William Hope Hodgson was an English writer (and bodybuilder) who since his death by artillery shell in Ypres during World War One has achieved justifiable renown as one of the finest writers of the strange. During his life he produced a several novels - The Boats of the "Glen Carrig" (1907), The House on the Borderland (1908), The Ghost Pirates (1909) and The Night Land (1912) - and a host of short stories.
It's amongst these that we find a series of stories featuring the 'occult detective' Thomas Carnacki, undoubtedly Hope Hodgson's most famous and enduring creation.
The story reproduced below - The Gateway of the Monster - is the first of these stories and finds him telling of his investigation of a haunting at an ancient manor house.
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The Gateway of the Monster
In response to Carnacki's usual card of invitation to have dinner and
listen to a story, I arrived promptly at 427, Cheyne Walk, to find the
three others who were always invited to these happy little times, there
before me. Five minutes later, Carnacki, Arkright, Jessop, Taylor, and I
were all engaged in the "pleasant occupation" of dining.
"You've not been long away, this time," I remarked, as I finished my
soup; forgetting momentarily Carnacki's dislike of being asked even to
skirt the borders of his story until such time as he was ready. Then he
would not stint words.
"That's all," he replied, with brevity; and I changed the subject,
remarking that I had been buying a new gun, to which piece of news he
gave an intelligent nod, and a smile which I think showed a genuinely
good-humored appreciation of my intentional changing of the conversation.
Later, when dinner was finished, Carnacki snugged himself comfortably
down in his big chair, along with his pipe, and began his story, with
very little circumlocution:—
"As Dodgson was remarking just now, I've only been away a short time, and
for a very good reason too—I've only been away a short distance. The
exact locality I am afraid I must not tell you; but it is less than
twenty miles from here; though, except for changing a name, that won't
spoil the story. And it is a story too! One of the most extraordinary
things ever I have run against.
"I received a letter a fortnight ago from a man I must call Anderson,
asking for an appointment. I arranged a time, and when he came, I found
that he wished me to investigate and see whether I could not clear up a
long-standing and well—too well—authenticated case of what he termed
'haunting.' He gave me very full particulars, and, finally, as the case
seemed to present something unique, I decided to take it up.
"Two days later, I drove to the house late in the afternoon. I found it a
very old place, standing quite alone in its own grounds. Anderson had
left a letter with the butler, I found, pleading excuses for his absence,
and leaving the whole house at my disposal for my investigations. The
butler evidently knew the object of my visit, and I questioned him pretty
thoroughly during dinner, which I had in rather lonely state. He is an
old and privileged servant, and had the history of the Grey Room exact in
detail. From him I learned more particulars regarding two things that
Anderson had mentioned in but a casual manner. The first was that the
door of the Grey Room would be heard in the dead of night to open, and
slam heavily, and this even though the butler knew it was locked, and the
key on the bunch in his pantry. The second was that the bedclothes would
always be found torn off the bed, and hurled in a heap into a corner.
"But it was the door slamming that chiefly bothered the old butler. Many
and many a time, he told me, had he lain awake and just got shivering
with fright, listening; for sometimes the door would be slammed time
after time—thud! thud! thud!—so that sleep was impossible.
"From Anderson, I knew already that the room had a history extending back
over a hundred and fifty years. Three people had been strangled in it—an
ancestor of his and his wife and child. This is authentic, as I had taken
very great pains to discover; so that you can imagine it was with a
feeling I had a striking case to investigate that I went upstairs after
dinner to have a look at the Grey Room.
"Peter, the old butler, was in rather a state about my going, and assured
me with much solemnity that in all the twenty years of his service, no
one had ever entered that room after nightfall. He begged me, in quite a
fatherly way, to wait till the morning, when there would be no danger,
and then he could accompany me himself.
"Of course, I smiled a little at him, and told him not to bother. I
explained that I should do no more than look 'round a bit, and, perhaps,
affix a few seals. He need not fear; I was used to that sort of thing.
But he shook his head when I said that.
"'There isn't many ghosts like ours, sir,' he assured me, with mournful
pride. And, by Jove! he was right, as you will see.
"I took a couple of candles, and Peter followed with his bunch of keys.
He unlocked the door; but would not come inside with me. He was evidently
in a fright, and he renewed his request that I would put off my
examination until daylight. Of course, I laughed at him again, and told
him he could stand sentry at the door, and catch anything that came out.
"'It never comes outside, sir,' he said, in his funny, old, solemn
manner. Somehow, he managed to make me feel as if I were going to have
the 'creeps' right away. Anyway, it was one to him, you know.
"I left him there, and examined the room. It is a big apartment, and well
furnished in the grand style, with a huge four-poster, which stands with
its head to the end wall. There were two candles on the mantelpiece, and
two on each of the three tables that were in the room. I lit the lot, and
after that, the room felt a little less inhumanly dreary; though, mind
you, it was quite fresh, and well kept in every way.
