Wednesday, 31 January 2018

Buried Treasure - Rare Psych, Moogs & Brass - Remixed

Over the past few years Wyrd Britain's good friend Alan Gubby has been responsible for unearthing and releasing some stunning artefacts from the BBC Radiophonic Workshop archives both in conjunction with Jonny Trunk over at Trunk Records (Alan was instrumental in their two John Baker releases and the more recent Delia Derbyshire 'Circle of Light') and on his own Buried Treasure label where he's released another John Baker collection - the astonishing 'Vendetta Tapes' - and various other neglected gems such as electronic music pioneer Alan Sutcliffe's EMS Synthi explorations.

One of the first things we bought from Buried Treasure was another of their archive digs of electronic music of a slightly different form in the shape of 'Rare Psych, Moogs & Brass' a collection of undeniably funky and downright groovy 'big band grooves, moog synths, psychedelic funk, dub disco & more produced between 1969 & 1981' collected from the Sonoton Music Library.  We're suckers for library music here at Wyrd Britain and this collection of rarities became a fast favourite.

Now we are very pleased to tell you that Buried Treasure has released a companion volume to that album of remixes featuring tunes by the amazing folktronic ensemble Revbjelde, Jung Collective, Zyklus, Monoslapper, Buff Plaza & the frankly gloriously named Jazz Spanky (most - if not all - of which involve Alan in some form or other).  Just like it's parent volume this set is a toe tapping, bum wiggling, head noodling assemblage of tumescent delights that twist and turn the originals into various flavoured cocktails of sleazy, loungey, dancey, acidy, groovy, psychy gold.

If that's got your tastebuds tingling then hit the player below to have a listen or click through to the bandcamp page where you can download the remixes for a paltry £3 or the original CD with the remixes download thrown in for the bargain price of £8 - be quick though at the time of writing there were only 6 left.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Thursday, 25 January 2018

The Mammoth Book of Best New Horror 24

Stephen Jones (ed)
Robinson

For nearly twenty-five years The Mammoth Book of Best New Horror has been the world's leading annual anthology dedicated solely to showcasing the best in contemporary horror fiction. Comprising the most outstanding new short fiction by both contemporary masters of horror and exciting newcomers, this multiple award-winning series also offers an overview of the year in horror, a comprehensive necrology of recent obituaries, and an indispensable directory of contact details for dedicated horror fans and writers.
The Mammoth Book of Best New Horror remains the world's leading annual anthology dedicated solely to presenting the best in contemporary horror fiction.


I don't often do modern anthologies - for no other reasons really than I don't find them very often and I have more than enough old ones here to keep me going  - but I came across this one recently and it caught my eye due to the presence of Mark Valentine and Reggie Oliver, the first being a writer I like very much and the second being one I've wanted to check out for a while now.

The collection is bookended by two long reviews of the year (2012) with the first being a what's happened and the second a who's died.  Neither of these interested me much so I skipped them in their entirety. Of the stories, of which there are 22, they are generally pretty sound, which you should hope from the title of the anthology.  There are some big names included here, Neil Gaiman provides a poem which didn't do much for me but I'm generally not much of a poetry buff,  Ramsey Campbell provides a great fun, witchy bingo story full of cackling old women and Joe R. Lansdale has a fairly tasteless and unpleasant zombie tale.

Of the others there were a few standouts, Mark Valentine's 'The Fall of the King of Babylon' is a dark fantasy with interesting and unexpected tinges of Mervyn Peake and of Robert E. Howard's Solomon Kane stories, Steve Rasnic Tem's 'Waiting at the Crossroads Motel' had me singing a theme tune to myself (if you're a Brit of a certain age you'll know the one - if not) but offered up a satisfying piece of Loveceraftian mischief whilst Glen Hirshberg's 'His Only Audience' was an interestingly open ended slice of devilish whimsy.  The rest were all readable to varying degrees with none standing out as particular stinkers and provided a suitable distraction as I navigated new year with a stinking cold and has left me quite curious about the other year's collections.

Buy it here - The Mammoth Book of Best New Horror 24 (Mammoth Books)

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 21 January 2018

Shades of Darkness: Seaton's Aunt

Written by Walter de la Mare in 1922, 'Seaton's Aunt' is a psychological horror which tells a tale of cruelty and familial abuse and, perhaps, of psychic vampirism.

Arthur Seaton is a rather meek and nervous boy, bullied at school by his classmates and at home by his domineering aunt.  Following a small kindness he invites the more vigorous and popular Withers home for the holiday where the visitor is shown the deeply unhealthy relationship between the boy and his guardian and is brought into Seaton's confidence regarding what he believes to be his aunt's 'true' nature.  Further visits, as an adult reintroduces Withers to the household and the depths of the antipathy that exists between it's residents.

Adapted in 1983 as part of a little known anthology series, 'Shades of Darkness' this version features Mary Morris as the titular character.  More widely known in Wyrd Britain as the old shaman Panna in the Doctor Who episode Kinda and, in the episode "Dance of the Dead", as one of the many inhabitants of the Number Two chair in The Prisoner, here she turns in an outrageous performance filled with sarcastic vitriol and scenery chewing grandiosity.  As Seaton and Withers, Adam Lal and Joshua de la Mare as the young versions and Paul Herzberg and Peter Settelen as the adult provide sympathetic portrayals of the two very different men but all pale next to Morris' gothic harridan.

