of this volume is children and each story features them centrally as either victim or, and far more satisfyingly, as perpetrator.  Most of the stories date from the very early 20th century with a couple from the late mid and features a nice variety of top notch names from both sides of the Atlantic.

So, in a book of kiddie-centric tales of the macabre and the supernatural there's one story that's pretty much guaranteed to feature and here it opens the proceedings, M.R. James' 'Lost Hearts'.  I've read this little tale of black magic and ghostly revenge a few times now and it's ubiquity can make it easy to overlook and it's easy to forget just how fantastic a story it is.

Frances Marion Crawford

In 'The Dolls Ghost', American author Frances Marion Crawford takes his horror from the violent streets of London with a sentimental tale of a broken doll and a lost child before H.R. Wakefield, in 'The Nurse's Tale', runs us out to the country and embroils a young child in an ancient family curse in a ghost wood in a story that has been written with perhaps more effort with regard to humour than atmosphere.

Algernon Blackwood's 'The Attic' is an uncharacteristically sentimental, but rather lovely, tale of cat's, ghosts and loss whilst W.F. Harvey's 'The Dabblers' is maybe a little too M.R. James lite to be as creepy as I think it had the potential to be.

William Tenn

Cat's feature prominently in the next two tales also but in both cases in the transformative.  'The Tortoise-Shell Cat' by Greye La Spina is an uninspiring voodoo tale of metamorphosis and theft but it's followed by the sublime fun of one of Joan Aiken's Armitage Family stories.  In 'The Looking Glass Tree' a new and unpleasant neighbour moves in next door, does something unpleasant to the their cat and generally makes a nuisance of herself whilst the Armitage children, Mark and Harriet, take a step towards helping two characters from previous stories.

A vampire takes the centre stage in William Tenn's toothless but brief 'The Human Angle' before it's usurped by the fabulous 'Gabriel-Ernest', Saki's fairly ubiquitous werewolf tale.

Robert Bloch

Psycho's Robert Bloch tries a twist on the witch story by putting the magic in the hands of an abused child but Mark Van Doren's 'The Witch of Ramroth' is entirely too short and woefully unsatisfying.  And while we're on the subject of woeful neither August Derleth's native American shape shifting ghost of 'Twilight Play' or Anthony Boucher's murderous 'Mr Lupescu' would be worth revisiting.

The book ends with a strong trio of tales.  The first is by Conrad (father of Joan) Aiken whose beautifully odd 'Silent Snow, Secret Snow' relates a young boy's increasing detachment from those around him.  'Midnight Express' by Alfred Noyes which turns up occasionally in these type of anthologies and is maybe a little out of place here as the central character soon attains adulthood at which point a childhood terror is realised and closing the book is Ray Bradbury's horrific Halloween game in 'The October Game'.

In all Haining has here put together a delightful assemblage of the macabre, the ghoulish, the ghostly and the grim.  With only a couple of missteps (my opinion of which I suspect will be disagreed with by many which is part of the fun of these collections) he has compiled a most enjoyable read.

The Kingdom Under The Sea and Other Stories

Joan Aiken (author)
Jan Pienkowski (illustrator)
Puffin Books

This lovely little Puffin book was the winner of the Kate Greenaway Medal in 1971 for Pienkowski's silhouette illustrations and it's not hard to see why as they run through the various stories perfectly augmenting the words as supplied courtesy of one of Wyrd Britain's favourite authors here retelling a variety of folktales from Eastern Europe in her own eminently readable style.

I'm not familiar with any of the stories but the iconic witch Baba Yaga in her mortar and pestle and with her chicken leg house makes an appearance - 'Baba Yaga's Daughter' - which gave me my first chance to actually read one of her stories first hand.  There's an interesting cross section of pagan and Christian stories with the Sun and various members of his family making several appearances - the title piece, 'The Sun God's Castle', 'The Reed Girl', 'The Sun's Cousin' - variously helping or hindering people in their quests or just out of the pickles they've found themselves in.  Alongside these we find a couple of Christian themed stories such as moralistic fable of 'The Pear Tree' and the devious prankster God presented in 'The Goose Girl' depriving Saint Peter of a party.

