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Tuesday, 19 November 2024
Bureau Of Lost Culture: Alan Moore (17/07/2022)
Sunday, 17 November 2024
Night of the Triffids (Audio Drama)
The novel was adapted by Big Finish in 2014 with Sam Troughton (grandson of Patrick), Nicola Bryant (Peri Brown, assistant to both the 5th and 6th Doctors) and Paul Clayton taking the leads. It's a quick and faithful version of a quick and faithful novel which means it suffers from the same problems as the novel - being overly slavish to the source material and with a very poor casting decision at it's heart but it's an entertaining romp and an enjoyable enough way to revisit the world of the Triffids.
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Wednesday, 13 November 2024
Miracleman: The Silver Age
Mark Buckingham (artist)
Marvel Comics
I've waited over three decades to read this story and it's finally in my hands, Gaiman and Buckingham's venture into the world of Alan Moore's Miracleman.
I'm not much of a superhero fan but what I loved about AM's MM was that he took this utterly absurd character entirely seriously and allowed his existence to change the world. When the torch was passed Gaiman was riding high on his early fame and in 'The Golden Age' he gave us a sympathetic and completely correct continuation of the story. It's stories are sensitively human and explode the wider world in the most profound way and I return to it as often as I return to the Moore era.Now, I've never been particularly enamoured of Gaiman's superhero work as I think he's much stronger wandering in more fantastical realms but as I said I loved his MM stories, I think because they inabited an interesting middle ground between the two, and for a long time they were the glaring exception to my antipathy to his spandex work so heading into 'The Silver Age' I was interested to see if he could once again catch my interest and I'm not entirely sure he did.
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Sunday, 10 November 2024
Black Carrion
'Black Carrion' was the eighth episode of Hammer House of Mystery and Suspense, the venerable company's second TV series made in conjunction with 20th Century Fox Television whose input allowed for longer run times, some 'name' actors and access to the US TV market.
Telling the story of the search for the 'Verne Brothers' (Alan Love and Julian Littman) a long disappeared early 60s pop duo whose contribution to music seems to have been doing covers of Chuck Berry and Johnny Kidd and the Pirates songs with horrible 80s saxophone parping over the top whilst wearing, for no particular reason, white leather jackets with a bird motif on the back.
Written by Don Houghton (Sapphire and Steel, Ace of Wands) there's much spooky promise here with a fun premise and some nice sets but he just doesn't seem to know what to do with it and squanders every opportunity. The script suffers from more flashbacks than Jerry Garcia, meanders aimessly for much of the time, features teenage hoodlums who aren't, investigating reporters who don't and a grand finale that isn't.The first time I watched this, I almost shouted at the TV in disbelief at how idiotic the ending is, but over the years, I've come to kind of love it for all it's very, very, many faults.
Saturday, 9 November 2024
Alan Moore discusses The Great When
The year is 1949, the city London. Dennis Knuckleyard is a hapless eighteen-year-old who works and lives in a second-hand bookstore. One day, on an errand to retrieve rare books, Dennis discovers that one of them does not exist. It is a fictitious book, yet it is physically there in his hands nonetheless. How? It comes from the Great When, a dark and magical version of the city that is beyond time. There, epochs blend and realities and unrealities blur. If Dennis does not take this book back to the other London, he will be killed.
With the first book of his new 'Long London' series, 'The Great When', now out Northampton's finest Alan Moore has been appearing on various zoom interviews of late. This one was hosted by a Canadian bookseller and in it we get an interesting overview of what the wizardly wordsmith is up to with the series.
It's a little tentative in parts and I look forward to other videos further down the line that have him in conversations with folks who are less in awe but this is still an interesting watch.
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Thursday, 7 November 2024
The Wood at Midwinter
Victoria Sawdon (Illustrator)
Bloomsbury
From the revered author of Jonathan Strange and Mr Norrell and Piranesi comes a bewitching seasonal novella about a young woman who can talk to animals and the mysterious events that befall her in the woods.
