Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Wednesday, 15 April 2026

The Hill in the Dark Grove

Wyrd Britain reviews 'The Hill in the Dark Grove' by Liam Higginson from Picador Books.
Liam Higginson
Picador

Carwyn and Rhian – the last in a long line of sheep farmers – are living out a brutal year on their hillside farm, deep in the mountains of North Wales.
When Carwyn discovers a buried prehistoric ruin in one of the fields on their land, his curiosity quickly descends into obsession. His wife, Rhian, meanwhile, is confronted with the growing realization that the man with whom she shares her life and home is becoming a frightening stranger.
As the harsh winter closes in, Rhian finds herself alone with her increasingly unrecognizable husband, and the mountains, and the looming megalithic stones.

Treading similar ground to Andrew Mihael Hurley, but relocated to North Wales, Liam Higginson's debut novel is a folk horror descent into the unknown depths, historical, geographical and mythological, of the area.

On their farm in the Eryri National Park (formerly known as Snowdonia) Carwyn discovers an ancient burial mound where, with visions of riches, he begins to amateur archeologise his way into it.  As he becomes increasingly obsessed it's left to Rhian to take care of the farm and deal with his increasingly unhinged behaviour.  Beyond this, the wider story of the mound unfolds in snatches alongside glimpses of the couple's past slowly providing an understanding of how they came to be where they are. 

It's a nicely written piece, delicately paced with a satisfying, if maybe predictable, conclusion and whilst Higginson perhaps doesn't quite yet have Hurley's poised lyricism there's a real storyteller at work here teasing out the descent into both man and mountain and perfectly situating each in the existence of the other.  Higginson is careful to provide a definite sense of place that's only intermittently broken when the couple, who, as North Wales hill farmers, I assumed to be pretty much always speaking in Welsh, suddenly, drop actual Welsh words and phrases into their dialogue which yanked me out of the storyworld every time. I get what he was trying to do with it but, for me, it seemed anomalous.

It's an impressive debut, grounded, humane and yet deliciously eerie, and I'm very much looking forward to seeing what Higginson does next.

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Monday, 6 April 2026

Possessed

Wyrd Britain reviews 'Possessed' by Rosalie & Edward Synton published as part of the British Library Tales of the Weird imprint.
Rosalie & Edward Synton
British Library

John Travers has been hanged for the murder of his mother-in-law Helga, but to those who knew him something is amiss. Driven by justice and a sense of uncanny forces at work, John’s friend Doctor Toogood recounts a haunting tale of love and jealousy under the fell influence of a shadowy and implacable evil. First published in 1927, this novel by husband-and-wife writing duo Rosalie and Edward Synton (real surname Corse-Scott) has been lost for nearly a century and returns now from the Library collections to deliver its occult thrills anew.

A newly rediscovered novel of the occult unearthed by the venerable Johnny Mains and presented here by the British Library's Tales of the Weird imprint, a most fitting home.

The Syntons, pen-names of Rosalie & Edward Corse-Scott, the former a teacher, the latter a soldier and farmer, tell an occult story of murder and manipulation across three perspectives, with the first doing most of the heavy lifting.

Sometime in the 1920s, in the aftermath of WWI, John Travers is hanged for the murder of his mother-in-law, Helga. Telling his story is his friend, and fellow Helga-hater, Dr Toogood who reveals her devious, manipulative and possibly supernatural nature as he relates the effect she had on his friend and the actions taken.  The novel's second part is provided by Travers as he awaits execution before the book ends with the maleficent mother-in-law herself.

I was really quite pleasantly surprised by this one.  Admittedly, it drags in parts but generally it's a nippy little tale with an unusual premise and an unexpected denouement. 

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Thursday, 2 April 2026

The New Abnormal

Wyrd Britain reviews 'The New Abnormal' from KEK-W.
KEK-W
The Bicameral Press

WELCOME TO THE NEW ABNORMAL! Award-nominated writer, KEK-W, presents a sextet of weird tales that blend Horror and Absurdism with the banal strangeness of Post-War British Science Fiction, summoning up a future-past that is fantastical and disturbing, yet oddly familiar. 

The enigmatic KEK-W is a West Country based author most notable for his work on 'The Galaxy's Greatest Comic' on 'Judge Dredd', 'Rogue Trooper' and 'Dark Judges: Fall of Deadworld'.  This engaging little prose collection however is available from his own Bandcamp page and showcases a different side of his imagination.

Here we have six short weird tales that put me in mind of the likes of M. John Harrison and Joel Lane.  The stories range from Prisoner style dystopian spy-fi - which I could very happily have kept reading for the entire book; through hermitic territory wars; dadaist, Kafkaesque bureaucratic hellscapes and half-remembered books to a techno-apocalypse and the Dreamtime.

Altogether it made for an entirely fascinating read and one that held the potential for more extraordinary excursions to come. 

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Wednesday, 18 March 2026

The Out

Wyrd Britain reviews 'The Out' by Dan Abnett and Mark Harrison from 2000AD / Rebellion.
Dan Abnett
Mark Harrison
2000AD / Rebellion

The furthest edge of the universe, far into the future. Cyd Finlea is photojournalist working for the publishers Global Neographic, travelling deep into outer space — otherwise known as THE OUT — and cataloguing the sights and alien societies that she encounters. She’s been doing this for so long, she can’t remember how far she is now from Earth, but regardless she keeps going — just her and her camera...

