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"I'm about to reach out and touch the infinite"

Adapted by director Richard Curson Smith from J.G. Ballard's short story 'The Enormous Space', Anthony Sher stars as 'Gerald Ballantyne' who decides to cut himself off from the outside world and live off the contents of his house.

We follow Gerald through his slow transformation / degredation via his video diary and in the more traditional manner as he destroys many of the trappings of his former life, navigates hunger and as the house expands and reveals it's hidden dimensions to him.

"Are you on drugs, Gerald?"

Obviously Ballard has a fondness for using buildings as microcosms - as in High-Rise - and there is an obvious ecological metaphor here as Gerald voraciously consumes the limited resources of his 'world'.  Essentially a one man play - peppered with occasional visits from the outside - Sher is fantastic as the deteriorating Gerald, pragmatic in the face of hunger, fearful of intrusions from the terrifying outside world and astonished by the revelations being presented to him.  It's a performance that elevates what is already a bold and artful creation made with love on an obviously limited budget that Curson Smith has simply to great effect allowing us to share, at both first and second hand, Gerald's experiences.

NB - I'm not much for trigger warnings but cat and worm lovers beware.

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Wyrd Britain is 10

We are 10!

Thank you to everyone who has supported Wyrd Britain over the last decade.

With 845 posts and over 2 million views on the blog and countless posts on social media it's been a busy 10 years.

Thank for reading, thank you for donating, thank you for buying from the shop and from the label, and thank you for being part of a vibrant, positive and supportive community both here and over on the Facebook and Instagram pages.

It's been quite a trip.

Here's to the next 10.

Stay wyrd lovely people.

Die, Monster, Die!

Loosely based around H.P. Lovecraft's 'The Colour Out Of Space', 'Die, Monster, Die!' finds American 'Stephen Reinhart' (Nick Adams - 'Rebel Without a Cause', 'Invasion of Astro-Monster') called to the home of his fiance, 'Susan' (Suzan Farmer - 'Dracula: Prince of Darkness'), in the village of Arkham, where, shunned by all the villagers, yokels and doctors alike, her father 'Nahum' (Boris Karloff) is conducting experiments using a meteor that has landed in the grounds.  Unortunately Nahum's experiments are having catastrophic effects mutating plants, animals and, inevitably, people.

The film is a bit of a mish mash of Hammer horror gothic pretentions - the faded grandeur of Hammer's own Oakley Court, mist wreathed graveyards and skeletons hanging from chains in cobwebby cellars - with Lovecraftian science fiction but Karloff is a reliable figure around which the story revolves, his deluded experiments as he attempts to revive the family's fortunes and banish memories of his diabolic father providing a sympathetic - if underdeveloped - core but Adams' brash personality - and ill fitting clothes - make him an unlikable lead, especially when cold-cocking Susan's mutated mother (Freda Jackson - 'The Brides of Dracula') with a candelabra.  

It is however a fairly pacey romp that never really takes a breath and is often quite pretty to look at and, provided you don't think too hard about the plot, makes for a fun, and all too rare, Lovecraft adaptation.

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Starve Acre (trailer)

Today brought the first trailer for the upcoming adaptation of Andrew Michael Hurley's 3rd novel, 'Starve Acre'.

'Dark and sinister forces invade an archaeologist's home as he investigates a mythic folklore about an ancient oak tree on his land.'

Starring Matt Smith and Morfydd Clark and directed by Daniel Kokotajlo, Hurley's folkloric rural horror looks to be in good hands with the trailer offering an intense experience that bodes well for the finished film.

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Shoreline Ritual

It's been a while since we heard from our friend Grey Malkin (formerly known as 'The Hare And The Moon') here on Wyrd Britain but this new EP made in collaboration with 'Fogroom' provides the perfect opportunity to reacquaint your ears with his music.

Shoreline Ritual comes with the enigmatic note that it...

might be a narrative.
A cautious exchange.
A bridge between here and there.
It could be about strange occurrences along the coast,
or old dreams, loss and the sea.

It feels fragile, nebulous, adrift and elegant. 
It's a spell cast into the wind, a message carried by the waves and it's mesmerising.

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The Garden of Time

J.G. Ballard
4th Estate

Recently used as the theme to the cavalcade of shallow excess that is the Met Gala this promotional chapbook (heralding a new series of reissues) of Ballard's short story - originally written in 1962 - of the death of beauty amidst the inexorable advance of the masses and their crass consumerist ways was a delightful read.

