Kevin O'Neill
Bryan Talbot
2000AD / Rebellion
As I said in my write-up of Volume 1, I was never a Nemesis reader as a young lad. Being an irregular reader of 2000AD meant I rarely got to maintain a rhythm on any strips, so I always preferred the one-off stories. These definitive editions are allowing me the opportunity to rectify that and finally get to appreciate a cornerstone 2000AD series.
Young me was always far more interested in story than art, which was always a distant second, but the one major thing I've noticed on my journey back into these older series is that while the stories have often aged poorly the artwork remains sublime.
Mills, as I wished for in my earlier review, has here got a firmer grip on his strip, and the stories are tighter with a more deeply developed lore and are far more entertaining. They don't all work as well as they could, the final arc of the Torquemada story was a jarring shift that also contains a 'joke' that I would have thought well below Mills' personal standards.
The art is wonderful, two of my favourites at the top of their games and complementing each other perfectly. Talbot was made to draw the goth empire storyline and his art, and the setting brought me right back to the worlds of 'Luther Awkright' and of the anthropomorphic steampunk series, 'Grandville'.O'Neill was simply born to draw. I adore his work and pour over every panel at every twistedly beautiful line.
Previously, I'd hoped that Volume 2 was going to be a more cohesive and developed read, and it absolutely was, and so I'm genuinely excited to pull Volume 3 off the shelf.
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