I'd been fancying giving this series a go for a little while now mostly thanks to spotting an image for the next book that features the main character hitching a lift from a passing spaceship.  The story tells of Cyd Finlea, a photo-journalist travelling 'The Out', the deepest regions of deep space. So deep in fact that she has no way of knowing where Earth is anymore.  On her travels she experiences war, death and rebirth as she searches for adventures, parties, other ex-pats and one other thing, the most important thing.

Wyrd Britain reviews 'The Out' by Dan Abnett and Mark Harrison from 2000AD / Rebellion.
It's a really fun trip and a nice change for me to see Abnett in a more playful mien away from the grim and grimy wars of his 40k playground where he excels.  Harrison has been a regular on the Galaxy's greatest for a long time and have to admit to having never been particularly enamoured of his art - or painted comic art in general.  It's vibrant and imaginative, and when he's doing splash pages it's borderline sublime, but a full page of panels is just too hazy and busy for my tired old eyes - oh and his mouths are really distracting - but I stress this as a purely personal preference, the man can definitely draw.

I'm very glad I took the plunge.  Of the very few graphic novels I buy these days most are 2000AD related and I'm rarely disappointed and this turned out to be a very fun read and I'll definitely come back for more when Vol. 2 appears.

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Wednesday, 25 February 2026

The Wayfarer's Weird: Wild Tales of Uncanny Rambles

The British Library

“Come tonight,” I heard the old man say, “come to me tonight into the Wood of the Dead.” 
Join Weird Walk for a new journey into the ghostly and bizarre, striking out from the shelter of the inn for the places where the path begins to fade, from the sublime wilderness of mountains, coasts and ravines to forbidden, ancient tracts of woodland. 
Featuring disorientating classics from John Buchan and Algernon Blackwood alongside modern, thrilling (and sometimes violent) warnings to the intrepid from Lisa Tuttle and Dorothy K. Haynes, The Wayfarer’s Weird leads you towards fae dangers, down lost tracks in time and deep into the liminal spaces of Britain and beyond. 

This book will always have a special place in my readng history as it was the one I'd put in my bag before heading out on the walk where I fell and broke my femur - oh, the irony (not to mention the agony).  For obvious reasons, it took me a long while to get around to reading it again, but it was worth the wait.

Coming as it does from the editors of the Weird Walk zine it presents, in line with the rest of the series, a series of themed stories, here all about wanders in the great outdoors.

It's an attractive selection of old and modern and of classics and lesser known examples of wanders in the weird. Walter de la Mare's 'All Hallows' and L.T.C. Rolt's 'Cwm Garon' rub shoulders with Ramsey Campbell's 'Above the World' and R.B. Russell's 'The Pharisees Glass' along with stories by the very welcome likes of Algernon Blackwood - 'The Wood of the Dead' - H.R. Wakefield - 'The Cairn' - and E.F. Benson - 'The Face'.  Some of the older stories have a nice, almost pulp fiction flavour - A.N.L. Munby's 'The White Sack' - but a couple of the modern tales failed to raise my interest with the obviousness of their telling.

This is though another strong entrant in the series and one I recommend, although maybe not before you head outside for a walk.

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Tuesday, 17 February 2026

Seventeen Stories

Wyrd Britain reviews 'Seventeen Stories' by Mark Valentine, published by Swan River Press.
Mark Valentine
Swan River Press

Mark Valentine’s stories have been described by critic Rick Kleffel as "consistently amazing and inexplicably beautiful". He has been called "A superb writer, among the leading practitioners of classic supernatural fiction" by Michael Dirda of The Washington Post, and his work is regularly chosen for year’s best and other anthologies.
This new selection offers previously uncollected or hard to find tales in the finest traditions of the strange and fantastic. As well as tributes to the masters of the field, Valentine provides his own original and otherworldly visions, with what Supernatural Tales has called "the author's trademark erudition" in "unusual byways of history, folklore and general scholarship". Opening a book will never seem quite the same again after encountering this curious volume of Seventeen Stories . . .

Wyrd Britain reviews 'Seventeen Stories' by Mark Valentine, published by Swan River Press.
Swan River have released two of these collections of stories by Mark Valentine - the other being 'Selected Stories' - and they are, as is often the case, stories that the MV devotee might have already read in some obscure anthology or chapbook , but for many these will be entirely new.

Mark is a storyteller of the liminal spaces, of the thin places and of thresholds. He speaks of slips into the unknowable, of flavours lost or untasted, and of sounds best left unheard.  He tells stories of those broken by experiences of the numinous, of those with the power to exploit it and of those with the wherewithal to leave well enough alone when they feel it's presence and here Swan River Press have provided us with a beautifully rounded collection of Mark's tales.

To my mind, he's our best writer of the classic form of weird and supernatural tales whose stories are to be savoured like - and possibly with - a fine cognac.

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Monday, 12 January 2026

Ferelith

Wyrd Britain reviews 'Ferelith' by Lord Kilmarnock, published by Nodens Books.
Lord Kilmarnock
Nodens Books

Published by Nodens Books. “This much-needed first reprint offers connoisseurs of the dark fantastic a rare minor masterpiece, too long overlooked. Ferelith should now take its place as one of the strange great visions in the library of the Gothic.” —From the “Introduction” by Mark Valentine.