"After I had taken a good look 'round, I sealed lengths of baby ribbon
across the windows, along the walls, over the pictures, and over the
fireplace and the wall closets. All the time, as I worked, the butler
stood just without the door, and I could not persuade him to enter;
though I jested him a little, as I stretched the ribbons, and went here
and there about my work. Every now and again, he would say:—'You'll
excuse me, I'm sure, sir; but I do wish you would come out, sir. I'm fair
in a quake for you.'
"I told him he need not wait; but he was loyal enough in his way to what
he considered his duty. He said he could not go away and leave me all
alone there. He apologised; but made it very clear that I did not realise
the danger of the room; and I could see, generally, that he was in a
pretty frightened state. All the same, I had to make the room so that I
should know if anything material entered it; so I asked him not to bother
me, unless he really heard or saw something. He was beginning to get on
my nerves, and the 'feel' of the room was bad enough, without making it
any nastier.
"For a time further, I worked, stretching ribbons across the floor, and
sealing them, so that the merest touch would have broken them, were
anyone to venture into the room in the dark with the intention of
playing the fool. All this had taken me far longer than I had
anticipated; and, suddenly, I heard a clock strike eleven. I had taken
off my coat soon after commencing work; now, however, as I had
practically made an end of all that I intended to do, I walked across to
the settee, and picked it up. I was in the act of getting into it, when
the old butler's voice (he had not said a word for the last hour) came
sharp and frightened:—'Come out, sir, quick! There's something going to
happen!' Jove! but I jumped, and then, in the same moment, one of the
candles on the table to the left went out. Now whether it was the wind,
or what, I do not know; but, just for a moment, I was enough startled to
make a run for the door; though I am glad to say that I pulled up, before
I reached it. I simply could not bunk out, with the butler standing
there, after having, as it were, read him a sort of lesson on 'bein'
brave, y'know.' So I just turned right 'round, picked up the two candles
off the mantelpiece, and walked across to the table near the bed. Well, I
saw nothing. I blew out the candle that was still alight; then I went to
those on the two tables, and blew them out. Then, outside of the door,
the old man called again:—'Oh! sir, do be told! Do be told!'
"'All right, Peter,' I said, and by Jove, my voice was not as steady as
I should have liked! I made for the door, and had a bit of work not to
start running. I took some thundering long strides, as you can imagine.
Near the door, I had a sudden feeling that there was a cold wind in the
room. It was almost as if the window had been suddenly opened a little.
I got to the door, and the old butler gave back a step, in a sort of
instinctive way. 'Collar the candles, Peter!' I said, pretty sharply,
and shoved them into his hands. I turned, and caught the handle, and
slammed the door shut, with a crash. Somehow, do you know, as I did so,
I thought I felt something pull back on it; but it must have been only
fancy. I turned the key in the lock, and then again, double-locking the
door. I felt easier then, and set-to and sealed the door. In addition, I
put my card over the keyhole, and sealed it there; after which I
pocketed the key, and went downstairs—with Peter; who was nervous and
silent, leading the way. Poor old beggar! It had not struck me until
that moment that he had been enduring a considerable strain during the
last two or three hours.
"About midnight, I went to bed. My room lay at the end of the corridor
upon which opens the door of the Grey Room. I counted the doors between
it and mine, and found that five rooms lay between. And I am sure you can
understand that I was not sorry. Then, just as I was beginning to
undress, an idea came to me, and I took my candle and sealing wax, and
sealed the doors of all five rooms. If any door slammed in the night, I
should know just which one.
"I returned to my room, locked the door, and went to bed. I was waked
suddenly from a deep sleep by a loud crash somewhere out in the passage.
I sat up in bed, and listened, but heard nothing. Then I lit my candle. I
was in the very act of lighting it when there came the bang of a door
being violently slammed, along the corridor. I jumped out of bed, and got
my revolver. I unlocked the door, and went out into the passage, holding
my candle high, and keeping the pistol ready. Then a queer thing
happened. I could not go a step toward the Grey Room. You all know I am
not really a cowardly chap. I've gone into too many cases connected with
ghostly things, to be accused of that; but I tell you I funked it; simply
funked it, just like any blessed kid. There was something precious unholy
in the air that night. I ran back into my bedroom, and shut and locked
the door. Then I sat on the bed all night, and listened to the dismal
thudding of a door up the corridor. The sound seemed to echo through all
the house.
"Daylight came at last, and I washed and dressed. The door had not
slammed for about an hour, and I was getting back my nerve again. I felt
ashamed of myself; though, in some ways it was silly; for when you're
meddling with that sort of thing, your nerve is bound to go, sometimes.
And you just have to sit quiet and call yourself a coward until daylight.
Sometimes it is more than just cowardice, I fancy. I believe at times it
is something warning you, and fighting
for you. But, all the same, I
always feel mean and miserable, after a time like that.