Until the final act this is a fairly faithful recreation of the original and when the change, which does rob the story of much of it's supernatural ambiguity, happens I found I didn't really mind all that much with the televised ending being perhaps as characteristic of the time it was made as much as the, arguably much better, original ending is it's own era and they both conclude with the same devastating final statement.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Friday, 19 January 2018

The Best Ghost Stories

Various
Hamlyn

With a title as seemingly clear and straightforward as that one up there you'd imagine that this here 750 page house brick of a book would be chock full of ghostly mayhem but you'd be fairly wrong in your assumption.  There's a little note at the beginning to the effect that they've played fast and loose with the term 'ghost story' and they're not lying. 

Spectral types do figure but they are mostly conspicuous by their absence.  In their stead we have a veritable smorgasbord of the grim, gruesome and ghastly; black magicians (Edward Bulwer-Lytton's 'The House and the Brain' and M.R. James' 'Casting the Runes'), werewolves (Saki's 'Gabriel-Ernest'), other dimensions (Algernon Blackwood's 'The Willows'), ancient evil (H.P. Lovecraft's 'Rats in the Wall'), death itself (Edgar Allan Poe's 'The Masque of the Red Death'), Pan (Arthur Machen's 'The Great God Pan' and E.M. Forster's 'The Story of a Panic'), vampires (J. Sheridan le Fanu's 'Carmilla') and even a spirit or two (Oliver Onion's 'Are You Too Late Or Was I Too Early').

Amongst these are a host of other tales with certain authors featuring multiple times - there are 3 Machen's and 4 Lovecraft's for instance.  There are a few stories that keen anthology readers like myself will know well like W.W. Jacobs' 'The Monkey's Paw' but in general this is an intriguing selection that isn't afraid to sit a longer tale such as the Machen or le Fanu I mentioned earlier alongside a more fleeting tale such as Guy de Maupassant's 'Was It A Dream'.

It's all the better for it too.  The size of the book kept me subsumed in it's various world's for the best part of a fortnight, I even read some of it whilst holidaying at Baskerville Hall which seemed appropriate.  It is a delightfully atmospheric and absorbing read and I applaud the decision for multiple tales as it allowed for a deeper immersion in both an particular writer and in the book itself.


..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Monday, 15 January 2018

Robert Aickman: Author of Strange Tales

Created by R.B. Russell and Rosalie Parker of Tartarus Press who have been responsible for championing and republishing Aickman's work this is a fascinating documentary of the life and work of a particularly enigmatic author.  With contributions from friends and fans - such as The League of Gentlemen's Jeremy Dyson and author and playwright Reggie Oliver - it tells of his writing, his wider involvement in the arts and his work preserving the canalways of Britain and gives many fascinating insights into the life of this most compelling of writers.




..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 14 January 2018

The Hospice

Robert Aickman was an English writer of  'strange stories' (his term) of which he wrote some 48 that have been collected and reissued most recently by Tartarus Press and Faber & Faber.

Taken from the collection 'Cold Hand In Mine', 'The Hospice' is a deeply unsettling tale of a man stumbling into a situation that he cannot understand when lack of petrol and an inexplicable animal attack lead him to seek refuge in a remote building offering "Good food, some accommodation".

Screened as part of an obscure, late eighties HTV West anthology series called 'Night Voices', The Hospice is a bold and I think mostly successful attempt to film one of Aickman's more inscrutable stories.  The director, Dominique Othenin-Girard (who went on to make Halloween 5 and Omen IV) makes some clunky decisions (the moving statue @1:15) but he creates an uneasy atmosphere characterised by the gurgling radiators of the overheated building, the amorphous creaks and squelches reminiscent of the digesting of the massive portions of food served at dinner and the discordant musical score alternating between ethereal voices and avant garde jazz stabs.  The enigmatic nature of Aickman's story is maintained but in the more blatant world of film and stripped of the elegant obfuscation of the author's prose we are given a far more blatant indication of intent and meaning than in the original.  In the lead role Jack Shepherd (now far more widely known as Wycliffe) is excellent as Maybury as are Alan Dobie (as Hospice maitre d, Falkner) and Jonathan Cecil (as his unexpected room mate, Mr. Bannard) but Marthe Keller is given little to do as Cecille.

This is a story that resides more fully in the weird than in the supernatural it sits more easily alongside Kafka, The Twilight Zone or the works of David Lynch than it does M.R. James or Algernon Blackwood.  It is a phantasmagoric fever dream that drags you into a world both seductive and unpleasant with little justification offered or resolution provided.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Saturday, 13 January 2018

Ghost Stories

I've got to admit I wasn't hugely taken by Jeremy Dyson's book of ghostly tales 'The Haunted Book' when I read (some of) it a few years back.  I'm not going to knock it because what I read wasn't bad and he has an obvious love for the genre but the first few stories just didn't really grab me, my interest wandered and I never finished it.  I dislike not finishing a book especially in such a rude and dismissive manner so may have to go back and have another try especially in light of this new trailer for the upcoming 'Ghost Stories' movie written by him
 and Andy Nyman.

Adapted from their play of the same name 'Ghost Stories' tells the story of...