'Ferelith' was the only book written by Victor Alexander Sereld Hay, son of the 20th Earl of Erroll - a title he would later assume - and diplomat of some apparent repute.  His small novel, published in 1903, tells a story of an affair between an unhappy and maligned trophy wife, Ferelith, and her ghostly lover, and, of the resulting child.

Set, for the most part, in a wild and lonely Scottish castle where the wife and our narrator - her sister-in-law, Anne - are victim to the whims of the boarish and brutish husband.  Cut off from both London society and from their more common neighbours by his manner and behaviour they live a solitary life, especially when he's called abroad.  During this time Anne finds solace in books while Ferelith finds hers in the spectral embrace of the former, dissolute, lord of the castle and it's the issue of this dalliance that's the focus of the book's latter half.

Wyrd Britain reviews 'Ferelith' by Lord Kilmarnock, published by Nodens Books.
It's a strange and engrossing read that takes it's gothic trappings and gives them a welcome twist.  Written in a measured, almost staid, style that perfectly suits it's narrator and one which keeps the more potentally prurient aspects of the story under well-mannered wraps.   I can't help but feel that along the way the author envisioned a longer novel with a wider cast - one of the more interesting characters appears for two brief moments across the book and another, with a fairly major role, has no back story whatsoever - the end product however is a taut little supernatural gothic thriller that is deserving of wider recognition.

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Wednesday, 7 January 2026

Nemesis the Warlock Vol.2: 2000AD Definitive Edition

Wyrd Britain reviews 'Nemesis the Warlock Vol.2: 2000AD Definitive Edition' by Pat Mills, Kevin O'Neill & Bryan Talbot from 2000AD & Rebellion.
Pat Mills
Kevin O'Neill 
Bryan Talbot 
2000AD / Rebellion

The Definitive series of the Nemesis the Warlock saga continues as Torquemada’s crusade to destroy all alien life reaches the planet of the Goths, a species of alien which has modelled their culture on early twentieth-century Britain. Nemesis must team up with the Goth leader, the Ion Duke, to stop them being eradicated by Torquemada's army of Terminators.
Collecting the entire series in order, with the colour centre-spread pages reproduced in their original form, the Definitive collection of Nemesis the Warlock is the ultimate way to read one of the most important sci-fi sagas published in the pages of 2000 AD.
Written by Pat Mills (Marshal Law) and drawn by Kevin O'Neill (League of Extraordinary Gentlemen) and Bryan Talbot (Sandman, The Adventures of Luther Arkwright), this definitive series is a collection of the complete storyline in order.

 As I said in my write-up of Volume 1, I was never a Nemesis reader as a young lad.  Being an irregular reader of 2000AD meant I rarely got to maintain a rhythm on any strips, so I always preferred the one-off stories.  These definitive editions are allowing me the opportunity to rectify that and finally get to appreciate a cornerstone 2000AD series.

Wyrd Britain reviews 'Nemesis the Warlock Vol.2: 2000AD Definitive Edition' by Pat Mills, Kevin O'Neill & Bryan Talbot from 2000AD & Rebellion.
Young me was always far more interested in story than art, which was always a distant second, but the one major thing I've noticed on my journey back into these older series is that while the stories have often aged poorly the artwork remains sublime.

Mills, as I wished for in my earlier review, has here got a firmer grip on his strip, and the stories are tighter with a more deeply developed lore and are far more entertaining.  They don't all work as well as they could, the final arc of the Torquemada story was a jarring shift that also contains a 'joke' that I would have thought well below Mills' personal standards.

The art is wonderful,  two of my favourites at the top of their games and complementing each other perfectly.  Talbot was made to draw the goth empire storyline and his art, and the setting brought me right back to the worlds of 'Luther Awkright' and of the anthropomorphic steampunk series, 'Grandville'.

O'Neill was simply born to draw.  I adore his work and pour over every panel at every twistedly beautiful line.

Previously, I'd hoped that Volume 2 was going to be a more cohesive and developed read, and it absolutely was, and so I'm genuinely excited to pull Volume 3 off the shelf.

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Saturday, 3 January 2026

Fifty Forgotten Records

Wyrd Britain reviews 'Fifty Forgotten Records' by R.B. Russell, published by Tartarus Press.
R.B. Russell
Tartarus Press

The follow up to Ray's 'Fifty Forgotten Books' from a few years back is a musical memoir of a life spent immersed in music.  Through it's pages Ray takes us on a journey of discovery that takes in his early finds amongst his parent's record collections - sappy love songs (Ricky Valance) and stirring military epics (The Dam Busters soundtrack) - through the incidental music of TV faves - the BBC Radiophonic Workshop wibbling of 'The Tomorrow People' and the suave soundtracking of the James Bond movies.  He wanders through teenage obsessions - The Fall, The Television Personalities, Kate Bush, and a host of wonderfully obscure Peel show 7 inchers - and eventually into an adulthood of continuous musical exploration - Stars of the Lid, Labradford, Current 93, Antony (now ANOHNI) and the Johnsons - as well as his own musical endeavours.