"When the day came properly, I opened my door, and, keeping my revolver
handy, went quietly along the passage. I had to pass the head of the
stairs, along the way, and who should I see coming up, but the old
butler, carrying a cup of coffee. He had merely tucked his nightshirt
into his trousers, and he had an old pair of carpet slippers on.
"'Hullo, Peter!' I said, feeling suddenly cheerful; for I was as glad as
any lost child to have a live human being close to me. 'Where are you off
to with the refreshments?'
"The old man gave a start, and slopped some of the coffee. He stared up
at me, and I could see that he looked white and done-up. He came on up
the stairs, and held out the little tray to me. 'I'm very thankful
indeed, sir, to see you safe and well,' he said. 'I feared, one time, you
might risk going into the Grey Room, sir. I've lain awake all night, with
the sound of the Door. And when it came light, I thought I'd make you a
cup of coffee. I knew you would want to look at the seals, and somehow it
seems safer if there's two, sir.'
"'Peter,' I said, 'you're a brick. This is very thoughtful of you.' And I
drank the coffee. 'Come along,' I told him, and handed him back the tray.
'I'm going to have a look at what the Brutes have been up to. I simply
hadn't the pluck to in the night.'
"'I'm very thankful, sir,' he replied. 'Flesh and blood can do nothing,
sir, against devils; and that's what's in the Grey Room after dark.'
"I examined the seals on all the doors, as I went along, and found them
right; but when I got to the Grey Room, the seal was broken; though the
card, over the keyhole, was untouched. I ripped it off, and unlocked the
door, and went in, rather cautiously, as you can imagine; but the whole
room was empty of anything to frighten one, and there was heaps of light.
I examined all my seals, and not a single one was disturbed. The old
butler had followed me in, and, suddenly, he called out:—'The
bedclothes, sir!'
"I ran up to the bed, and looked over; and, surely, they were lying in
the corner to the left of the bed. Jove! you can imagine how queer I
felt. Something
had been in the room. I stared for a while, from the
bed, to the clothes on the floor. I had a feeling that I did not want to
touch either. Old Peter, though, did not seem to be affected that way. He
went over to the bed coverings, and was going to pick them up, as,
doubtless, he had done every day these twenty years back; but I stopped
him. I wanted nothing touched, until I had finished my examination. This,
I must have spent a full hour over, and then I let Peter straighten up
the bed; after which we went out, and I locked the door; for the room was
getting on my nerves.
"I had a short walk, and then breakfast; after which I felt more my own
man, and so returned to the Grey Room, and, with Peter's help, and one of
the maids, I had everything taken out of the room, except the bed—even
the very pictures. I examined the walls, floor and ceiling then, with
probe, hammer and magnifying glass; but found nothing suspicious. And I
can assure you, I began to realise, in very truth, that some incredible
thing had been loose in the room during the past night. I sealed up
everything again, and went out, locking and sealing the door, as before.
"After dinner, Peter and I unpacked some of my stuff, and I fixed up my
camera and flashlight opposite to the door of the Grey Room, with a
string from the trigger of the flashlight to the door. Then, you see, if
the door were really opened, the flashlight would blare out, and there
would be, possibly, a very queer picture to examine in the morning. The
last thing I did, before leaving, was to uncap the lens; and after that I
went off to my bedroom, and to bed; for I intended to be up at midnight;
and to ensure this, I set my little alarm to call me; also I left my
candle burning.
"The clock woke me at twelve, and I got up and into my dressing gown and
slippers. I shoved my revolver into my right side-pocket, and opened my
door. Then, I lit my darkroom lamp, and withdrew the slide, so that it
would give a clear light. I carried it up the corridor, about thirty
feet, and put it down on the floor, with the open side away from me, so
that it would show me anything that might approach along the dark
passage. Then I went back, and sat in the doorway of my room, with my
revolver handy, staring up the passage toward the place where I knew my
camera stood outside the door of the Grey Room.
"I should think I had watched for about an hour and a half, when,
suddenly, I heard a faint noise, away up the corridor. I was immediately
conscious of a queer prickling sensation about the back of my head, and
my hands began to sweat a little. The following instant, the whole end of
the passage flicked into sight in the abrupt glare of the flashlight.
There came the succeeding darkness, and I peered nervously up the
corridor, listening tensely, and trying to find what lay beyond the faint
glow of my dark-lamp, which now seemed ridiculously dim by contrast with
the tremendous blaze of the flash-power.... And then, as I stooped
forward, staring and listening, there came the crashing thud of the door
of the Grey Room. The sound seemed to fill the whole of the large
corridor, and go echoing hollowly through the house. I tell you, I felt
horrible—as if my bones were water. Simply beastly. Jove! how I did
stare, and how I listened. And then it came again—thud, thud, thud, and
then a silence that was almost worse than the noise of the door; for I
kept fancying that some awful thing was stealing upon me along the
corridor. And then, suddenly, my lamp was put out, and I could not see a
yard before me. I realised all at once that I was doing a very silly
thing, sitting there, and I jumped up. Even as I did so, I
thought I
heard a sound in the passage, and quite
near me. I made one backward
spring into my room, and slammed and locked the door. I sat on my bed,
and stared at the door. I had my revolver in my hand; but it seemed an
abominably useless thing. I felt that there was something the other side
of that door. For some unknown reason I
knew it was pressed up against
the door, and it was soft. That was just what I thought. Most
extraordinary thing to think.