'Phillip Goodman, professor of psychology, arch-sceptic, the one-man ‘belief buster’ – has his rationality tested to the hilt when he receives a letter apparently from beyond the grave. His mentor Charles Cameron, the ‘original’ TV parapsychologist went missing fifteen years before, presumed dead and yet now he writes to Goodman saying that the pair must meet. Cameron, it seems, is still very much alive. And he needs Goodman to find a rational explanation for three stories that have shaken Cameron to his core. As Goodman investigates, he meets three haunted people, each with a tale more frightening, uncanny and inexplicable than the last.'

Now I know you can rarely judge a film by it's trailer - we've all seen amazing trailers for appalling movies and vice versa - but this one has got me really hopeful for something nicely creepy.

Peter Bradshaw reviewing the movie for The Guardian following it's screening at the 2017 London Film festival wrote -

'Ghost Stories is a barnstormer of an entertainment, a fairground ride with dodgy brakes. It’s an anthology of creepy supernatural tales in the intensely English tradition of Amicus portmanteau movies from the 1960s, such as Dr Terror’s House of Horrors, or the Ealing classic Dead of Night.'

- which I must admit has me quite excited for the April release date.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Thursday, 11 January 2018

A Country Still All Mystery

Mark Valentine
Tartarus Press

‘The English landscape was made . . . not just for food and shelter and pleasure, but also for the journey of the soul. There is a field of supernatural stories set in this “other” country, the country of the spirit . . .’ 
In A Country Still All Mystery, Mark Valentine explores how certain writers have used their fiction to convey the idea of numinous terrain, places where we might at any moment stray into the realms of the unearthly and uncanny. 
These essays continue similar literary and antiquarian themes to his well-received earlier volume, Haunted By Books (2015). When and where was the last wolf seen in England? Why were certain lonely houses left beyond parish boundaries? Is there a missing book by T.E. Lawrence? What was the secret history of Cope & Fenwick, liturgical publishers? What became of the original Tower of Moab? 
A Country Still All Mystery will be read with pleasure by those who enjoy the out-of-the-way, the obscure, the eccentric and the outré. It will appeal to anyone who has ever strayed into remote country which seems to be not quite fully in this world.

This is a collection of articles written by Mark over the last few years on various topics that hold his passions but mostly, and at the heart of it, it's about books.  Through it's pages Mark wanders through a host of almost forgotten, half ignored and partially glimpsed authors.  His explorations and explanations of their work is fascinating and delivered in Mark's beautifully crafted prose which adds an entirely extra level of joy to the experience.

photograph by R.B. Russell
Through the course of the various essays we meet authors such as Mary Butts, Oliver Onions, Ronald Frazer, William Hope Hodgson, Randolph Stow, Lord Dunsany, Robert Atkinson, Sarban and of course Arthur Machen (from whose 'The Hill of Dreams' this book takes it's title).  We also get articles on such intriguing topics as the location of the last wolf in England and the assassins of Thomas Beckett,  we learn more about extra-parochial districts - an interest of Mark's that contributed to one of his Connoisseur stories - and several explorations of obscure religious sects.

Books like this are a pleasure I usually like to eke out.  These days I'm far more drawn to fiction than to non so when I do get the urge to read a collection of articles I tend to treat it as an event and read no more than an article a day allowing myself time to digest and ruminate on what I've read.  It can often take me the best part of a month to get through a decent sized collection. I read this one in two days as I simply didn't want to stop.  Mark's energy and enthusiasm is utterly infectious and his subject matter is compelling in the oddest way.

A hugely recommended read for anyone with an interest in the roads less traveled and in the words spoken with a quieter resonance.

Buy it here - A Country Still All Mystery

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Tuesday, 9 January 2018

Boating for Beginners

Jeanette Winterson
Methuen

A pleasure boat company is transformed when the proprietor, Noah, is chosen by the "One True God" to put "sunny" faith back in the world and women back in the kitchen.

Following on from the success of 'Oranges Are Not the Only Fruit' Winterson decided to rewrite the story of Noah and his ark which, on the surface, seems a fairly odd idea until you've read it and then you'll be convinced that it is a very odd idea indeed.

Winterson's biblical tale is a fever dream of gossip, romance novels, frozen food, celebrity and stupidity. It's of us and a potential end of us but a back then sort of us that's pretty much entirely the same as the now us except with a capricious Frankenstein's dairy deity.

It doesn't work.  I like Winterson when she lets her ideas run wild - 'Sexing the Cherry' is a real favourite - but this is just a bit silly.  The core relationship between the women is fun but the rest is bogged down in absurdities and everything dissolves into a bit of a chore that fizzles out in the end.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 7 January 2018

Dr. Phibes Rises Again!

Even though he failed in his revenge on the men he blamed for the death of his beloved wife Victoria (Caroline Munro) a newly resurrected Dr. Phibes (Vincent Price) gathers up her immaculately preserved corpse, his mechanical musicians and his glamorous assistant Vulnavia (Valli Kemp) - who has somehow survived having her head dissolved in the previous film although she does look different as  Virginia North was unable to reprise her role due to pregnancy - and heads off to Egypt on a quest for resurrection for his wife and eternal life for them both.

Ranged against him are Inspector Trout (Peter Jeffrey) and Superintendent Waverley ((John Cater) - both returning in their roles from the previous film - and his rival in the search for immortality Darius Biederbeck (Robert Quarry).  In his customary elaborate manner Phibes contrives to murder his way through Biederbeck's team in search of his goal.