Wyrd Britain reviews 'Fifty Forgotten Records' by R.B. Russell, published by Tartarus Press.
Personally, growing up I was never much of an indie rock lover - it was music or the posh kids - but like Ray my tastes were ever for the obscure and I chuckled several times as he gently discounted some of my favourite bands and albums and cringed occasionally as he praised those that I, in turn, have discounted.  A number of his choices were distinctly personal and those were the most interesting to me, but in combination with his reflections the entire book made for an affectionate read that revealed the crucial role that music has played in his life and the ways in which it has interwoven with his work with Tartarus Press, and one that both introduced me to some new artists and gave me pause to reconsider some others.

Addendum: in the interest of full disclosure I should note that I - in my musical guise - am mentioned twice in the book, and Ray is entirely correct on both occasions.

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Saturday, 27 December 2025

Saltwash

Wyrd Britain reviews Saltwash by Andrew Michael Hurley.
Andrew Michael Hurley
John Murray

Tom Shift and Oliver Keele are pen-pals. They were introduced through their respective cancer clinics. From reading Oliver's letters, To.m has deduced that Oliver is lonely and somewhat nomadic. He appears to live hand to mouth at a series of cheap B&Bs.When Oliver suggests they meet up, Tom agrees. Neither of them have long left. And, while Saltwash seems an unlikely kind of place for a holiday, he goes with it. The Castle Hotel is one of the few places still open in an off-season seaside town that has definitely seen better days but it's surprisingly busy. It becomes clear that the guests are all there for some kind of reunion, and that they know Oliver.

This was an odd little read, and I can't decide if it worked for me or not.

Essentially, this is a book length riff on Shirley Jackson's brilliant short story, 'The Lottery' but in Hurley's version 'Tom Swift', a regretful man coming to the end of his life thanks to a tumor deep in his brain, is invited  to a meet up at a dilapadated hotel in the northern seaside town of the title.  Once there,instead of 'Oliver',the enigmatic penpal he expected, he finds himself amidst a strange assortment of individuals all inexplicably excited for thhe night ahead.

Hurley's a delightful writer, the story is populated with real, flawed, interesting people and the tale unfolds gently and with compassion, but in it's conclusion it all, for me at least, fell a little flat.  It's an ending that makes sense but was less of one than I hoped for.

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Wednesday, 5 November 2025

The Thunderstorm Collectors

Wyrd Britain reviews 'The Thunderstorm Collectors' by Mark Valentine, published by Tartarus Press.
Mark Valentine
Tartarus Press

Mark Valentine’s book-collecting began with classic supernatural and fantastic fiction and decadent poetry but soon included antiquities, folklore and the Arthurian legends. The first of these enthusiasms is reflected here in essays on Walter de la Mare, M.R. James, Arthur Machen, William Hope Hodgson and David Lindsay and on lesser-known modern ghost stories. There are also several essays on slim volumes of rare and strange verse.

He also explores the origins of the Red Lion inn sign, the enjoyable wanderings of 1930s antiquarians and ramblers, and the keen weather-watchers behind the irresistible title British Thunderstorms, Continuing Summer Thunderstorms. The author speculates on the secrets behind an interwar listing of obscure periodicals and on the odd finds at a village hall flea market. Readers will find in all these essays a delight in the obscurer byways and an engaging interest in the unlikeliest places

I'm a bit of a whim reader of non-fiction these days, I used to read lots but now, with very few exceptions,  I rarely find myself picking up anything other than fiction.  Those exceptions tend to be an occasional music study, a random curio and any and all of Mark Valentine's explorations of forgotten books and underappreciated authors, with intermittent digressions into the likes of pub signs and barometric observations.

'The Thunderstorm Collectors' is not the latest of Mark's collections from Tartarus Press, I still have that one waiting on my shelf.  This one came out a year or so ago and got lost amidst my long-COVID malaise but is still available from the publisher as one of their lovely paperback editions.

I love these books although my bank balance is less keen as Mark guides us through a tantalising and often irresitable array of goodies interlaced with fascinating and typcally erudite examinations of those authors of more lasting reputations such as Walter de la Mare, Arthur Machen & William Hope Hodgson.

There's much to entice here and several things have, inevitably, been added to the wants list. Additionally, some of the most interesting pieces here are the ones dealing with Mark's love of ephemera and of the edges of his main focus as he takes us into various Earth mysteries, landscape records and the vagaries of collecting.

As ever, with Mark's books - both fiction and non - we heartily recommend this and suggest that those wishing to try out his work would be well advised to grab one of these fabulous collections and to check out his Wormwoodiana blog.

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Monday, 27 October 2025

Leonora Carrington: Surrealism, Alchemy and Art

Wyrd Britain reviews 'Leonora Carrington: Surrealism, Alchemy and Art' by Susan L Aberth, published by Lund Humphries.
Susan L Aberth
Lund Humphries

I first encountered the work of Leonora Carrington a couple of years ago in Desmond Morris' book 'The British Surrealists' and I was both blown away by what I saw and stunned that I hadn't heard of her before so I needed to rectify that asap, but circumstances conspired to keep this book on my shelf for the next while, unread beyond a few thumbs through to admire the pretties.