"Presently I got hold of myself a bit, and marked out a pentacle
hurriedly with chalk on the polished floor; and there I sat in it
almost until dawn. And all the time, away up the corridor, the door of
the Grey Room thudded at solemn and horrid intervals. It was a
miserable, brutal night.
"When the day began to break, the thudding of the door came gradually to
an end, and, at last, I got hold of my courage, and went along the
corridor in the half light to cap the lens of my camera. I can tell you,
it took some doing; but if I had not done so my photograph would have
been spoilt, and I was tremendously keen to save it. I got back to my
room, and then set-to and rubbed out the five-pointed star in which I had
been sitting.
"Half an hour later there was a tap at my door. It was Peter with my
coffee. When I had drunk it, we both went along to the Grey Room. As we
went, I had a look at the seals on the other doors; but they were
untouched. The seal on the door of the Grey Room was broken, as also was
the string from the trigger of the flashlight; but the card over the
keyhole was still there. I ripped it off, and opened the door. Nothing
unusual was to be seen until we came to the bed; then I saw that, as on
the previous day, the bedclothes had been torn off, and hurled into the
left-hand corner, exactly where I had seen them before. I felt very
queer; but I did not forget to look at all the seals, only to find that
not one had been broken.
"Then I turned and looked at old Peter, and he looked at me,
nodding his head.
"'Let's get out of here!' I said. 'It's no place for any living human to
enter, without proper protection.'
"We went out then, and I locked and sealed the door, again.
"After breakfast, I developed the negative; but it showed only the door
of the Grey Room, half opened. Then I left the house, as I wanted to get
certain matters and implements that might be necessary to life; perhaps
to the spirit; for I intended to spend the coming night in the Grey Room.
"I got back in a cab, about half-past five, with my apparatus, and this,
Peter and I carried up to the Grey Room, where I piled it carefully in
the centre of the floor. When everything was in the room, including a cat
which I had brought, I locked and sealed the door, and went toward the
bedroom, telling Peter I should not be down for dinner. He said, 'Yes,
sir,' and went downstairs, thinking that I was going to turn in, which
was what I wanted him to believe, as I knew he would have worried both me
and himself, if he had known what I intended.
"But I merely got my camera and flashlight from my bedroom, and hurried
back to the Grey Room. I locked and sealed myself in, and set to work,
for I had a lot to do before it got dark.
"First, I cleared away all the ribbons across the floor; then I carried
the cat—still fastened in its basket—over toward the far wall, and left
it. I returned then to the centre of the room, and measured out a space
twenty-one feet in diameter, which I swept with a 'broom of hyssop.'
About this, I drew a circle of chalk, taking care never to step over the
circle. Beyond this I smudged, with a bunch of garlic, a broad belt right
around the chalked circle, and when this was complete, I took from among
my stores in the centre a small jar of a certain water. I broke away the
parchment, and withdrew the stopper. Then, dipping my left forefinger in
the little jar, I went 'round the circle again, making upon the floor,
just within the line of chalk, the Second Sign of the Saaamaaa Ritual,
and joining each Sign most carefully with the left-handed crescent. I can
tell you, I felt easier when this was done, and the 'water circle'
complete. Then, I unpacked some more of the stuff that I had brought, and
placed a lighted candle in the 'valley' of each Crescent. After that, I
drew a Pentacle, so that each of the five points of the defensive star
touched the chalk circle. In the five points of the star I placed five
portions of the bread, each wrapped in linen, and in the five 'vales,'
five opened jars of the water I had used to make the 'water circle.' And
now I had my first protective barrier complete.
"Now, anyone, except you who know something of my methods of
investigation, might consider all this a piece of useless and foolish
superstition; but you all remember the Black Veil case, in which I
believe my life was saved by a very similar form of protection, whilst
Aster, who sneered at it, and would not come inside, died. I got the idea
from the Sigsand MS., written, so far as I can make out, in the 14th
century. At first, naturally, I imagined it was just an expression of
the superstition of his time; and it was not until a year later that it
occurred to me to test his 'Defense,' which I did, as I've just said, in
that horrible Black Veil business. You know how
that turned out. Later,
I used it several times, and always I came through safe, until that
Moving Fur case. It was only a partial 'defense' therefore, and I nearly
died in the pentacle. After that I came across Professor Garder's
'Experiments with a Medium.' When they surrounded the Medium with a
current, in vacuum, he lost his power—almost as if it cut him off from
the Immaterial. That made me think a lot; and that is how I came to make
the Electric Pentacle, which is a most marvellous 'Defense' against
certain manifestations. I used the shape of the defensive star for this
protection, because I have, personally, no doubt at all but that there is
some extraordinary virtue in the old magic figure. Curious thing for a
Twentieth Century man to admit, is it not? But, then, as you all know, I
never did, and never will, allow myself to be blinded by the little cheap
laughter. I ask questions, and keep my eyes open.