With cameos from Peter Cushing, Terry-Thomas, Beryl Reid and John Thaw this sequel is a same but different sort of beast as it's predecessor, it's every bit as elaborately bloodthirsty but played more for laughs, for instance one character (Baker played by Lewis Fiander) is shown reading Henry James' 'The Turn of the Screw' before being crushed to death in a giant screw press.  Price is of course his usual wonderfully melodramatic self but Kemp is a poor replacement as Vulnavia as she lacks the poise and simmering sensuousness of North.

It's an entertaining sequel that tries valiantly to live up to the idiosyncratic original but the over-reliance on comedy, the police double act of Trout and Waverley in particular,  bogs the film down and hampers the story a tad but that said it is still a film unlike most others and a camp monstrosity of divine proportions in it's own right.

Buy it here - Dr. Phibes Rises Again [DVD] - or watch it below.



..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Saturday, 6 January 2018

Between the Minute and the Hour

A.M. Burrage
Herbert Jenkins

I've been stumbling across various Burrage shorts for the last few years - mostly 'Playmates' and 'Smee' but others too - and invested in a copy of his occult detective stories 'The Occult Files of Francis Chard' and I've pretty much loved them all.  This 1960s collection of some of his ghostly tales has been sitting around on eBay for a while now beckoning and flaunting it's unearthly wiles and I was finally pushed beyond temptation when they dropped the price a few quid.

The big pull for me here was the presence of 'Playmates' a story I never get tired of re-reading and which makes me smile everytime but it turned out that the goodies contained within were many.

The book opens strongly with a fun little oddity from which the book draws it's name that sees a shop keeper receive some disproportionate retribution from a fairly uppity gypsy beggar woman before everything gets very dark indeed for a recuperating chartered accountant in the shadow of 'The Hawthorne Tree'.

'Playmates' is next with it's story of a bookish old man and his neglected ward finding their own lives amongst those who lost theirs.  'The Affair at Paddock Cross' is a rather silly follow up tale of circular history or possibly just a fever dream and then 'The Waxwork' which always struck me as a competently written but ultimately daft story of an overactive imagination.

'The Ivory Gods', 'The Green Scarf' and 'The Captain's Watch' all tell stories of items well hidden and the ghosts attached to them.  Of the three it's the second that is the more powerful with it's air of invading, relentless terror.  The first is an amusing dalliance and the last a fairly light tale that borrows a key aspect of it's plot from the Robert Hichens classic 'How Love Came to Professor Guildea'.

The much anthologised 'Smee' and it's ghostly party always reminds me of the 'Christmas Party' segment of 'Dead of Night' a film I've loved since childhood and so can't really read it that other one echoing in my head. 

Trees with unorthodox root nourishment make a second appearance in 'The Oak Saplings' a vividly written but essentially obvious tale of ghostly retribution which gives way to a far more powerfully realised tale of the same in 'One Who Saw'. 

Burrage once again goes for the heart with 'The Garden in Glenister Square'.  It's a story of a life ending and a love realised that tells of a good man refusing to give way to hate even in the face of betrayal and loss and it's quite lovely.

'The Gambler's Room' is an odd take on the idea of possession - by a habit rather than a spirit - that for me never quite took off perhaps because the injured party who we meet at it's beginning seems, well, happy with his circumstances.  The book ends with a fairly traditional haunted house story in 'Browdean Farm' which does give a little twist to the form at it's end.

As I said earlier, even tempted as I was I took sometime in deciding to grab this book.  From what I'd read before I kind of knew it was going to be readable at the very least with the potential of being very good indeed and in the end it proved to be somewhere in the middle.  Burrage was a writer with a strong, personable and enjoyable style and his ideas could be poignant and disturbing.  His tales are straight forwardly told but often manage to raise a chill or two. 

I am, at the final reckoning, very glad I invested in this.  I bought the book specifically to have a nice old hardback copy of 'Playmates' but in the end got so much more.

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Sunday, 31 December 2017

The Owl Service

Scripted by Alan Garner from his own novel of two years previous, The Owl Service is an 8 part television series originally screened in the UK in late 1969 and early 1970.  It's the story of an eternal love triangle replayed throughout history with it's roots in the Welsh myth of Blodeuwedd, a magical woman made of flowers who is turned into an owl for her role in the deaths of two men.

Alison (Gillian Hills), Gwyn (Michael Holden) and Roger (Francis Wallis) are three teenagers thrown together in an isolated Welsh farmhouse when Roger's father Clive (Edwin Richfield) and Alison's mother Margaret (who we never see) go there for their honeymoon.  The house, formerly owned by Alison's Uncle Bertram, is home to Gwyn and his housekeeper, Mother Nancy (Dorothy Edwards), and the eccentric gardener Huw (Raymond Llewellyn).

Confined to her bed, Alison hears scratching in the attic where she and Gwyn find a set of plates with an unusual pattern that Alison realises can be traced and combined to create an owl.  This is the trigger for a series of events that finds the trio of teens becoming increasingly embroiled in the myth as class and sexual tensions are brought to the surface.

Since it's original screening, and with minimal repeat showings, The Owl Service has deservedly come to be considered as being amongst the finest pieces of supernatural television. Beautifully filmed on location in the Welsh countryside around Dinas Mawddwy in North Wales which makes it a visual feast whilst the themes it plays with make it an unlikely children's programme and to this day feels more suited to a more mature - even if only YA - audience.