Jan Pienkowski

Pienkowski, I assume, has designed the book so that art and words are interlaced. His illustrations intertwined with the words, often holding and framing them; often drawing the reader's eye deeper into the pictures to, quite literally, read the story within. 

As is ever the case with Ms. Aiken the tales are beautifully told in her typically light and dancing style and even though, as often seems to happen with folktales, much of the detail of the story is subsumed in the rush to the moral at the end she is still able to bring her storytelling expertise to bear and draw out the heart of each tale and craft them into a vibrant and delightful collection of stories that cross cultural, historic and geographic divides.

Buy it here -  The Kingdom Under the Sea

A Touch of Chill

Joan Aiken
Fontana Lions

The homely and the exotic mix in fifteen unique tales. The macabre and witty stories are a melange of horror guaranteed to send chills up the spine of any sleepless reader.

I'm always happy to go for a trip into the estimable Ms. Aiken's imagination but I've been deliberately holding back on this one for when I had a real craving.  It was well worth the wait.

Obviously she's most widely known for her various books for children especially the 'Wolves of Willoughby Chase' novels and the 'Arabel & Mortimer' series but she also accumulated an impressive array of more adult fiction including many shorts of the weird, macabre or ghostly variety.  'A Touch of Chill' is the second anthology of those I've encountered.  The other probably has the edge in my affections but there is much to like here.

The opening story 'Lodgers' is perhaps one of the weakest but strangely is also one of the stories here that is perhaps most characteristically Aiken.  It concerns a creepy husband and wife who take up the empty rooms in the house of an overworked single mother with two poorly children. It's not a bad story, it just feels a little unfinished especially in it's ending.

The book is right back on track with the second story, 'Mrs Considine', a lightning fast tale of witchcraft  and premonitions and with the third, the wonderfully vindictive, 'The Swanee Glide'.

Next up is probably my favourite piece in the book, 'Listening'.  As a fan of experimental music and the tenets of 'deep listening' the story had me from it's second paragraph and whilst this aspect was only one part of what turned out to be a sublimely rolling narrative that begins with a dead cat and ends with a memory of a painting.

'The Companion' is a slight twist on the classic haunted house tale, 'The Rented Swan', in a bizarre love story whilst 'Jugged Hare' feels like an Agatha Christie pastiche.  'A Game of Black and White' sends the book back into the realm of the weird as a young boy celebrating his birthday during an eclipse finds himself trapped in a very unpleasant predicament of a far more surreal kind than the unpleasantness that seems likely to be about inflicted on the hapless teen burglar in 'Time to Laugh'.

'He' is probably the books best contender for 'most likely to appear in an anthology of the macabre' with it's wonderfully archaic tale of magical revenge although its successor 'The Story About Caruso' runs it a close second.  Conversely the more deliberately modern 'the Helper' with its heroin addiction, anorexia and robots is easily the least satisfying thing here although again it's successor, 'Power Cut', runs it a close second.

The book ends with two stories that I can only describe as Aiken-esque and are all the better for it.  'Who Goes Down This dark Road' is a frankly bizarre and funny tale of a young girl's hair and the teacher tasked with uncovering it's secret whilst 'A Train Full of Warlords' tells of a family in the aftermath of a tragedy and the ways in which each is dealing with it.

As I said earlier I didn't find this collection to be as wholly satisfying as 'A Bundle of Nerves' but it still offers a very satisfying selection of stories.  her stories transcend genre boundaries mixing the fantastical withe the macabre and the fun with the supernatural.  There are elements in her stories of the classic authors of the weird and the supernatural but also you can see echoes of her contemporaries such as Roald Dahl and I for one think it's about time she was regarded with the same level of esteem.

The Ghost's Companion

Peter Haining
Puffin Books

One of the most prolific of the anthologists of the 1970s this is one of many books wirth Peter Haining's name on that reside on my bookshelves.  This one is a fairly typical selection but one based around the conceit that each story is inspired by or reflects the authors personal experience of the supernatural.