The story of a husband and wife holding back the inevitable by plucking the flowers of time from their garden in a knowingly futile attempt to delay the advancing hordes.  These immaculate but anachronistic lovers, with their elaborate clothes, beautiful music, and perfectly curated collections, fearful of change and trapped in the amber of an unchanging, untainted, romanticised past, are eventually swamped by the advance as time marches ever on, trampling all before it except, perhaps, love.

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The People That Time Forgot

Amicus' 1977 direct sequel to 1974s 'The Land That Time Forgot' returned us to Edgar Rice Burroughs' dinosaur riddled antarctic island, 'Caprona' where Doug McClure's 'Bowen Tyler' had been stranded at the end of the previous movie.  Last seen trudging over snowy mountain peaks in the company of Susan Penhaligon's 'Lisa Clayton' to throw the message in a bottle into the sea that has spurred his chldhood friend 'Ben McBride' (Patrick - son of John - Wayne) to mount a rescue mission.  Accompaying him into the unknown are photographer 'Lady Charlotte 'Charly' Cunningham' (Sarah Douglas - 'Ursa' in the first 2 'Superman' movies), paleontologist 'Norfolk' (Thorley Walters), his mechanic 'Hogan' (Shane Rimmer) and, along the way, a cave-woman named 'Ajor' played by singer Dana Gillespie.

Directed, as was 'The Land..', by Kevin Connor - who also sent McClure to both Atlantis and 'The Earth's Core' - this one is every bit as flawed and fun as it's predecessor.  The story is flaccid, the dinosaur effects are risible and the cast are poor (except McClure - I won't have a word said against McClure) with Wayne being boorish and bullying and an unlikeable lead, Douglas overplaying her role, Walters and Rimmer acting as comic relief and Gillespie providing the cleavage. 

Written by future 'Amtrak Wars' author Patrick Tilley it's a pretty by the numbers adaptation that was the last gasp of the Amicus studio but when I was a kid Doug McClure was my absolute favourite and to this day his three Amicus monster movies rank amongst my favourites although I'll admit this one is solidly in third place.

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Underworlds: A Compelling Journey Through Subterranean Realms Real and Imagined

Stephen Ellcock
Thames & Hudson

A darkly evocative compendium of images exploring natural, constructed, imaginary, and subconscious underworlds, curated by renowned image collector and social media figure Stephen Ellcock. Underworlds takes readers on a captivating visual odyssey to the underbelly of everything, beginning with depictions of life and natural systems existing beneath the surface of the Earth and ending with imagery that emanates from the depths of our subconscious. Work by world-renowned artists―from Peter Paul Rubens and René Magritte to contemporary artists such as Kara Walker and Roger Ballen―is featured alongside recently unearthed images from archives around the world.

Split across five chapters - 'Beneath the Surface', Human Habitation and Exploration', Underwter Worlds', 'Imagined Underground Worlds' and 'Subliminal Realms' - this beautiful book explores humanities obsession with what lies below.  Exploring burial chambers and mines, caverns and Charon, Hells, hallucinations, hollow Earth and hermits Ellcock takes us on a fascinating visual journey of everything underneath.

My own interests lean towards the fictional so those chapters on caves, crypts, sewers, quarries and the like were of less interest than those exploring our imaginative relationships but throughout Ellcock has chosen images that present a sumptuous feast of art and photography that encapsulates the creative interplay between the real and the imagined in our eternal need to explore the unknown and the hidden, and our obsessive search beneath and beyond. 

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Fifty-One Tales

Lord Dunsany
Serenity Publishers

I've never really properly dug into Dunsany's writing before beyond an anthology short or two but this collection called to me (despite it's hideous cover art) and proved to be something entirely wonderful.

The title sums up the book concisely and almost perfectly except it could potentially have utilised the word 'Tiny' as most of these tales are very short indeed - between half a page and three pages each. Most are written as a morality fable of sorts, often with an environmental theme, and read as a block they get to feel a little preachy but spaced out, a couple at a time, they proved to be miniature imaginative marvels with some absolute gems amongst them like, 'The Tomb of Pan' and 'The Prayer of the Flowers' that made for a perfect introduction to the worlds of Dunsany's imagnation.

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The Time Machine (audio drama)

Starring Robert Glenister ('Hustle') as the Time Traveller with William Gaunt ('The Champions') as H. G. Wells this adaptation of Wellls' post-apocalypse novella was first broadcast on BBC Radio 3 in February 2009.

The play makes some slight framing differences to the orignal, having an elderly Wells tell the story as true, as well as including the story's excised ending but it's generally a faithful and well construced adaptation that offers a welcome return to a classic.

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Don't Get Me Started: What's Wrong With Blasphemy?