The cast are mixed with both Holden (angry working class Welsh boy) and Wallis (smug middle class English) seemingly out of their depth on several occasions. More successful is Richfield's creepily overattentive Clive, Llewellyn's portrayal of the broken Huw and Hills who at 25 and with a career as a French pop singer (Zou Bisou Bisou) and a memorable role in the previous years 'Blow-Up' behind her was perhaps too old for the part but whose personality dominates the screen.

The pace is glacially slow which allows for the relentless building of tension but, at eight episodes, it occasionally feels like it has been stretched to breaking point and I can't help but think that it's originally intended seven episode run (or possibly even six) would have made for a leaner and more dynamic show.  It is however a unique television experiment that pushed all manner of boundaries for a children's programme in ways that had never been done before and have rarely been done since and which combined the supernatural with the mundane in a subtle and pervasive manner that has very much stood the test of time.


..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Affiliate links are provided for your convenience and to help mitigate running costs.

Saturday, 30 December 2017

The Children of Men

P.D. James
Penguin Books

The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.

I've been after reading this book for a good while now.  I'm a sucker for a piece of post-apocalypse cinema and had very much enjoyed the film which I found to be very evocative of the British film and TV dramas of the early 70 that shaped my tastes and when I discovered who had wrote the original text it seemed so out of character that I was more than a little intrigued.  It's taken me a little while to track down a copy but I'm very glad I did.

The basic story is quite different to the movie.  Obviously the baby bit is there but the circumstances of the mother and the events are all different.  Here we have a middle aged university lecturer named Theodore Faron who is essentially an uncaring loner who's closest friend is an uncaring sociopath who runs the country.  Into his life arrives a small group of wannabe revolutionaries determined to bring down what they see as an unjust and uncaring government but with no practical ideas as to how to do so or what to put in it's place (other than themselves).  Theo is increasingly drawn into their incompetent revolution and finds himself on the run with the first pregnant woman in 25 years.

What I liked about the book was it had a real old school Britishness  about it.  The revolution is feeble, the tyranny is measly, the characters are petty and everything is entirely amateurish and slapdash.  The movie version felt a bit more American - I'm going to stress the 'bit' part - and I suppose more up to date but I like the griminess of the book more.  It's got the feel of a Le Carre but one wrapped up in a Survivors or Threads like post apocalypse setting all of which went to making it irresistible to me.

Buy it here - The Children of Men

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain

Friday, 29 December 2017

Short Story - 'The Toll House' by W.W. Jacobs

William Wymark Jacobs (8 September 1863 – 1 September 1943) was an English writer best remembered for his ghost stories of which his most famous is the much anthologised 'The Monkey's Paw'. Here we present another of his ghostly tales
..................................................................................

It's all nonsense," said Jack Barnes. "Of course people have died in the house; people die in every house. As for the noises--wind in the chimney and rats in the wainscot are very convincing to a nervous man. Give me another cup of tea, Meagle."

"Lester and White are first," said Meagle, who was presiding at the tea-table of the Three Feathers Inn. "You've had two."

Lester and White finished their cups with irritating slowness, pausing between sips to sniff the aroma, and to discover the sex and dates of arrival of the "strangers" which floated in some numbers in the beverage. Mr. Meagle served them to the brim, and then, turning to the grimly expectant Mr. Barnes, blandly requested him to ring for hot water.

"We'll try and keep your nerves in their present healthy condition," he remarked. "For my part I have a sort of half-and-half belief in the supernatural."

"All sensible people have," said Lester. "An aunt of mine saw a ghost once."

White nodded.

"I had an uncle that saw one," he said.

"It always is somebody else that sees them," said Barnes.

"Well, there is the house," said Meagle, "a large house at an absurdly low rent, and nobody will take it. It has taken toll of at least one life of every family that has lived there--however short the time--and since it has stood empty caretaker after caretaker has died there. The last caretaker died fifteen years ago."

"Exactly," said Barnes. "Long enough ago for legends to accumulate."

"I'll bet you a sovereign you won't spend the night there alone, for all your talk," said White suddenly.

"And I," said Lester.

"No," said Barnes slowly. "I don't believe in ghosts nor in any supernatural things whatever; all the same, I admit that I should not care to pass a night there alone."

"But why not?" inquired White.

"Wind in the chimney," said Meagle, with a grin.

"Rats in the wainscot," chimed in Lester.

"As you like," said Barnes, colouring.

"Suppose we all go?" said Meagle. "Start after supper, and get there about eleven? We have been walking for ten days now without an adventure--except Barnes's discovery that ditch-water smells longest. It will be a novelty, at any rate, and, if we break the spell by all surviving, the grateful owner ought to come down handsome."

"Let's see what the landlord has to say about it first," said Lester. "There is no fun in passing a night in an ordinary empty house. Let us make sure that it is haunted."

He rang the bell, and, sending for the landlord, appealed to him in the name of our common humanity not to let them waste a night watching in a house in which spectres and hobgoblins had no part. The reply was more than reassuring, and the landlord, after describing with considerable art the exact appearance of a head which had been seen hanging out of a window in the moonlight, wound up with a polite but urgent request that they would settle his bill before they went.

"It's all very well for you young gentlemen to have your fun," he said indulgently; "but, supposing as how you are all found dead in the morning, what about me? It ain't called the Toll-House for nothing, you know."

"Who died there last?" inquired Barnes, with an air of polite derision.

"A tramp," was the reply. "He went there for the sake of half-a-crown, and they found him next morning hanging from the balusters, dead."