"In this last case I had little doubt that I had run up against a
supernatural monster, and I meant to take every possible care; for the
danger is abominable.
"I turned-to now to fit the Electric Pentacle, setting it so that each of
its 'points' and 'vales' coincided exactly with the 'points' and 'vales'
of the drawn pentagram upon the floor. Then I connected up the battery,
and the next instant the pale blue glare from the intertwining vacuum
tubes shone out.
"I glanced about me then, with something of a sigh of relief, and
realised suddenly that the dusk was upon me, for the window was grey and
unfriendly. Then 'round at the big, empty room, over the double barrier
of electric and candle light. I had an abrupt, extraordinary sense of
weirdness thrust upon me—in the air, you know; as it were, a sense of
something inhuman impending. The room was full of the stench of bruised
garlic, a smell I hate.
"I turned now to the camera, and saw that it and the flashlight were in
order. Then I tested my revolver, carefully, though I had little thought
that it would be needed. Yet, to what extent materialisation of an
ab-natural creature is possible, given favourable conditions, no one can
say; and I had no idea what horrible thing I was going to see, or feel
the presence of. I might, in the end, have to fight with a materialised
monster. I did not know, and could only be prepared. You see, I never
forgot that three other people had been strangled in the bed close to me,
and the fierce slamming of the door I had heard myself. I had no doubt
that I was investigating a dangerous and ugly case.
"By this time, the night had come; though the room was very light with
the burning candles; and I found myself glancing behind me, constantly,
and then all 'round the room. It was nervy work waiting for that thing to
come. Then, suddenly, I was aware of a little, cold wind sweeping over
me, coming from behind. I gave one great nerve-thrill, and a prickly
feeling went all over the back of my head. Then I hove myself 'round with
a sort of stiff jerk, and stared straight against that queer wind. It
seemed to come from the corner of the room to the left of the bed—the
place where both times I had found the heap of tossed bedclothes. Yet, I
could see nothing unusual; no opening—nothing!...
"Abruptly, I was aware that the candles were all a-flicker in that
unnatural wind.... I believe I just squatted there and stared in a
horribly frightened, wooden way for some minutes. I shall never be able
to let you know how disgustingly horrible it was sitting in that vile,
cold wind! And then, flick! flick! flick! all the candles 'round the
outer barrier went out; and there was I, locked and sealed in that room,
and with no light beyond the weakish blue glare of the Electric Pentacle.
"A time of abominable tenseness passed, and still that wind blew upon me;
and then, suddenly, I knew that something stirred in the corner to the
left of the bed. I was made conscious of it, rather by some inward,
unused sense than by either sight or sound; for the pale, short-radius
glare of the Pentacle gave but a very poor light for seeing by. Yet, as I
stared, something began slowly to grow upon my sight—a moving shadow, a
little darker than the surrounding shadows. I lost the thing amid the
vagueness, and for a moment or two I glanced swiftly from side to side,
with a fresh, new sense of impending danger. Then my attention was
directed to the bed. All the covering's were being drawn steadily off,
with a hateful, stealthy sort of motion. I heard the slow, dragging
slither of the clothes; but I could see nothing of the thing that pulled.
I was aware in a funny, subconscious, introspective fashion that the
'creep' had come upon me; yet that I was cooler mentally than I had been
for some minutes; sufficiently so to feel that my hands were sweating
coldly, and to shift my revolver, half-consciously, whilst I rubbed my
right hand dry upon my knee; though never, for an instant, taking my gaze
or my attention from those moving clothes.
"The faint noises from the bed ceased once, and there was a most intense
silence, with only the sound of the blood beating in my head. Yet,
immediately afterward, I heard again the slurring of the bedclothes being
dragged off the bed. In the midst of my nervous tension I remembered the
camera, and reached 'round for it; but without looking away from the bed.
And then, you know, all in a moment, the whole of the bed coverings were
torn off with extraordinary violence, and I heard the flump they made as
they were hurled into the corner.
"There was a time of absolute quietness then for perhaps a couple of
minutes; and you can imagine how horrible I felt. The bedclothes had been
thrown with such savageness! And, then again, the brutal unnaturalness of
the thing that had just been done before me!
"Abruptly, over by the door, I heard a faint noise—a sort of crickling
sound, and then a pitter or two upon the floor. A great nervous thrill
swept over me, seeming to run up my spine and over the back of my head;
for the seal that secured the door had just been broken. Something was
there. I could not see the door; at least, I mean to say that it was
impossible to say how much I actually saw, and how much my imagination
supplied. I made it out, only as a continuation of the grey walls.... And
then it seemed to me that something dark and indistinct moved and wavered
there among the shadows.