This documentary was made by comedian Stewart Lee after far-right fundamentalist Christian groups whipped up a frenzy of protests about 'Jerry Springer: The Opera' that he co-wrote and produced organising protests at theatres, against the BBC showing and against Maggie's Centres, a cancer charity providing palliative care, to which the production had made a donation.  Lee's documentary takes these protests as his starting point to present a fascinating and funny investigation into religious intolerance and its impact on the arts via interviews with folks like Alan Moore and Polly Toynbee.

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Circles of Stone: Weird Tales of Pagan Sites and Ancient Rites

Katy Soar (editor)

British Library Tales of the Weird

Standing stones, stone circles, tumps, barrows and ancient clearings still remain across the British Isles, and though their specific significance may be obscured by the passing of time, their strange allure and mysterious energy persist in our collective consciousness.
Assembled here in tribute to these relics of a lost age are accounts of terrifying spirits haunting Stonehenge itself, stories of awful fates for those who impose modernity on the sacred sites and grim tales in which unwitting trespassers into the eternal rites of pagan worship find themselves part of an enduring legacy of blood. To represent the breadth of the sub-genre, authors include Arthur Machen, Algernon Blackwood and Rosalie Muspratt alongside lesser-known writers from the periodicals and journals of the British Library collections.

It's been a little while since I dug into one of the Tales of the Weird series but this one had the perfect subject matter to lure me back.

The book opens oddly with an extract from the wonderful 'Ringstones' by Sarban, the pen name of British diplomat John W. Wall, a story I thoroughly enjoyed when I read it in the Tartarus Press edition a few years back and it doesn't deserve to be experienced in this diminished manner.

Through the rest of the book we are provided with the usual array of authors of note - Algernon Blackwood, E.F. Benson, Arthur Machen, H.R. Wakefield and Nigel Kneale  - and those who are unfamiliar.  There are a number of standouts.  The quintet metioned are all well represented with Wakefield's 'The First Sheaf' being a long time pulpy fun favourite. Whilst, of those lesser known, Frederick Cowles' 'Lisheen' proved to be a devilish read and Mary Williams' 'The Dark Land' was a poignant tale of the power of the land.

For the most part this is a solid read and lovers of a stone circle or a standing stone will find much to enjoy here and the collection has a number of highlights but it's odd beginning, a stuttering ending and some thematic repetition between the stories means I'm left with a slight feeling of incompleteness and I'd love to see the series revisit the topic in a more definitively wide ranging fashion. 

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Hammer: The Studio That Dripped Blood

Made in 1987 a long time after the studio's heyday this is an affectionate look at the golden years of Hammer Film Productions - the later TV work is ignored.  

Featuring some of Hammer's greats alongside the behind the scenes folks who made them so and lots of rare footage of them all working at Bray studios it makes for an engagingly nostalgic watch.

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The Projected Man

Made and released in conjunction with the Peter Cushing movie 'Island of Terror', 'The Projected Man' has scientist Dr Paul Steiner (Bryant Haliday - 'Devil Doll' 'Tower of Evil') over-reacting to his funding being pulled by testing his teleportation device on himself and getting all burned and murdery with his new electric hand of electro death.

Taking it's queues from such sci-fi classics classics as 'The Fly' and 'The Quatermass Xperiment' this is a fantastic flop of a film.  Haliday's gruesome make up and some entertainingly cringy dialogue aside there's little to recommend here with its cliche riven script, it's wooden cast and dreadful climax it's a bad movie but that's not necessarily a bad thing.

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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain 

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Lud-in-the-Mist (audio drama)

The prosperous town of Lud-in-the-Mist is situated at the confluence of the rivers Dapple and Dawl on the edge of Faerie.  The staid little town, proud of it's rational, traditional and mercantile nature and fearful of the influence of it's neighbour, is beset by an influx of 'Faerie Fruit' and it's up the the mayor, Nathaniel Chanticleer, to investigate, an investiation that is to profoundly change the town.

This BBC Radio version of Hope Mirrlees' fabulous novel was adapted by Joy Wilkinson (who, for television, has provided scripts for 'Doctor Who', 'The Watch' & 'Lockwood & Co') and is narrated by Olivia Poulet with an appearence by Mirrlees superfan Neil Gaiman whose own 'Stardust' owes an obvious debt to Mirrlees' creation.  It's a bold attempt at adapting the novel but not an entirely successful one.  It's too short and much has been omitted that both colours the world and drives the plot so it's missing some of the magic of the novel but it's an interesting attempt.  I love the original novel so this would have needed to have been perfect to convince me but it's an enjoyable enough attempt.

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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

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