"Suicide," said Barnes. "Unsound mind."

The landlord nodded. "That's what the jury brought it in," he said slowly; "but his mind was sound enough when he went in there. I'd known him, off and on, for years. I'm a poor man, but I wouldn't spend the night in that house for a hundred pounds."

He repeated this remark as they started on their expedition a few hours later. They left as the inn was closing for the night; bolts shot noisily behind them, and, as the regular customers trudged slowly homewards, they set off at a brisk pace in the direction of the house. Most of the cottages were already in darkness, and lights in others went out as they passed.

"It seems rather hard that we have got to lose a night's rest in order to convince Barnes of the existence of ghosts," said White.

"It's in a good cause," said Meagle. "A most worthy object; and something seems to tell me that we shall succeed. You didn't forget the candles, Lester?"

"I have brought two," was the reply; "all the old man could spare."

There was but little moon, and the night was cloudy. The road between high hedges was dark, and in one place, where it ran through a wood, so black that they twice stumbled in the uneven ground at the side of it.

"Fancy leaving our comfortable beds for this!" said White again. "Let me see; this desirable residential sepulchre lies to the right, doesn't it?"

"Farther on," said Meagle.

They walked on for some time in silence, broken only by White's tribute to the softness, the cleanliness, and the comfort of the bed which was receding farther and farther into the distance. Under Meagle's guidance they turned off at last to the right, and, after a walk of a quarter of a mile, saw the gates of the house before them.

The lodge was almost hidden by over-grown shrubs and the drive was choked with rank growths. Meagle leading, they pushed through it until the dark pile of the house loomed above them.

"There is a window at the back where we can get in, so the landlord says," said Lester, as they stood before the hall door.

"Window?" said Meagle. "Nonsense. Let's do the thing properly. Where's the knocker?"

He felt for it in the darkness and gave a thundering rat-tat-tat at the door.

"Don't play the fool," said Barnes crossly.

"Ghostly servants are all asleep," said Meagle gravely, "but I'll wake them up before I've done with them. It's scandalous keeping us out here in the dark."

He plied the knocker again, and the noise volleyed in the emptiness beyond. Then with a sudden exclamation he put out his hands and stumbled forward.

"Why, it was open all the time," he said, with an odd catch in his voice. "Come on."

"I don't believe it was open," said Lester, hanging back. "Somebody is playing us a trick."

"Nonsense," said Meagle sharply. "Give me a candle. Thanks. Who's got a match?"

Barnes produced a box and struck one, and Meagle, shielding the candle with his hand, led the way forward to the foot of the stairs. "Shut the door, somebody," he said; "there's too much draught."

"It is shut," said White, glancing behind him.

Meagle fingered his chin. "Who shut it?" he inquired, looking from one to the other. "Who came in last?"

"I did," said Lester, "but I don't remember shutting it--perhaps I did, though."

Meagle, about to speak, thought better of it, and, still carefully guarding the flame, began to explore the house, with the others close behind. Shadows danced on the walls and lurked in the corners as they proceeded. At the end of the passage they found a second staircase, and ascending it slowly gained the first floor.

"Careful!" said Meagle, as they gained the landing.

He held the candle forward and showed where the balusters had broken away. Then he peered curiously into the void beneath.

"This is where the tramp hanged himself, I suppose," he said thoughtfully.

"You've got an unwholesome mind," said White, as they walked on. "This place is quite creepy enough without you remembering that. Now let's find a comfortable room and have a little nip of whisky apiece and a pipe. How will this do?"

He opened a door at the end of the passage and revealed a small square room. Meagle led the way with the candle, and, first melting a drop or two of tallow, stuck it on the mantelpiece. The others seated themselves on the floor and watched pleasantly as White drew from his pocket a small bottle of whisky and a tin cup.

"H'm! I've forgotten the water," he exclaimed.

"I'll soon get some," said Meagle.

He tugged violently at the bell-handle, and the rusty jangling of a bell sounded from a distant kitchen. He rang again.

"Don't play the fool," said Barnes roughly.

Meagle laughed. "I only wanted to convince you," he said kindly. "There ought to be, at any rate, one ghost in the servants' hall."

Barnes held up his hand for silence.

"Yes?" said Meagle, with a grin at the other two. "Is anybody coming?"

"Suppose we drop this game and go back," said Barnes suddenly. "I don't believe in spirits, but nerves are outside anybody's command. You may laugh as you like, but it really seemed to me that I heard a door open below and steps on the stairs."

His voice was drowned in a roar of laughter.

"He is coming round," said Meagle, with a smirk. "By the time I have done with him he will be a confirmed believer. Well, who will go and get some water? Will, you, Barnes?"

"No," was the reply.

"If there is any it might not be safe to drink after all these years," said Lester. "We must do without it."

Meagle nodded, and taking a seat on the floor held out his hand for the cup. Pipes were lit, and the clean, wholesome smell of tobacco filled the room. White produced a pack of cards; talk and laughter rang through the room and died away reluctantly in distant corridors.

"Empty rooms always delude me into the belief that I possess a deep voice," said Meagle. "To-morrow I----"

He started up with a smothered exclamation as the light went out suddenly and something struck him on the head. The others sprang to their feet. Then Meagle laughed.

"It's the candle," he exclaimed. "I didn't stick it enough."