The book features 15 authors most of whom are fairly common in these books such as M.R. James, H.Russell Wakefield and Algernon Blackwood but here they are joine dby others such as Arthur Machen, fantasy legend Fritz Leiber and sci-fi master Ray Bradbury.

It's James who opens the book with his tale of a haunted schoolmaster in 'A School Story'.  it's a regular in collections and it's easy to see why as it's exceedingly fast to read with an enigmatic conclusion although for me it's weakened by the silly and unnecessary coda.

H. Russell Wakefield

Wakefield's 'The Red Lodge' is a bit of a treat as he tells a haunted house story where each member of the house is being terrified by whatver is there but we only see the father's experience first hand with his wife and son's experienced only via his observations.  It's a solid, creepy tale with a sudden and tumutuous ending.

'The Furnished Room' by American author O Henry is one I came across quite reently in another anthology.  It's a short story teling of a young man's search for his lady love culnminating in a lonely lodging room.

Next is another of those regulars with Algernon Blackwood's, 'A Haunted Island' where a young student left alone on a remote North American island where he has a terrifying experience with some ghostly natives.

Rudyard Kipling's contribution to the anthology is 'My Own True Ghost Story' from his time in India.  It's tempting to believe the word 'true' as this wonderfully written but ultimately mundane story does have the ring of truth to it.

Rudyard Kipling

This is my first experience of the next author, the fantastically named Lafcadio Hearn, whose 'The Boy Who Drew Cats' is more of a Japanese folktale than a period ghost story.  It's quite convincing in it's disguise and with that in mind is successful, as a ghost story though it's less so.

I've not read a great sdeal by Welsh author Arthur Machen but what I have read I've loved .  For many he's most famous as the author of the 'Angel's of Mons' story that was so embraced by the public during the first world war.  This is another aset during that conflict as a German sergeants past comes back to haunt him.

Moving forward to the next war we have Daphne Du Maurier's 'Escort' that finds a British tramp steamer saved from certain doom at the hands, or rather the torpedos of a German U-Boat by the timely arrival of a ghostly frigate  and this nautical theme is continued by Hammond Innes' 'South Sea Bubble' which pits a retiree against the ghosts of his newly aquired ketch.

Richard Hughes

Richard Hughes is another writer that I've enjoyed in the past and here his story, 'The Ghost' is a keen but brief treat unlike Dennis Wheatley who was one of those authors whose presence was inescapable in the 1970s and 80s and I've tried to read some of his books as a kid having seen the Hammer versions but couldn't get into them.  As an adult I still find him a little dry and his contribution 'The Case of the Red-Headed Women' is a not entirely successful haunted house talem with a particularly poor ending.

Fantasy writer Fritz Leiber provides a story that is about as far away from a sword swinging escapade as you can get and relocates the ghost story away from it's comfort zone in the manor house and the countryside and into the grit and grime of the city in a very entertaining short tale.

Joan Aiken

One of my favourite authors provides the penultimate story. Joan Aiken's 'Aunt Jezebel's House', written when the author was just 17 is a delightful little tale of that feels more like the opening chapter of a longer story than a complete tale in itself before the book ends with a Ray Bradbury short that owes little to the ghost story genre and is far more a result of Bradbury's sci-fi roots and reads more as an alien invasion story than anything else.  It is, as you'd imagine, very well written and buiklds beautifully to a satisfying climax that is diminished somewhat by my puzzlement over it's inclusion in this particular collection.

In all a very satisfying collection assembled by a very able anthologist.  I like a mix of known and unkown (to me) authors in my anthologies and this is a little heavy on the former but with only four stories that I had already read it was a great opportunity to experience work that I was unfamiliar with by a number of top notch authors and that can never be a bad thing.

The Fontana Book of Great Horror Stories

Christine Bernard
Fontana Books

I jumped on this book when I saw it in a cluttered second hand bookshop in Cheltenham because of the Nigel Kneale story that I hadn't read before; I'd have bought it anyway but that was the clincher.  There were a few other firsts in there too so let's take it one story at a time.