"Abruptly, I was aware that the door was opening, and with an effort I
reached again for my camera; but before I could aim it the door was
slammed with a terrific crash that filled the whole room with a sort of
hollow thunder. I jumped, like a frightened child. There seemed such a
power behind the noise; as though a vast, wanton Force were 'out.' Can
you understand?
"The door was not touched again; but, directly afterward, I heard the
basket, in which the cat lay, creak. I tell you, I fairly pringled all
along my back. I knew that I was going to learn definitely whether
whatever was abroad was dangerous to Life. From the cat there rose
suddenly a hideous caterwaul, that ceased abruptly; and then—too late—I
snapped off the flashlight. In the great glare, I saw that the basket had
been overturned, and the lid was wrenched open, with the cat lying half
in, and half out upon the floor. I saw nothing else, but I was full of
the knowledge that I was in the presence of some Being or Thing that had
power to destroy.
"During the next two or three minutes, there was an odd, noticeable
quietness in the room, and you much remember I was half-blinded, for the
time, because of the flashlight; so that the whole place seemed to be
pitchy dark just beyond the shine of the Pentacle. I tell you it was most
horrible. I just knelt there in the star, and whirled 'round, trying to
see whether anything was coming at me.
"My power of sight came gradually, and I got a little hold of myself; and
abruptly I saw the thing I was looking for, close to the 'water circle.'
It was big and indistinct, and wavered curiously, as though the shadow of
a vast spider hung suspended in the air, just beyond the barrier. It
passed swiftly 'round the circle, and seemed to probe ever toward me; but
only to draw back with extraordinary jerky movements, as might a living
person if they touched the hot bar of a grate.
"'Round and 'round it moved, and 'round and 'round I turned. Then, just
opposite to one of the Vales' in the pentacles, it seemed to pause, as
though preliminary to a tremendous effort. It retired almost beyond the
glow of the vacuum light, and then came straight toward me, appearing to
gather form and solidity as it came. There seemed a vast, malign
determination behind the movement, that must succeed. I was on my knees,
and I jerked back, falling on to my left hand, and hip, in a wild
endeavour to get back from the advancing thing. With my right hand I was
grabbing madly for my revolver, which I had let slip. The brutal thing
came with one great sweep straight over the garlic and the 'water
circle,' almost to the vale of the pentacle. I believe I yelled. Then,
just as suddenly as it had swept over, it seemed to be hurled back by
some mighty, invisible force.
"It must have been some moments before I realised that I was safe; and
then I got myself together in the middle of the pentacles, feeling
horribly gone and shaken, and glancing 'round and 'round the barrier; but
the thing had vanished. Yet, I had learnt something, for I knew now that
the Grey Room was haunted by a monstrous hand.
"Suddenly, as I crouched there, I saw what had so nearly given the
monster an opening through the barrier. In my movements within the
pentacle I must have touched one of the jars of water; for just where the
thing had made its attack the jar that guarded the 'deep' of the 'vale'
had been moved to one side, and this had left one of the 'five doorways'
unguarded. I put it back, quickly, and felt almost safe again, for I had
found the cause, and the 'defense' was still good. And I began to hope
again that I should see the morning come in. When I saw that thing so
nearly succeed, I had an awful, weak, overwhelming feeling that the
'barriers' could never bring me safe through the night against such a
Force. You can understand?
"For a long time I could not see the hand; but, presently, I thought I
saw, once or twice, an odd wavering, over among the shadows near the
door. A little later, as though in a sudden fit of malignant rage, the
dead body of the cat was picked up, and beaten with dull, sickening blows
against the solid floor. That made me feel rather queer.
"A minute afterward, the door was opened and slammed twice with
tremendous force. The next instant the thing made one swift, vicious dart
at me, from out of the shadows. Instinctively, I started sideways from
it, and so plucked my hand from upon the Electric Pentacle, where—for a
wickedly careless moment—I had placed it. The monster was hurled off
from the neighbourhood of the pentacles; though—owing to my inconceivable
foolishness—it had been enabled for a second time to pass the outer
barriers. I can tell you, I shook for a time, with sheer funk. I moved
right to the centre of the pentacles again, and knelt there, making
myself as small and compact as possible.
"As I knelt, there came to me presently, a vague wonder at the two
'accidents' which had so nearly allowed the brute to get at me. Was I
being
influenced to unconscious voluntary actions that endangered me?
The thought took hold of me, and I watched my every movement. Abruptly, I
stretched a tired leg, and knocked over one of the jars of water. Some
was spilled; but, because of my suspicious watchfulness, I had it upright
and back within the vale while yet some of the water remained. Even as I
did so, the vast, black, half-materialised hand beat up at me out of the
shadows, and seemed to leap almost into my face; so nearly did it
approach; but for the third time it was thrown back by some altogether
enormous, overmastering force. Yet, apart from the dazed fright in which
it left me, I had for a moment that feeling of spiritual sickness, as if
some delicate, beautiful, inward grace had suffered, which is felt only
upon the too near approach of the ab-human, and is more dreadful, in a
strange way, than any physical pain that can be suffered. I knew by this
more of the extent and closeness of the danger; and for a long time I was
simply cowed by the butt-headed brutality of that Force upon my spirit. I
can put it no other way.