Barnes struck a match, and re-lighting the candle, stuck it on the mantelpiece, and sitting down took up his cards again.

"What was I going to say?" said Meagle. "Oh, I know; to-morrow I----"

"Listen!" said White, laying his hand on the other's sleeve. "Upon my word I really thought I heard a laugh."

"Look here!" said Barnes. "What do you say to going back? I've had enough of this. I keep fancying that I hear things too; sounds of something moving about in the passage outside. I know it's only fancy, but it's uncomfortable."

"You go if you want to," said Meagle, "and we will play dummy. Or you might ask the tramp to take your hand for you, as you go downstairs."

Barnes shivered and exclaimed angrily. He got up, and, walking to the half-closed door, listened.

"Go outside," said Meagle, winking at the other two. "I'll dare you to go down to the hall door and back by yourself."

Barnes came back, and, bending forward, lit his pipe at the candle.

"I am nervous, but rational," he said, blowing out a thin cloud of smoke. "My nerves tell me that there is something prowling up and down the long passage outside; my reason tells me that that is all nonsense. Where are my cards?"

He sat down again, and, taking up his hand, looked through it carefully and led.

"Your play, White," he said, after a pause.

White made no sign.

"Why, he is asleep," said Meagle. "Wake up, old man. Wake up and play."

Lester, who was sitting next to him, took the sleeping man by the arm and shook him, gently at first and then with some roughness but White, with his back against the wall and his head bowed, made no sign. Meagle bawled in his ear, and then turned a puzzled face to the others.

"He sleeps like the dead," he said, grimacing. "Well, there are still three of us to keep each other company."

"Yes," said Lester, nodding. "Unless-- Good Lord! suppose----"

He broke off, and eyed them, trembling.

"Suppose what?" inquired Meagle.

"Nothing," stammered Lester. "Let's wake him. Try him again. White! WHITE!"

"It's no good," said Meagle seriously; "there's something wrong about that sleep."

"That's what I meant," said Lester; "and if he goes to sleep like that, why shouldn't----"

Meagle sprang to his feet. "Nonsense," he said roughly. "He's tired out; that's all. Still, let's take him up and clear out. You take his legs and Barnes will lead the way with the candle. Yes? Who's that?"

He looked up quickly towards the door. "Thought I heard somebody tap," he said, with a shamefaced laugh. "Now, Lester, up with him. One, two-- Lester! Lester!"

He sprang forward too late; Lester, with his face buried in his arms, had rolled over on the floor fast asleep, and his utmost efforts failed to awake him.

"He--is--asleep," he stammered. "Asleep!"

Barnes, who had taken the candle from the mantelpiece, stood peering at the sleepers in silence and dropping tallow over the floor.

"We must get out of this," said Meagle. "Quick!"

Barnes hesitated. "We can't leave them here--" he began.

"We must," said Meagle, in strident tones. "If you go to sleep I shall go-- Quick! Come!"

He seized the other by the arm and strove to drag him to the door. Barnes shook him off, and, putting the candle back on the mantelpiece, tried again to arouse the sleepers.

"It's no good," he said at last, and, turning from them, watched Meagle. "Don't you go to sleep," he said anxiously.

Meagle shook his head, and they stood for some time in uneasy silence. "May as well shut the door," said Barnes at last.

He crossed over and closed it gently. Then at a scuffling noise behind him he turned and saw Meagle in a heap on the hearthstone.

With a sharp catch in his breath he stood motionless. Inside the room the candle, fluttering in the draught, showed dimly the grotesque attitudes of the sleepers. Beyond the door there seemed to his overwrought imagination a strange and stealthy unrest. He tried to whistle, but his lips were parched, and in a mechanical fashion he stooped, and began to pick up the cards which littered the floor.

He stopped once or twice and stood with bent head listening. The unrest outside seemed to increase; a loud creaking sounded from the stairs.

"Who is there?" he cried loudly.

The creaking ceased. He crossed to the door, and, flinging it open, strode out into the corridor. As he walked his fears left him suddenly.

"Come on!" he cried, with a low laugh. "All of you! All of you! Show your faces--your infernal ugly faces! Don't skulk!"

He laughed again and walked on; and the heap in the fireplace put out its head tortoise fashion and listened in horror to the retreating footsteps. Not until they had become inaudible in the distance did the listener's features relax.

"Good Lord, Lester, we've driven him mad," he said, in a frightened whisper. "We must go after him."

There was no reply. Meagle sprang to his feet.

"Do you hear?" he cried. "Stop your fooling now; this is serious. White! Lester! Do you hear?"

He bent and surveyed them in angry bewilderment. "All right," he said, in a trembling voice. "You won't frighten me, you know."

He turned away and walked with exaggerated carelessness in the direction of the door. He even went outside and peeped through the crack, but the sleepers did not stir. He glanced into the blackness behind, and then came hastily into the room again.

He stood for a few seconds regarding them. The stillness in the house was horrible; he could not even hear them breathe. With a sudden resolution he snatched the candle from the mantelpiece and held the flame to White's finger. Then as he reeled back stupefied, the footsteps again became audible.

He stood with the candle in his shaking hand, listening. He heard them ascending the farther staircase, but they stopped suddenly as he went to the door. He walked a little way along the passage, and they went scurrying down the stairs and then at a jog-trot along the corridor below. He went back to the main staircase, and they ceased again.