Set in the world of Clarke's much loved novel 'Jonathan Strange and Mr. Norrell' this Xmas fable is the story of 'Merowdis Scott', of her love of the animals and the woods and of an encounter amongst the trees that grants her her deepest desire.
Augmented with the delicate illustrations of Victoria Sawdon - who shamefuly isn't named on the cover - this tiny tale offers a welcome return to that magical England that is as fleeting as it is frustrating. It's a fable, a folktale, a mythic origin story and beyond it's loveliness there's the very slightest of stories which for a reader like me who finds myths and folktales narratively unsatisfying it's appeal is limited but for what it is its rather charming.Rounding the book out is a fascinating essay that pulls back the curtain on the origin of the story that lies in the authors love of the music of Kate Bush.
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Sunday, 3 November 2024
Village of the Damned
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Friday, 1 November 2024
Fad Gadget by Frank Tovey
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Sunday, 27 October 2024
The Eye Of Yemanja
In this episode, written by the usuably reliable Brian Clemens (Captain Kronos: Vampire Hunter, Someone At The Top Of The Stairs), model Suzy (Amanda Hillwood), who has apparently never read or watched any horror, takes home an ominous carving she finds washed up on the beach. Repeatedly discounting a warning of the statue's evil intent she is soon beset by accident and injury.
NB - Eagle-eyed viewers may wish to watch out for a brief appearence by Julia Deakin (Spaced).
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Sunday, 20 October 2024
The Day of the Triffids (BBC Radio 1968)
For those familiar with the novel there'll be no surprises but it's an enjoyably well mannered adaptation that's very much of the time it was written, respectful of the source material and well played with the added bonus of music from David Cain of The BBC Radiophonic Workshop.
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Sunday, 22 September 2024
Theatre of Death
Here he plays an egomaniacal theatre director at the 'Théâtre de Mort' - a loosely disguised Théâtre du Grand-Guignol - where he is moulding a young actress with a tragic past 'Nicole Chapelle' (Jenny Till) into a star. Untrusting of both his intentions and his bullying manner are the fragile former ballerina 'Dani Gireaux' (Leila Goldoni - 'Invasion of the Body Snatchers') and her damaged police doctor 'Charles Marquis' (Julian Glover in one of his first starring roles and only a year away from becoming 'Colonel Breen') who also happens to be assisting in the investigation of a spate of murders.
Playing with Hammer-esque gothic pretentions along with hypnotism, vampirism and the occult - it even manages to crowbar in some near naked voodoo too - this is a film that never quite manages to fulfil its promises - like the murder victims it's remarkably bloodless - or make the most of the various narrative threads it hints at - everyone is just about damaged enough to be the culprit - but American director Samuel Gallu injects some nice giallo inspired stylistic flourishes and manages to hold everything together keeping us guessing as to the culprit all the way to the reveal and the final result is flawed and a little underwhelming but still an entertaining way to spend 90 minutes.
NB - at the end of the video below there's a short snippet of Christopher Lee talking about the movie.
Sunday, 25 August 2024
The Department of Midnight
James Callis is Dr. John Carnack. Five years ago, his dark matter experiments led to tragedy. His redemption is working for the Department of Midnight, investigating dangerous dark matter experiments, trying to prevent further disasters. But there’s a pattern.
And it all leads back to him."
'Department of Midnight' is a new series of one act, two hander audio dramas from writer Warren Ellis (Transmetropolitan, Crooked Little Vein, Castlevania) and newly formed production company The Bellport Theater on the Air.
