Sunday, 10 November 2024

Black Carrion

Wyrd Britain reviews 'Black Carrion' from Hammer House of Mystery and Suspense.
Right, before we start, let me just say upfront this show is bad, really bad, and not in a so bad it's good kind of way but in a so bad it's bloody awful kind of way.  It is, in so many ways, terrible; irredeemably, eyewateringly terrible. But I like it even though it is, and I can't stress this enough, crap!

'Black Carrion' was the eighth episode of Hammer House of Mystery and Suspense, the venerable company's second TV series made in conjunction with 20th Century Fox Television whose input allowed for longer run times, some 'name' actors and access to the US TV market.

Telling the story of the search for the 'Verne Brothers' (Alan Love and Julian Littman) a long disappeared early 60s pop duo whose contribution to music seems to have been doing covers of Chuck Berry and Johnny Kidd and the Pirates songs with horrible 80s saxophone parping over the top whilst wearing, for no particular reason, white leather jackets with a bird motif on the back.

Wyrd Britain reviews 'Black Carrion' from Hammer House of Mystery and Suspense.
Written by Don Houghton (Sapphire and Steel, Ace of Wands) there's much spooky promise here with a fun premise and some nice sets but he just doesn't seem to know what to do with it and squanders every opportunity.  The script suffers from more flashbacks than Jerry Garcia, meanders aimessly for much of the time, features teenage hoodlums who aren't, investigating reporters who don't and a grand finale that isn't.  

The first time I watched this, I almost shouted at the TV in disbelief at how idiotic the ending is, but over the years, I've come to kind of love it for all it's very, very, many faults.


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