Carrington was born on 6th April 1917 in Clayton Green nr Chorley, South Lancashire, to a rich industrial family and raised, mostly, in a country manor in Cockerham nr Lancaster.  Dyslexic, ambidextrous and fiercely independent she was expelled from a number of schools until, against her parent's wishes, she enrolled in a London Art school where, following the June 1936 London International Surrealist Exhibition, Carrington became besotted with, first the art of and then the person of, Max Ernst, soon relocating with him to Paris and being disowned by her parents in the process.

In Paris she was immersed at the very heart of the Surrealist Movement where her artistic prowess was celebrated.  Seperated from Ernst during the war she left France for Spain where she was hospitalised with mental health issues before fleeing war-torn Europe from New York and then, in 1943, to Mexico where she was to spend the rest of her life.

It was in Mexico that Carrington's art was to find it's true focus.  Inspired by the indigenous peoples grip on their magical traditions and it's interweaving with Catholicism which, combined with her own long established occult interests fostered by a mother and grandmother steeped in Irish mythology and a long standing love of James Stephens' folkloric novel 'The Crock of Gold', allowed her imagination to flourish. She took these influences, her love of the culinary - a love often expressed in a uniquely surrealist manner - and her feminist ideals and melded them to express her own darkly romantic, often whimsical and always visionary artistry.

In her monograph Susan Aberth provides a wealth of fascinating biograpical information and much insightful commentary on the work highlighting how Carrington's personal friendships and her obsessions were expressed.  The text does come to a rather jarring close when the artist arries in her later years, which was a shame as advancing age was a celebrated feature of Carrington's later work, most notably in her novel, 'The Hearing Trumpet' of which we hear not a peep.  The monograph's true focus though is where it should be and the book is crammed throughout with beautifully reproduced and often full page images that allow one to to lose hours in it's pages and provides a suitable testimonial to an artist who followed her own idiosyncratic path.

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Tuesday, 21 October 2025

Volcanic Tongue

Wyrd Britain reviews 'Volcanic Tongue' by  David Keenan and published by White Rabbit Books.
David Keenan
White Rabbit

For a decade or two from the end of the 90s through the 2010s I was an avid subscriber to The Wire magazine, eagerly pouring each month over descriptions of beautifully obtuse and brilliantly obscure music.  That magazine - which I became besotted with after spotting Lydia Lunch staring at me from the cover of issue 173 on the shelves of a small provincial newsagent - cost me a fortune in CDs but my god I got to hear some tunes and one of their writers most responsible for syphoning my bank acount was David Keenan.

'Volcanic Tongue', named after the record shop he ran with his partner, pedal steel guitarist and sound artist Heather Leigh, in Glasgow from 2005-2015, is a collection of articles, interviews, primers and portraits mostly taken from The Wire, that provide an extended snapshot of outsider music of the '90s, '00s & '10s and of it's heritage.  Through it's pages we catch Coil in '98 at the release of 'Time Machines', Einstürzende Neubauten in '04 in the wake of 'Perpetuum Mobile', the Klangbad Faust contingent in '03, Shirley Collins on the release of 'Lodestar' in 16, Carter-Tutti in '15 with a new name and with Cosey about to find a whole new audience with her autobiography and there are two very funny interviews with The Dead C on tour in Europe in '13 and with Marshall Allen waxing about the cosmic centrality of Sun Ra in '15.  These are paired with a trio of 'Invisible Jukebox' sessions - always my favourite section in the magazine - where songs are played, sight unseen, to a musician, in these instances to Eugene Chadbourne, Glenn Jones and Kevin Shields along with some 'Primers' on Noise Music, Sonic Youth, John Fahey, and Kosmische Musik.

I've been dipping in and out of this book for a few months now and truthfully there are still some chapters I've yet to read - there's even more in there that I haven't mentioned - but I'm at the point where I needed to share this with you all.  Keenan was always a very personable and engaging writer that seemed to get the best out of his interviewees and could cut to the core of his subjects and as such anyone with even a vague interest in the outer fringes of music will find much of interest here and an interesting companion piece to his essential exploration of the post industrial underground, 'England's Hidden Reverse'.

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Wednesday, 15 October 2025

Fellstones

Ramsey Campbell
Flame Tree Press

Fellstones takes its name from seven objects on the village green. It’s where Paul Dunstan was adopted by the Staveleys after his parents died in an accident, for which he blames himself. The way the Staveleys tried to control him made him move away and change his name. Why were they obsessed with a strange song he seemed to have made up as a child?
Now, their daughter Adele has found him. By the time he discovers the cosmic truth about the stones, he may be trapped. There are other dark secrets he’ll discover and memories to confront. The Fellstones dream, but they’re about to waken.

Beyond a couple of short stories, Ramsey Campbell has been notably absent from my bookshelves for far too long.  Strangely for someone who writes the type of blog I do I'm not much of a reader of modern horror and the ones I do read tend to be those channelling the early 20th century heyday like, Mark Valentine or John Howard but, when I saw this on the shelf at the day job a little while back I fancied giving it a go as it seemed rooted in the more rural strangeness that I favour. 

Paul Dunstan has escaped the clutches and the plans of his adopted family in the village of Fellstones, so named after the stone circle that sits on the village green.  Unfortunately, he's too important to their schemes to be left alone for long, and the villagers are soon going all out to pull him back.  I have to say here that Paul is a very different type of person to me as faced with people as controlling and manipulative as his adopted family I'd have categorically told them where to go but he seems to almost want to be manipulated which I found rather frustrating.  