Starting things off is 'The Squaw' by Bram Stoker and it's tale of feline revenge as a rather stupid American tourist is given a medieval comeuppance by a particularly angry she-cat.  I've only ever read one Stoker tale before - 'The Judge's House' - which I really enjoyed and this one was fun also.  I really must get around to reading that copy of Dracula that's sitting on my bookshelf.

Next is only me second experience of Robert Aickman.  I'd managed to entirely miss him and now I've read him in two books in a row - 'Ringing the Changes' in '65 Great Tales of the Supernatural'.  'No Stronger Than a Flower' is a quietly odd little tale of newly weds that sees the wife relenting to her new husbands comments regarding her appearance in a most odd and unpleasant way.

Hugh Walpole

Hugh Walpole's excellent 'Tarnhelm' was one of three familiar stories here as a young boy is sent to stay with his two uncles only to discover that there's something quite unlikeable about one of them and he finds himself in serious danger.

The fourth story gives me my first chance to read an Agatha Christie story, 'The Gypsy' is a light but gratifying tale of premonition, fate and love wrapped up in a breakneck read that still manages to feel complete and satisfying.

Another anthology regular, Algernon Blackwood's 'A Case of  Eavesdropping', takes a young man to a boarding house where bumps (and blood) in the night are commonplace.

And so we arrive at the Nigel Kneale tale.  Kneale only ever published one non Quatermass book, a short story collection called 'Tomato Cain and Other Stories',  and it's from that his haunted house story 'Minuke' is the most anthologised so to get a chance to read another was a real treat.  'The Pond' is a short but sweet tale of revenge on a strange old taxidermist.

L.P. Hartley

Roald Dahl provides a tale that is straight out of his 'Tales of the Unexpected' style with a story that mixes a dead husband, his newly liberated wife and some gruesome post-mortem science with the promise of some well savoured revenge.

L.P. Hartley's 'The Two Vaynes' is by far the poorest story here with large plot holes in a fairly pointless plot of revenge for a pretty slight leading to revenge for a larger crime.

The Hartley story is followed by longest piece as Ray Bradbury's 'The Next in Line' tells of a young woman's descent into madness in a small Mexican town.  It's beautifully written but I found it to be quite unsatisfying with a very poor finale.  My preference in a ghostly or weird story is for a British setting - or at the furthest European - so the Bradbury was a step outside my happy place but still an enjoyable excursion as what Bradbury I've read in the past was always very readable as it, mostly, was here.

Frank Baker

Frank Baker's 'In The Steam Room' is notable only for it's narrators long list of possible deaths which do raise a smile but the story itself which sees a middle aged neurotic foresee a violent death inside a sauna is fairly innocuous.

The same can be said of 'The Interlopers' by Saki as two feuding Carpathian lords are trapped together in a deep forest giving them time to sort out their quarrel.

Of the final three stories one proved itself to be stylish but ultimately empty, the second to be slightly pointless and the final one to be an old favourite whose title I didn't recognise.

Elizabeth Bowen

Elizabeth Bowen's 'The Cat Jumps' is a haunted house story without any actual ghosts as the new owners and their party guests at a house famous for the gory murder committed there become obsessed and bewitched by it's reputation .  Ambrose Bierce's 'The Boarded Window' continues this theme with a remembrance of the reasons behind a sealed window in a deserted log cabin.

The book ends with Joan Aiken's lovely little twisted tale, 'Marmalade Wine' that finds a walker chancing across the country home of a retired surgeon only for things to go horribly awry.

As I've mentioned in previous reviews I do have a love for these old (this one is 1966) anthologies and this proved to be a most enjoyable one.  The selection is admirably light on ghostly goings on and heavy on supernatural revenge and retribution and is very much worth hunting down for anyone with a love of the weird.

Joan Aiken

We're big fans of Joan Aiken here at Wyrd Britain.  Her crystal clear prose and peerless imagination has produce a body of work that includes works for adults, children and what we would now describe as young adults.