For a time he hung over the balusters, listening and trying to pierce the blackness below; then slowly, step by step, he made his way downstairs, and, holding the candle above his head, peered about him.

"Barnes!" he called. "Where are you?"

Shaking with fright, he made his way along the passage, and summoning up all his courage, pushed open doors and gazed fearfully into empty rooms. Then, quite suddenly, he heard the footsteps in front of him.

He followed slowly for fear of extinguishing the candle, until they led him at last into a vast bare kitchen, with damp walls and a broken floor. In front of him a door leading into an inside room had just closed. He ran towards it and flung it open, and a cold air blew out the candle. He stood aghast.

"Barnes!" he cried again. "Don't be afraid! It is I--Meagle!"

There was no answer. He stood gazing into the darkness, and all the time the idea of something close at hand watching was upon him. Then suddenly the steps broke out overhead again.

He drew back hastily, and passing through the kitchen groped his way along the narrow passages. He could now see better in the darkness, and finding himself at last at the foot of the staircase, began to ascend it noiselessly. He reached the landing just in time to see a figure disappear round the angle of a wall. Still careful to make no noise, he followed the sound of the steps until they led him to the top floor, and he cornered the chase at the end of a short passage.

"Barnes!" he whispered. "Barnes!"

Something stirred in the darkness. A small circular window at the end of the passage just softened the blackness and revealed the dim outlines of a motionless figure. Meagle, in place of advancing, stood almost as still as a sudden horrible doubt took possession of him. With his eyes fixed on the shape in front he fell back slowly, and, as it advanced upon him, burst into a terrible cry.

"Barnes! For God's sake! Is it you?"

The echoes of his voice left the air quivering, but the figure before him paid no heed. For a moment he tried to brace his courage up to endure its approach, then with a smothered cry he turned and fled.

The passages wound like a maze, and he threaded them blindly in a vain search for the stairs. If he could get down and open the hall door----

He caught his breath in a sob; the steps had begun again. At a lumbering trot they clattered up and down the bare passages, in and out, up and down, as though in search of him. He stood appalled, and then as they drew near entered a small room and stood behind the door as they rushed by. He came out and ran swiftly and noiselessly in the other direction, and in a moment the steps were after him. He found the long corridor and raced along it at top speed. The stairs he knew were at the end, and with the steps close behind he descended them in blind haste. The steps gained on him, and he shrank to the side to let them pass, still continuing his headlong flight. Then suddenly he seemed to slip off the earth into space.

Lester awoke in the morning to find the sunshine streaming into the room, and White sitting up and regarding with some perplexity a badly-blistered finger.

"Where are the others?" inquired Lester.

"Gone, I suppose," said White. "We must have been asleep."

Lester arose, and, stretching his stiffened limbs, dusted his clothes with his hands and went out into the corridor. White followed. At the noise of their approach a figure which had been lying asleep at the other end sat up and revealed the face of Barnes. "Why, I've been asleep," he said, in surprise. "I don't remember coming here. How did I get here?"

"Nice place to come for a nap," said Lester severely, as he pointed to the gap in the balusters. "Look there! Another yard and where would you have been?"

He walked carelessly to the edge and looked over. In response to his startled cry the others drew near, and all three stood staring at the dead man below.

The Purple Cloud

M.P. Shiel
Allison & Busby

"If now a swell from the Deep has swept over this planetary ship of earth, and I, who alone chanced to find myself in the furthest stern, as the sole survivor of her crew . . . What then, my God, shall I do?" The Purple Cloud is widely hailed as a masterpiece of science fiction and one of the best "last man" novels ever written. A deadly purple vapor passes over the world and annihilates all living creatures except one man, Adam Jeffson. He embarks on an epic journey across a silent and devastated planet, an apocalyptic Robinson Crusoe putting together the semblance of a normal life from the flotsam and jetsam of his former existence. As he descends into madness over the years, he becomes increasingly aware that his survival was no accident and that his destiny—and the fate of the human race—are part of a profound, cosmological plan.

 So, you wait ages for one Shiel novel and then two come along at once.  I found this copy of his most renowned work about two days after I'd finished 'Prince Zaleski'.  I don't, as a rule, read two books by the same author very close together but I was hankering after some post-apocalypse shenanigans and this looked as good a shout as any other so in I went.

Adam Jeffson is a cowardly, unlikeable and deeply selfish character who finds himself the sole survivor of the first expedition to the North Pole and then subsequently the last survivor on a planet devastated by a murderous purple gas that has swept the world.

Convinced that he is the final pawn in the battle between the 'White' and the 'Black' Jeffson decides to facilitate a final victory by blowing up the remains of the world's cities.  So, for 17 years he travels the world doing just that pausing only to build his house of wine and gold until an unexpected discovery changes everything.

Shiel's writing her is every bit as flowery and grandiose as in the other book.  He's a fairly slow read taking his time to explore, explain and extrapolate every detail or circumstance.  There's also a deeply religious aspect to the work that never seemed fully developed.  The biggest problem though is how deeply unlikeable Jeffson is.  At no point after the first few pages did I feel anything but repulsion by either him or his actions did have me rooting for the cloud.

I'm glad I finally got to read this but I wasn't sorry when I got to the end.

Buy it here - The Purple Cloud (Penguin Classics)

..........................................................................................

If you enjoy what we do here on Wyrd Britain and would like to help us continue then we would very much welcome a donation towards keeping the blog going - paypal.me/wyrdbritain