The story unfolds nicely to reveal not the 'folk horror' that the prominence of the stones had led me to expect but an entirely more cosmic scheme and the story builds to a transcendent but ultimately downbeat ending that leaves our protagonist in a very different place from where he began.  My love of the gothic meant that I would have dearly loved for much more of the back story to have been featured, but we get tantalising glimpses.  

As a first - book length - visit to one of Campbell's worlds it was an enjoyable one.  Beyond my little obsessions I'm very much a whim reader and I'm looking forward to reading the next one of his that catches my eye.

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Saturday, 11 October 2025

The Good Unknown and Other Ghost Stories

Wyrd Britain reviews 'The Good Unknown and Other Ghost Stories', written by Stephen Volk and published by Tartarus Press.
Stephen Volk
Tartarus Press

In this new collection of eleven stories, Stephen Volk explores the wide span of possibilities of the ghost story in its various manifestations — from hauntings set in the quotidian modern world, to ones that hark back to traditional, but no less chilling, tales of the past.
When battle-scarred army veterans are recruited for an archaeological dig in Wiltshire, more than bones are unearthed, in ‘Unrecovered’. A pleasure park becomes anything but pleasurable in ‘Three Fingers, One Thumb’. In ‘31/10’ a notorious, fateful BBC TV studio is revisited, while in ‘The Waiting Room’ a supernatural encounter makes Charles Dickens himself come to question both his creative inspiration and his fundamental beliefs.
Three brand new stories are included here: ‘The Crossing’, ‘Baby on Board’, and ‘Lost Loved Ones’ — the latter novella being a sequel to Volk’s television series Afterlife and a welcome return for him to the much-loved character of Alison Mundy, the troubled psychic medium, in a world post-Covid.

Novelist and screenwriter Stephen Volk has an impressive pedigree of dark delights to his name but is perhaps best remembered for scripting the BBC 'documentary', 'Ghostwatch', although in the pages of Wyrd Britain he's praised for penning the very excellent 'I'll Be Watching You' for the BBC anthology series 'Ghosts'.

Wyrd Britain reviews 'The Good Unknown and Other Ghost Stories', written by Stephen Volk and published by Tartarus Press.
This collection from Tartarus Press presents eleven stories that deal, for the most part, with aftermaths; of death, of loss, of pride, of violence, of betrayal.  Along with two visits to previous work - the aforementioned 'Ghostwatch' and his ITV series 'Afterlife', Volk provides a delicately balanced selection of stories. They are at their best when most grounded - the title story, the Jamesian 'Cold Aston', the poignant 'Baby on Board', or the book's opening story 'Uncovered' - but Volk is a dab hand at his screenwriting game and knows the joy of a good pulpy romp with his return to old haunts 'Lost Loved Ones' resurrecting 'Afterlife' some 20 years after the show apeared on TV, would be a welcome addendum for fans, and an enjoyably energetic read for those of us who missed out through not having a TV at that time..

One can always rely on the good folks at Tartarus to provide an unusual and entertaining read and this definitely proved to be so. Going into this I only knew Volk for his TV work and so was hoping for good things but not really knowing whether his screenwriting skills would translate into prose, but I shouldn't have worried as he has a striking imagination and a prepossessing style and as I've since discovered he has a number of books to his name, I'm retroactively unsurprised at how much I enjoyed this collection. ..........................................................................................

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Tuesday, 30 September 2025

T. Lobsang Rampa And Other Characters of Questionable Faith

Wyrd Britain reviews 'T. Lobsang Rampa And Other Characters of Questionable Faith' by R.B. Russell and Tartarus Press
R.B. Russell
Tartarus Press 

R.B. Russell has written the first definitive biography of Rampa (also known as Cyril Henry Hoskin). The identity of Rampa may have been conclusively debunked by anybody who knew anything about Tibet, Buddhism, or basic scientific principles, but he would always claim that everything he wrote was true, and until his death in 1980 he doesn’t ever seem to have come out of character.

Russell’s biography of Rampa is accompanied in this volume by three further studies of alternative belief systems that have fascinated him over the years.

In the big, wide, wonderful, wacky world of books few things bring me as much joy as the cover art to one of those entertainingly ridiculous pseudoscience / occult / UFO paperbacks of the 60s and 70s and I cannot resist a book adorned with the likes of a drawing of a UFO hovering over a stone circle or an astronaut teleporting onto a pyramid.  Amongst the stacks I've acquired for the Wyrd Britain bookshop over the years there are two names that stand out, king of the ancient astronauts, Erich von Däniken and reincarnated Tibetan Lama, T. Lobsang Rampa.

In his newest book, R.B. (Ray) Russell presents four essays on various "Characters of Questionable Faith" that includes the aforementioned Lama; the immortal (but now deceased) leader the Nigerian millenarian church, the 'Brotherhood of the Cross and Star'; the pulp sci-fi hokum peddlers of the Scientology cult and the - initially - ironic, pseudo-cult of Thee Temple ov Psychick Youth.