"I knelt again in the centre of the pentacles, watching myself with more
fear, almost, than the monster; for I knew now that, unless I guarded
myself from every sudden impulse that came to me, I might simply work my
own destruction. Do you see how horrible it all was?
"I spent the rest of the night in a haze of sick fright, and so tense
that I could not make a single movement naturally. I was in such fear
that any desire for action that came to me might be prompted by the
Influence that I knew was at work on me. And outside of the barrier that
ghastly thing went 'round and 'round, grabbing and grabbing in the air at
me. Twice more was the body of the dead cat molested. The second time, I
heard every bone in its body scrunch and crack. And all the time the
horrible wind was blowing upon me from the corner of the room to the left
of the bed.
"Then, just as the first touch of dawn came into the sky, that unnatural
wind ceased, in a single moment; and I could see no sign of the hand. The
dawn came slowly, and presently the wan light filled all the room, and
made the pale glare of the Electric Pentacle look more unearthly. Yet, it
was not until the day had fully come, that I made any attempt to leave
the barrier, for I did not know but that there was some method abroad, in
the sudden stopping of that wind, to entice me from the pentacles.
"At last, when the dawn was strong and bright, I took one last look
'round, and ran for the door. I got it unlocked, in a nervous and clumsy
fashion, then locked it hurriedly, and went to my bedroom, where I lay on
the bed, and tried to steady my nerves. Peter came, presently, with the
coffee, and when I had drunk it, I told him I meant to have a sleep, as I
had been up all night. He took the tray, and went out quietly, and after
I had locked my door I turned in properly, and at last got to sleep.
"I woke about midday, and after some lunch, went up to the Grey Room. I
switched off the current from the Pentacle, which I had left on in my
hurry; also, I removed the body of the cat. You can understand I did not
want anyone to see the poor brute. After that, I made a very careful
search of the corner where the bedclothes had been thrown. I made several
holes, and probed, and found nothing. Then it occurred to me to try with
my instrument under the skirting. I did so, and heard my wire ring on
metal. I turned the hook end that way, and fished for the thing. At the
second go, I got it. It was a small object, and I took it to the window.
I found it to be a curious ring, made of some greying material. The
curious thing about it was that it was made in the form of a pentagon;
that is, the same shape as the inside of the magic pentacle, but without
the 'mounts,' which form the points of the defensive star. It was free
from all chasing or engraving.
"You will understand that I was excited, when I tell you that I felt sure
I held in my hand the famous Luck Ring of the Anderson family; which,
indeed, was of all things the one most intimately connected with the
history of the haunting. This ring was handed on from father to son
through generations, and always—in obedience to some ancient family
tradition—each son had to promise never to wear the ring. The ring, I
may say, was brought home by one of the Crusaders, under very peculiar
circumstances; but the story is too long to go into here.
"It appears that young Sir Hulbert, an ancestor of Anderson's, made a
bet, in drink, you know, that he would wear the ring that night. He did
so, and in the morning his wife and child were found strangled in the
bed, in the very room in which I stood. Many people, it would seem,
thought young Sir Hulbert was guilty of having done the thing in drunken
anger; and he, in an attempt to prove his innocence, slept a second night
in the room. He also was strangled. Since then, as you may imagine, no
one has ever spent a night in the Grey Room, until I did so. The ring had
been lost so long, that it had become almost a myth; and it was most
extraordinary to stand there, with the actual thing in my hand, as you
can understand.
"It was whilst I stood there, looking at the ring, that I got an idea.
Supposing that it were, in a way, a doorway—You see what I mean? A sort
of gap in the world-hedge. It was a queer idea, I know, and probably was
not my own, but came to me from the Outside. You see, the wind had come
from that part of the room where the ring lay. I thought a lot about it.
Then the shape—the inside of a pentacle. It had no 'mounts,' and without
mounts, as the Sigsand MS. has it:—'Thee mownts wych are thee Five Hills
of safetie. To lack is to gyve pow'r to thee daemon; and surelie to
fayvor the Evill Thynge.' You see, the very shape of the ring was
significant; and I determined to test it.
"I unmade the pentacle, for it must be made afresh
and around the one
to be protected. Then I went out and locked the door; after which I left
the house, to get certain matters, for neither 'yarbs nor fyre nor waier'
must be used a second time. I returned about seven thirty, and as soon as
the things I had brought had been carried up to the Grey Room, I
dismissed Peter for the night, just as I had done the evening before.
When he had gone downstairs, I let myself into the room, and locked and
sealed the door. I went to the place in the centre of the room where all
the stuff had been packed, and set to work with all my speed to construct
a barrier about me and the ring.