Her two most famous works, 'The Wolves of Willoughby Chase' series and the Arabel and Mortimer books for younger readers (illustrated by Quentin Blake)  have cemented her place in the pantheon of British writers but there was far more to the good lady's pen than these.  We've recently been finally treated to a complete edition of the Armitage Family stories that she wrote throughout her life - read our review here - and she produced several collections of supernatural fiction that we will be featuring in Wyrd Britain as we go - read our review of 'A Bundle of Nerves' here.

But today I have no new reviews for you, instead, on the occasion of what would have been her birthday, I would like to share with you this lovely little film, produced in 1969 for the Puffin Club, that follows Ms. Aiken around various locations that feature in her books and in her life.



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The Serial Garden: The Complete Armitage Family Stories

Joan Aiken
Peter Bailey (illustrations)
Virago

'I wish we'll have two children called Mark and Harriet. And I hope lots of interesting and unusual things will happen to them. It would be nice if they had a fairy godmother, for instance. And a phoenix or something out of the ordinary for a pet. We could have a special day for interesting and unusual things to happen - say, Mondays. But not always Mondays, and not only Mondays, or that would get a bit dull'

As a result of their mother's honeymoon wish, Mark and Harriet Armitage have a fairy godmother, a pet unicorn, and are prepared for anything life can throw at them (especially, but not always, on a Monday): hatching griffins in the airing cupboard, Latin lessons with a ghost, furious Furies on the doorstep, and an enchanted garden locked inside a cereal packet. Life with the Armitages can be magical, funny, terrifying - but never, ever dull.

My first experience of Joan Aiken's writing was with one of her Armitage family stories - The Apple of Trouble - in a horror anthology called 'Ghostly Experiences' published by Armada Lion and it would be fair to say I was gobsmacked!  The story was sprightly, inventive, beautifully constructed and above all fun.  Since then I've been actively hunting for more.

Ms. Aiken wrote Armitage stories throughout her life (which shows in the changing preoccupations of the children - Mark in particular) and they were published in various anthologies over the years but until now the only collection has been a US edition from 2008 (with the same title) that was far too expensive for my pockets.  So, a few months ago when it was announced that Virago were republishing it I was a very happy chappy indeed.

Well, it's here and so the question must be asked, 'Was it worth the wait?'
And the answer is 'Absolutely!  It's utterly joyous.'

On the occasion of her honeymoon Mrs Armitage finds a magical stone on the beach and makes the wish in the blurb above triggering a life filled with dragons, ghosts, unicorns, old fairy ladies, owls, hippogryphs, furies, cereal packets, curses, troublesome fruit, goblins, warlocks and adventure mostly, but not exclusively, on a Monday.

The Armitages - Mark & Harriet along with their parents - inhabit a world where magic and the supernatural are as common as a homemade nuclear reactor, domestic robots and a fancy dress prize that consists of 'a hundred cigarettes and a bridge marker'.  Their village is populated both by the fantastical - the tiny little Perrow family and various 'distressed old fairy ladies' - alongside the tweely mundane of kids books everywhere - the blacksmith and the village shopkeeper.  As such the extraordinary is very much commonplace for the Armitages.  It's still fun, and occasionally a little annoying, but is very much just the way things are and this makes the whole thing marvellous.

It's almost soap opera-y in it's slice of life snapshots but with a level of wit, imagination and fun that no soap could every achieve.  The characters are a little sketchy sure but this is a short story collection so do they need to be more?  The kids are adventurous, brave and resourceful, dad is solid and a bit fusty and mum is loving, kind and generous (and a little bit mercenary) and all serve to fill very familiar roles in what is a very familiar format; the kids magical adventure story.  It is Ms. Aiken's words that lift it out of any possible cliche though; her prose is elastic, her imagination dances and her audience is charmed.

The 25 stories presented here are fairly brief, staying just long enough to resolve their eccentric premises in often delightfully eccentric ways and together present a collection that offers a thoroughly enjoyable read that is very much of it's time whilst also being a book for all times.