Wyrd Britain reviews 'T. Lobsang Rampa And Other Characters of Questionable Faith' by R.B. Russell and Tartarus Press
The bulk of the book is taken up by Ray's biography of Rampa, born Cyril Henry Hoskin, a former surgical fitter from Plympton in Devon, who, in a 1956  "autobiography"called, 'The Third Eye', claimed to be, or perhaps to be home to, a reincarnated Tibetan Buddhist Lama named Tuesday Lobsang Rampa.  Despite being outed as  fraudulent pretty much immediately 'The Third Eye' proved to be a sensation and over the next quarter decade, until his death in 1981, Rampa would go on to write and have published another 19 books detailing the increasingly unlikely adventures of the Lama as he travelled in UFOs and explored the hollow Earth, met Yetis and fulfilled his cat's literary ambitions.

Focussing primarily on the publication of 'The Third Eye' and it's subsequent controversies, Ray takes an enjoyably frivolous but never judgemental tone and provides an engaging and fascinating overview of the life of a cultural enigma.

Ray's investigation of the 'Brotherhood of the Cross and Star' is an altogether more personal affair prompted by a friends involvement with the group and the outlandish claims of immortality, divinity and devastation made by it's founder 'Olumba Olumba Obu'.  The story Ray relates of the 'Brotherhood' and of it's leader's failed prophecies will be depressingly familiar to anyone with a passing knowledge of the sociology of millenarian movements but for me what was more interesting was the sudden realisation that Ray had previously used his friends conversion as the catalyst for his novel, 'Waiting for the End of the World'.

Again, the impetus for Ray's short chapter on Scientology is based in personal experience, this time of being caught up in one of their bogus personality tests as a young man.  Here he takes the opportunity to discuss the personality cult behind Scientology's founder, L. Ron Hubbard and his willingness to take, or be assigned, credit for everything, which brings us nicely around to Genesis P-Orridge.

Wyrd Britain reviews 'T. Lobsang Rampa And Other Characters of Questionable Faith' by R.B. Russell and Tartarus Press
Formed from the ashes of pioneering industrial group, Throbbing Gristle, Psychic TV was, initially a multimedia project for P-Orridge, fellow ex-TG and future Coil member Peter Christopherson and Alex Fergusson formerly of Alternative TV from which grew the associated fanclub / magickal self-help network / pseudo-cult, Thee Temple ov Psychick Youth (TOPY).  

Originally aping the trappings of a religious cult, as various founding members began to move away and distance themselves from the PTV / TOPY, P-Orridge's egomaniacal tendencies and fascination with the likes of Charles Manson and Jim Jones became ever more prominent as (s)he moulded it into a cult of personality based around themself that came to an acrimonious end in the early 90s.

Ray is careful throughout this fascinating book to try, whenever possible, not to belittle the experiences of the various adherents, but he is less kind to those wielding the adhesive; with the exception of Rampa who appears no more than an imaginative eccentric who, beyond his books, seemed to have had little interest in profiting from or manipulating any followers.

The three chapters on the Brotherhood, the Scientologists and TOPY offer compelling glimpses into the lives of both the manipulators and the manipulated, exploring some of the ways some folks allow themselves to be subsumed inside another's ego, but, it's the Rampa biography that is the gem here.  Ray avoids any attempt at psychoanalysing his subject or forming any definitive conclusions on whether he was devious or deluded instead providing a superbly readable glimpse into the life of a man who must surely be considered alongside the greatest of British eccentrics.

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Tuesday, 12 August 2025

Orlam

Wyrd Britain reviews 'Orlam' by P.J. Harvey.
P.J. Harvey
Picador Poetry

Nine-year-old Ira-Abel Rawles lives on Hook Farm in the village of UNDERWHELEM. Next to the farm is Gore Woods, Ira’s sanctuary, overseen by Orlam, the all-seeing lamb’s eyeball who is Ira-Abel’s guardian and protector. Here, drawing on the rituals, children’s songs, chants and superstitions of the rural West Country of England, Ira-Abel creates the twin realm through which she can make sense of an increasingly confusing and frightening world.

Orlam tells of a year in the life of Ira-Abel Rawles and her home of Hook Farm in the village of Underwhelem.  In the nearby Gore Woods Ira meets her own personal deity, the bleeding ghost of a soldier callled Wyman-Elvis, and finds sanctuary in her own ritual world.

Written in Harvey's native Dorset dialect - crucially with each poem also presented alongside it's modern English translation - this is a bold and bedevilling journey through a deliciously dark melange of the magical logic of chidhood and its associated rituals along with the often dark realities of growing up, of life on the cusp of adulthood, all fed through the filter of an early post-modern  1970s rural childhood where the familiar, the exotic, the profane and the perverse all come together into a dark and delirious masterpiece of rural horror.

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Thursday, 7 August 2025

Wild Folk: Tales from the Stones

Wyrd Britain reviews 'Wild Folk: Tales from the Stones' by Jackie Morris & Tamsin Abbott.
Jackie Morris (words)
Tamsin Abbott (images)
Unbound

Wild Folk comprises seven richly illustrated fables of transformation and power, summoned from the ancient stones beneath our feet and transformed by word and image into portals between past and future.

Jackie  Morris has produced a series of beautiful books over the years, many of which grace the bookshelves here at Wyrd Manor but beyond sharing a few of her paintings on the Wyrd Britain facebook page she's been conspicuously absent from the blog.  We're rectifying that right now with this lovely new book written in collaboration with stained glass artist Tamsin Abbott.