"I do not remember whether I explained it to you. But I had reasoned
that, if the ring were in any way a 'medium of admission,' and it were
enclosed with me in the Electric Pentacle, it would be, to express it
loosely, insulated. Do you see? The Force, which had visible expression
as a Hand, would have to stay beyond the Barrier which separates the Ab
from the Normal; for the 'gateway' would be removed from accessibility.
"As I was saying, I worked with all my speed to get the barrier completed
about me and the ring, for it was already later than I cared to be in
that room 'unprotected.' Also, I had a feeling that there would be a vast
effort made that night to regain the use of the ring. For I had the
strongest conviction that the ring was a necessity to materialisation.
You will see whether I was right.
"I completed the barriers in about an hour, and you can imagine something
of the relief I felt when I felt the pale glare of the Electric Pentacle
once more all about me. From then, onward, for about two hours, I sat
quietly, facing the corner from which the wind came. About eleven o'clock
a queer knowledge came that something was near to me; yet nothing
happened for a whole hour after that. Then, suddenly, I felt the cold,
queer wind begin to blow upon me. To my astonishment, it seemed now to
come from behind me, and I whipped 'round, with a hideous quake of fear.
The wind met me in the face. It was blowing up from the floor close to
me. I stared down, in a sickening maze of new frights. What on earth had
I done now! The ring was there, close beside me, where I had put it.
Suddenly, as I stared, bewildered, I was aware that there was something
queer about the ring—funny shadowy movements and convolutions. I looked
at them, stupidly. And then, abruptly, I knew that the wind was blowing
up at me from the ring. A queer indistinct smoke became visible to me,
seeming to pour upward through the ring, and mix with the moving shadows.
Suddenly, I realised that I was in more than any mortal danger; for the
convoluting shadows about the ring were taking shape, and the death-hand
was forming
within the Pentacle. My Goodness! do you realise it! I had
brought the 'gateway' into the pentacles, and the brute was coming
through—pouring into the material world, as gas might pour out from the
mouth of a pipe.
"I should think that I knelt for a moment in a sort of stunned fright.
Then, with a mad, awkward movement, I snatched at the ring, intending to
hurl it out of the Pentacle. Yet it eluded me, as though some invisible,
living thing jerked it hither and thither. At last, I gripped it; yet,
in the same instant, it was torn from my grasp with incredible and brutal
force. A great, black shadow covered it, and rose into the air, and came
at me. I saw that it was the Hand, vast and nearly perfect in form. I
gave one crazy yell, and jumped over the Pentacle and the ring of burning
candles, and ran despairingly for the door. I fumbled idiotically and
ineffectually with the key, and all the time I stared, with a fear that
was like insanity, toward the Barriers. The hand was plunging toward me;
yet, even as it had been unable to pass into the Pentacle when the ring
was without, so, now that the ring was within, it had no power to pass
out. The monster was chained, as surely as any beast would be, were
chains riveted upon it.
"Even then, I got a flash of this knowledge; but I was too utterly shaken
with fright, to reason; and the instant I managed to get the key turned,
I sprang into the passage, and slammed the door with a crash. I locked
it, and got to my room somehow; for I was trembling so that I could
hardly stand, as you can imagine. I locked myself in, and managed to get
the candle lit; then I lay down on my bed, and kept quiet for an hour or
two, and so I got steadied.
"I got a little sleep, later; but woke when Peter brought my coffee.
When I had drunk it I felt altogether better, and took the old man along
with me whilst I had a look into the Grey Room. I opened the door, and
peeped in. The candles were still burning, wan against the daylight; and
behind them was the pale, glowing star of the Electric Pentacle. And
there, in the middle, was the ring ... the gateway of the monster, lying
demure and ordinary.
"Nothing in the room was touched, and I knew that the brute had never
managed to cross the Pentacles. Then I went out, and locked the door.
"After a sleep of some hours, I left the house. I returned in the
afternoon in a cab. I had with me an oxy-hydrogen jet, and two
cylinders, containing the gases. I carried the things into the Grey
Room, and there, in the centre of the Electric Pentacle, I erected the
little furnace. Five minutes later the Luck Ring, once the 'luck,' but
now the 'bane,' of the Anderson family, was no more than a little solid
splash of hot metal."
Carnacki felt in his pocket, and pulled out something wrapped in tissue
paper. He passed it to me. I opened it, and found a small circle of
greyish metal, something like lead, only harder and rather brighter.
"Well?" I asked, at length, after examining it and handing it 'round to
the others. "Did that stop the haunting?"
Carnacki nodded. "Yes," he said. "I slept three nights in the Grey Room,
before I left. Old Peter nearly fainted when he knew that I meant to; but
by the third night he seemed to realise that the house was just safe and
ordinary. And, you know, I believe, in his heart, he hardly approved."
Carnacki stood up and began to shake hands. "Out you go!" he said,
genially. And presently we went, pondering, to our various homes.
Susan Dickinson (ed)
