With a framing device based around a carnival sideshow where, for a price, 'Dr Diablo' (Meredith) provides an extra scary experience for a group of punters allowing them a look through the shears of 'Atropos' (one of the Fates) at "things that can be". The "things" they see involve a homicidal psychic cat, a jealous piano, movie robots and Edgar Allan Poe and, with the exception of the last one, they are all as daft as they sound.
Meredith is in full 'Penguin' mode here hamming it up terribly, and I've never been an admirer of Palance, although he is at least playing somewhat against type here. Peter Cushing is relegated to a supporting role in the Poe segment and there are several Brit stalwarts like Michael Ripper and Maurice Denham striving valiantly too rescue the thing but the stories are weak and, whilst I've always liked how Amicus strove to present their stories with a more contemporary and even transatlantic setting in contrast to Hammer's gothic trappings this one feels both too American and not American enough. As always with these anthologies though the stories are quick and director Freddie Francis always had a masterful eye but this is one of the those movies that is worth watching more for it's place in history than for it's merits...........................................................................................
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