Wyrd Britain reviews 'Wild Folk: Tales from the Stones' by Jackie Morris & Tamsin Abbott.

'Wild Folk' contains seven folklorish tales inspired by such diverse influences as classic folktales, the label of a cider bottle, a castle, W.B. Yeats and an island but what they have in common is their themes of a deep abiding love of the natural world and the mysteries it holds and a need to protect both.  Here she tells stories of hares, foxes, selkies, owls, trouts, swans, and ravens in a poetic prose, words often tumbling down the page in an almost race to present themselves.

Like all the best illustrators Abbott's art reflects these themes, encapsulating and reinterpreting the stories using her chosen medium to bring an additional vibrancy to the  stories, an expressiveness gained in no small part to the literal illumination that animates the art.

Wyrd Britain reviews 'Wild Folk: Tales from the Stones' by Jackie Morris & Tamsin Abbott.

Not all the stories work as well as one would wish, 'The Owl's Tale' has a jarring shift mid story and 'The White Hare's Tale' is a tad heavy handed but generally this is a delicately wistful and rather beautiful book that I devoured over the course of an evening.

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Saturday, 2 August 2025

Figures Crossing the Field Towards the Group

Wyrd Britain reviews 'Figures Crossing the Field Towards the Group" by Rebecca Gransden from The Tangerine Press.
Rebecca Gransden
The Tangerine Press

A pilgrimage. An England in delirium.

In the midst of an apocalyptic event of unknown provenance – a mass of red spreading north from the southern counties – a young girl sets out on a journey. Along the way she encounters a series of eccentric characters, the few left behind in the wake of a widespread evacuation. Some of these individuals are ravaged and on the edge of death, while others are immersed in their own hermetic practices, be they solipsistic, nihilistic, or otherwise. None wish to engage for more than the brief time necessary to offer their meagre assistance

Rebecca contacted me recently with regard to her book and a read of the synopsis alongside a glowing review from Iain Sinclair -  ‘Linguistically inventive, alert in every sense, and propelled with such narrative force that hairs burn on the unsuspecting reader's neck.'  - was all I needed to avail myself of a copy.

A post-apocalyptic novella that accompanies 'Flo' on her journey across an emptied land, its inhabitants having fled the unknown apocalypse spreading from the south.  It's effects on those who've remained are as profound as they are bizarre but it's most obvious impact is the altering of the written word, reducing it to single syllables, a deconstruction of language that gives the book the deeply lyrical character of Beat or Jazz poetry as the words fracture and tangle, tumbling over each other to create a delerious, occasionally nightmarish, vision of a land stripped of cohesion, slowly degenerating, reducing itself to a primordial state.

At first look, this broken narrative felt daunting, an obstacle placed directly in the reader's path, but by the third page, it became the novellas' strongest feature, one that immerses rather than repels, giving Flo's journey the character of her name.  There were moments that didn't necessarily work for me  - the chapter titled 'Public Information Dreams' seemed purposeless - and the enigma of the ending will,  I suspect, frustrate as many people as it enthralls but, and I say this unreservedly, I adored this book to the point that I'm certain I'll revisit this decaying world again soon.

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Monday, 28 July 2025

Lost in the Garden

Wyrd Britain reviews 'Lost in the Garden' by Adam S Leslie.
Adam S Leslie
Dead Ink Books

Heather, Rachel and Antonia are going to Almanby. Heather needs to find her boyfriend who, like so many, went and never came back. Rachel has a mysterious package to deliver, and her life depends on it. And Antonia - poor, lovestruck Antonia just wants the chance to spend the day with Heather. So off they set through the idyllic yet perilous English countryside, in which nature thrives in abundance and summer lasts forever. And as they travel through ever-shifting geography and encounter strange voices in the fizz of shortwave radio, the harder it becomes to tell friend from foe. Creepy, dreamlike, unsettling and unforgettable - you are about to join the privileged few who come to understand exactly why we don't go to Almanby.

If you'd have asked me at any point during the first half of this book what I thought of it, actually if you'd even stood near me for long enough, I'd have raved at you about how good it is. Unfortunately, if you'd asked the same question during the second half, I'd have repled with a wistful, "Hmmm."

Initially, this is a strange and vaguely cosmic road trip overflowing with fun dialogue and inventive narrative.  Leslie's writing is witty, his world-building is captivating, his characters are engaging and his pacing is perfect.  As the three girls travel to the forbidden town of Almanby we are treated  to a slightly surreal road trip until they arrive at their destination and from that point I couldn't shake the feeling that Leslie was in dire need of an editor.

Once in Almanby the purposeful drive becomes an indulgent meander that soon overstays it's welcome.  At no point did I stop enjoying Leslie's prose but he lost all momentum and the book became bogged down in a succession of fairly uninteresting surreal set pieces, most of which could have been ejected and replaced with a single stronger final act.

Regular Wyrd Britain readers will know how much I dislike writing negative reviews and I want to stress that this isn't one.  There is so very much to love here and I've spoken to people who felt the exact opposite about the book and that it found it's feet in that second half but for me, it wasn't what it could have been or perhaps what I wanted it to be.  What it absolutely was though was a bold and intriguing debut and I'm very interested to see what Leslie does next.

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If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

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