Buy it here - The Serial Garden: The Complete Armitage Family Stories (Virago Modern Classics)

A Bundle of Nerves

Joan Aiken
Peacock Books

I first came across Aiken's writing in an anthology called 'Ghostly Experiences', which I loved so finding this was a real treat.

This is a collection of short stories of a ghostly, macabre or just plain darkly humorous bent all written in what I'm beginning to see as Aiken's light and playful written voice.

The tone of the book is set immediately with the brilliantly comedic and twisted 'Cricket' and 'The Man Who Had Seen The Indian Rope Trick', both of which feature tales of stuffy Englishness coming face to face with something 'other' and losing out.  Next up is a fun but insubstantial tale of music and obsession ('Do You Dig Grieg?') and another of lust and avarice ('Belle of the Ball') before the book hits a decided high point with it's sole science fiction tale, 'Five Green Moons', as an angelic alien visits a small British town looking for somewhere he can make his home.  'Smell' adds revenge into the mix before 'Furry Night' brings romance, sport, peril and lycanthropy to the table.

At this point we are only 7 stories in and with 12 still to go  - the next boasts the frankly unparallelled title of 'As Gay as Cheese' - we are already certain that it's going to be a ride unlike many others.  Indeed, as it transpires, over the 19 tales we are treated to an imagination that is playful, inventive, exploratory, refined, bloodthirsty, absurd and peerless.  I am fast becoming a devotee of the lady's work and as such cannot recommend this highly enough.

Ghostly Experiences

Susan Dickinson (editor)
Armada Lion

Apart from having just about the most glorious cover art - by Antony Maitland - of any book I've ever bought this collection of supernatural tales turned out to be great fun. There are some fabulous authors behind that cover, a few of whom I know well and a couple I'd been looking forward to checking out.

This collection was originally published as half of  much longer anthology called both 'The Restless Ghost' and 'The Usurping Ghost' which was subsequently split into this and a second anthology called 'Ghostly Encounters' - which I've just noticed I have on my shelf waiting it's turn.  It's  lovely discovery because if it's half as good as this one then it'll be a good ride.

Opening proceedings is 'Feel Free' by Alan Garner wherein a young artist finds himself physically in harmony with the creator of an ancient Greek dish.  It's beautifully executed and straight off the bat a very unusual, sympathetic and human take on the idea of a haunting.

Quatermass creator Nigel Kneale is up next with a haunted house tale, 'Minuke', which felt like a home counties version of 'Poltergeist' and is very much in the modern day rural horror vein that he explored in shows such as 'The Stone Tape' and 'The Murrain'.

'Witches Bone' by the one author in the book I'd not heard of, W. C. Dickinson, followed on with a slightly silly tale about a wishing bone and the mayhem it leaves in it's wake.  It was entertaining enough in a 'Tales of the Unexpected' sort of way.

H. R. Wakefield's 'Lucky's Grove' is a dark and bloodthirsty little tale about a Christmas tree inadvisably transplanted from a grove of trees with a dark reputation.

Continuing the rural horror is H. P. Lovecraft's, 'The Moon Bog', as two Americans attempts to clear an Irish marsh lets loose entities who are otherwise inclined.#

Sheridan Le Fanu (here billed as J. S. Lefanu) is represented by what is by far the weakest story in the collection, 'The White Cat of Drumgunniol', with it's story of a cat that foreshadows death for a particular family.  It's not bad, it's just a bit of cliche.

I'd never read any Robert Louis Stevenson before so his 'The Bottle Imp' came as a very nice surprise as a couple desperately try to rid themselves of a malign magical bottle.  It's wonderfully constructed and I was almost cheering for them by the end.

Closing the book was a real treat, Joan Aiken's, 'The Apple of Trouble'.  It's light, funny, inventive and fully silly as two resourceful children attempt to rid themselves of the apple from the Garden of Eden, a cantankerous uncle and the three Furies (or Erinyes) who follow the apple around and exact vengeance on whoever is unfortunate to own it.  It's a joyous read and by the time I was halfway through I'd already made the decision to track down more in the series.

In all it's a great little collection filled with variety and invention featuring some great writers and stories written over at least a century that feel entirely at home in each other's company.