I adore audio plays and so one written by one of my favourite authors revolving around the types of themes and settings we champion here on Wyrd Britain is a very good thing indeed. Warren has never been shy of celebrating his influences and the shadows of 'Doomwatch', 'Quatermass' - Nigel Kneale himself the author of numerous wonderful radio plays - and William Hope Hodgson's occult detective Thomas Carnacki loom large here and those with a familiarity with Warren's work will feel the immediate kinship here with the 'Injection' comic series he does - note the present tense, I'm ever the optimist - with Declan Shalvey and Jordie Bellaire that plays with classic British heroic archetypes and folkloric themes.
The cast are perfectly suited, James Callis (Battlestar Galactica) has that perfectly detached post traumatic British persona that mixes duty and weariness with a barely suppressed mania and Alicia Witt (Dune) - obviously I'm only talking about episode one here - is deliciously bonkers entirely inhabiting the role of being entirely inhabitated.
It's a really strong and intriguing introduction to this world, and I'm very excited to see where they take this.
Episode One: The Cold Spot
Dr. John Carnack is an investigator for the Department Of Experimental Oversight. Responding to a whistleblower call, he arrives at a lab to discover Dr. Sylvie Bestler’s personal experiment: to see what’s on the other side of the universe. Starring James Callis and Alicia Witt.
Episode Two: Jack in the Box
John Carnack’s old friend is being kept in a plastic cell. There’s a contamination issue. He tripped over something when he discovered his employer’s body. But Carnack is concerned that something darker is going on…Starring James Callis and Gildart Jackson.
Episode Three: Song to the Siren
On the death of Carnack’s mentor, her daughter asks him to examine the death scene. They find out too late that she died of very unnatural causes. Starring James Callis and Adrianne Palicki.
Episode Four: The Red House
The university bought a derelict house out in the middle of nowhere for this experiment. When Carnack arrives to shut them down, everyone thinks he’s crazy, but he knows what the Red House really is. Starring James Callis and Nolan North.
Episode Five: The Devil Runs Out
A routine examination of a dark matter lab turns into a race against time, as Carnack is forced to pursue a face from his past intent on human sacrifice. Starring James Callis and Brett Dalton.
Episode Six: Judgement
In the season one finale, John Carnack faces the board of the Department of Experimental Oversight, interrogated by a prosecutor. Now he must be held accountable for his actions. And for the sins of his own past. Starring James Callis and Carla Gugino.
All six episodes are included in the playlist below.
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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain
Tuesday, 13 August 2024
The Kneale Tapes
There're some serious omissions - 'Beasts', 'Murrain' - that need to be discussed in a future more comprehensive exploration of his work but with contributions from fans like Mark Gatiss, Jeremy Dyson, Kim Newman along with some great archive footage of Kneale and his wife, the writer and illustrator, Judith Kerr, it's an easy and affectionate tribute to one of the people who defined what we think of as Wyrd Britain.
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Monday, 5 August 2024
Parallel Worlds: A User's Guide
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Sunday, 28 July 2024
Home
"I'm about to reach out and touch the infinite"
Adapted by director Richard Curson Smith from J.G. Ballard's short story 'The Enormous Space', Anthony Sher stars as 'Gerald Ballantyne' who decides to cut himself off from the outside world and live off the contents of his house.
We follow Gerald through his slow transformation / degredation via his video diary and in the more traditional manner as he destroys many of the trappings of his former life, navigates hunger and as the house expands and reveals it's hidden dimensions to him.
"Are you on drugs, Gerald?"
Obviously Ballard has a fondness for using buildings as microcosms - as in High-Rise - and there is an obvious ecological metaphor here as Gerald voraciously consumes the limited resources of his 'world'. Essentially a one man play - peppered with occasional visits from the outside - Sher is fantastic as the deteriorating Gerald, pragmatic in the face of hunger, fearful of intrusions from the terrifying outside world and astonished by the revelations being presented to him. It's a performance that elevates what is already a bold and artful creation made with love on an obviously limited budget that Curson Smith has simply to great effect allowing us to share, at both first and second hand, Gerald's experiences.
NB - I'm not much for trigger warnings but cat and worm lovers beware.
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